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Product 16 / 2422
MORSE, Ella Mae
Ella Mae Rocks
Price-Code:
AR
Art.No.:
BCD16672
EAN Nr.:
4000127166722
Genre:
ROCK & ROLL
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Ella Mae Rocks
(1-CD DigiPac with 52-Page Booklet, 34 tracks. Playing time: 84:33). - 'What is my type of song ' Ella Mae Morse once asked her mentor, the songwriter, singer and record label owner Johnny Mercer when he told her that a certain song didn't fit her style. He wasn't alone in pigeonholing her. 'Cliffie Stone said, 'You're a country singer.' And Benny Carter said, 'You're a jazz singer.' T-Bone Walker said, 'You're a rock 'n' roll, blues black singer
that's what you are.' They were all right
and her versatility was both Morse's greatest asset and her biggest problem. Morse came of age in the Swing Era and her own tastes tended toward blues-tinged swing jazz and torchy ballads, but her breakthrough hit from 1942, the jivey, bluesy novelty Cow Cow Boogie aside, she has ironically been less remembered for her early forays in these styles than for her 1950s stabs at R&B, rock 'n' roll and hillbilly boogie. - This collection gathers many of Morse's most rocking and hard-swinging sides, as compiled by the noted music historian Bill Millar. It runs the gamut, from the song that made Morse a star, Cow Cow Boogie, to covers of classic early '50s R&B and early rock 'n' roll like Money Honey, Have Mercy Baby and Ain't That A Shame. The telling link between these two styles were classic, forward-looking piano and vocal showcases from the early postwar period like The House Of Blue Lights and A Little Further Down The Road A Piece, many of them cut with Freddie Slack, the boogie woogie stylist with whom Morse had originally hit the big time.
that's what you are.' They were all right
and her versatility was both Morse's greatest asset and her biggest problem. Morse came of age in the Swing Era and her own tastes tended toward blues-tinged swing jazz and torchy ballads, but her breakthrough hit from 1942, the jivey, bluesy novelty Cow Cow Boogie aside, she has ironically been less remembered for her early forays in these styles than for her 1950s stabs at R&B, rock 'n' roll and hillbilly boogie. - This collection gathers many of Morse's most rocking and hard-swinging sides, as compiled by the noted music historian Bill Millar. It runs the gamut, from the song that made Morse a star, Cow Cow Boogie, to covers of classic early '50s R&B and early rock 'n' roll like Money Honey, Have Mercy Baby and Ain't That A Shame. The telling link between these two styles were classic, forward-looking piano and vocal showcases from the early postwar period like The House Of Blue Lights and A Little Further Down The Road A Piece, many of them cut with Freddie Slack, the boogie woogie stylist with whom Morse had originally hit the big time.
Video
Content
Medium 1
001
Money Honey
002
Have Mercy Baby
003
Rock Me All Night Long
004
Daddy Daddy
005
The House Of Blue Lights
006
5-10-15 Hours
007
It's Raining Tears From My Eyes
008
How Can You Leave A Man Like This
009
Lovey Dovey
010
Get Off It And Go
011
Okie Boogie
012
False Hearted Girl
013
Greyhound
014
Jump Back Honey
015
A Little Further Down The Road A Piece
016
Bouncin' Ball
017
Big Mamou
018
Forty Cups Of Coffee
019
Give A Little Time To Your Lover
020
The Blacksmith Blues
021
Won't You Listen To Me Baby
022
Okie Boogie
023
Smack Dab In The Middle
024
Yes, Yes I Do
025
Razzle Dazzle
026
Ain't That A Shame
027
Piddily Patter Patter
028
Seventeen
029
When Boy Kiss Girl (It's Love)
030
Give Me Love
031
Rockin' And Rollin'
032
Rock And Roll Wedding
033
Cow-Cow Boogie
034
Mr. Anthony's Blues
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Product 16 / 2422















