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Brook Benton 30 Greatest Hits

Artikel-Nr.: CDRMB75253

Gewicht in Kg: 0,100

 

Sofort versandfertig, Lieferzeit** 1-3 Werktage

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Brook Benton: 30 Greatest Hits

(2014/IMC) 30 tracks

(2014/IMC) 30 tracks


 

Songs

Brook Benton - 30 Greatest Hits Medium 1
1: It's Just A Matter Of Time  
2: Hurtin' Inside  
3: Endlessly  
4: So Close  
5: Thank You Pretty Baby  
6: With All Of My Heart  
7: So Many Ways  
8: Baby (You've Got What It Takes) (With Dinah Washington)  
9: The Ties That Bind  
10: Hither And Thither And Yon  
11: A Rockin' Good Way (To Mess Around And Fall In Love) (With D Washington)  
12: Kiddio  
13: The Same One  
14: Fools Rush In (Where Angels Fear To Tread)  
15: Someday You'll Want Me To Want You  
16: Think Twice  
17: For My Baby  
18: The Boll Weevil Song  
19: Frankie And Johnny  
20: It's Just A House Without You  
21: Revenge  
22: Shadrack  
23: Walk On The Wild Side  
24: Hit Record  
25: Lie To Me  
26: Still Waters Run Deep  
27: Hotel Happiness  
28: A Million Miles From Nowhere [Bonus Track]  
29: This Time Of The Year [Bonus Track]  
30: The Lost Penny [Bonus Track]  

 

Artikeleigenschaften von Brook Benton: 30 Greatest Hits

  • Interpret: Brook Benton

  • Albumtitel: 30 Greatest Hits

  • Artikelart CD

  • Genre R&B, Soul

  • Music Genre Rhythm & Blues
  • Music Style Rhythm & Blues
  • Music Sub-Genre 251 Rhythm & Blues
  • Erscheinungsjahr 2014
  • Label IMC Music

  • SubGenre R&B Music - Classic R&B

  • EAN: 8712177063772

  • Gewicht in Kg: 0.100
 
 

Interpreten-Beschreibung "Benton, Brook"

Brook Benton

It's Just A Matter Of Time

Brook Benton

It's Just A Matter Of Time

 

As Mercury Records’ new head of east coast A&R, Clyde Otis lost no time signing his demo singer and occasional co-writer, Brook Benton. During the first session Benton and Otis recorded a song they’d worked up, It's Just A Matter Of Time. They’d written the song for Nat ‘King’ Cole, but Otis explained to Cole that he’d just landed the Mercury gig, and really wanted the song for Benton. The lyrics reflected Benton's frustration at his inability to score a hit as a singer. When confronted with his co-writer's frustration Otis would say, "It's just a matter of time, Brook." Otis ensured that it would appeal to the broadest cross-section of the market by employing a full string section.

 

However, there was a political dimension to the strings that went beyond merely broadening the base of appeal. "Historically," asserted Otis, "black artists wanted to record with strings because it had been something that had been denied them. The strings symbolized legitimacy. There weren't even any black string players working in the studios. When we organized Brook's first date I asked my contractor if there were any black string players. He said, 'Yes. They're working in Broadway shows and other pick-up jobs.' I said, 'Why don't they play record dates?' He said, 'Nobody calls them.' I said, 'If they're good, I want to see them on my sessions.'" Benton's intimate and crisply miked vocals looked back toward the relaxed ballad style of Arthur Prysock and Billy Eckstine and forward to the passion of soul music.

One of the selling points was Benton’s low notes. He was singing deeper and with more feeling than on any of his previous recordings for other labels. The low notes were a legacy from an early R&B giant, Percy Mayfield. Benton had first used them on his demo of The Stroll. After his vocal arrangement had been successfully co-opted by the Diamonds, Benton resolved to use the low notes on his own recordings and perfected his technique. Otis also ensured that Brook rehearsed his vocal part for days before a session so that many of the nuances could be honed to perfection. “The people at Mercury said it was too quiet,” said Otis. “Said it didn’t rock and roll enough. So I took it to a dee-jay, Doctor Jive, asked him to play it. He called back and said the switchboard had lit up. The people at Mercury checked it out and found it was true.”  In January 1959, It's Just A Matter Of Time entered the charts, topping the R&B listings and peaking at #3 on the pop charts.

Both Benton and Otis had been vindicated in the strongest possible terms. 

Various - Blowing The Fuse 1959

Classics That Rocked The Jukebox


Read more at: https://www.bear-family.de/various-blowing-the-fuse-1959-classics-that-rocked-the-jukebox.html
Copyright © Bear Family Records

 
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