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Brook Benton & Dinah Washington You've Got What It Takes (3-CD)

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Artikel-Nr.: CDGSS5314

Gewicht in Kg: 0,300

15,95 € *
 
 

Brook Benton & Dinah Washington: You've Got What It Takes (3-CD)

(2001/IMC) 42 tracks - original recordings
 

Songs

Brook Benton & Dinah Washington - You've Got What It Takes (3-CD) Medium 1
1: Baby (You've Got What It Takes)  
2: What A Diff'rence A Day Makes  
3: It's Just A Matter Of Time  
4: This Bitter Earth  
5: Fools Rush In (Where Angels Fear To Tread)  
6: Love Walked In  
7: Hotel Happiness  
8: Teach Me Tonight  
9: Shadrack  
10: It Could Happen To You  
11: Thank You Pretty Baby  
12: Early Every Morning  
13: The Ties That Bind  
14: We Have Love  
Brook Benton & Dinah Washington - You've Got What It Takes (3-CD) Medium 2
1: A Rockin' Good Way (To Mess Around And Fall.)  
2: Rainy Night In Georgia  
3: September In The Rain  
4: Kiddio  
5: Wheel Of Fortune  
6: Endlessly  
7: Unforgettable  
8: Revenge  
9: Cold, Cold Heart  
10: It's Just A House Without You  
11: Where Are You  
12: So Close  
13: Smoke Gets In Your Eyes  
14: Think Twice  
Brook Benton & Dinah Washington - You've Got What It Takes (3-CD) Medium 3
1: I Do  
2: Mad About The Boy  
3: The Boll Weevil Song  
4: Our Love Is Here To Stay  
5: So Many Ways  
6: For All We Know  
7: The Same One  
8: I Get A Kick Out Of You  
9: My True Confession  
10: There Goes My Heart  
11: Lie To Me  
12: The Song Is Ended  
13: I Got What I Wanted  
14: I Believe  

 

Artikeleigenschaften von Brook Benton & Dinah Washington: You've Got What It Takes (3-CD)

  • Interpret: Brook Benton & Dinah Washington

  • Albumtitel: You've Got What It Takes (3-CD)

  • Artikelart CD

  • Genre R&B, Soul

  • Music Genre Rhythm & Blues
  • Music Style Rhythm & Blues
  • Music Sub-Genre 251 Rhythm & Blues
  • Erscheinungsjahr 2001
  • Label GOLDEN STARS

  • SubGenre R&B Music - Classic R&B

  • EAN: 8712177041015

  • Gewicht in Kg: 0.300
 
 

Interpreten-Beschreibung "Benton, Brook & Dinah Washington"

Brook Benton

It's Just A Matter Of Time

Brook Benton

It's Just A Matter Of Time

 

As Mercury Records’ new head of east coast A&R, Clyde Otis lost no time signing his demo singer and occasional co-writer, Brook Benton. During the first session Benton and Otis recorded a song they’d worked up, It's Just A Matter Of Time. They’d written the song for Nat ‘King’ Cole, but Otis explained to Cole that he’d just landed the Mercury gig, and really wanted the song for Benton. The lyrics reflected Benton's frustration at his inability to score a hit as a singer. When confronted with his co-writer's frustration Otis would say, "It's just a matter of time, Brook." Otis ensured that it would appeal to the broadest cross-section of the market by employing a full string section.

 

However, there was a political dimension to the strings that went beyond merely broadening the base of appeal. "Historically," asserted Otis, "black artists wanted to record with strings because it had been something that had been denied them. The strings symbolized legitimacy. There weren't even any black string players working in the studios. When we organized Brook's first date I asked my contractor if there were any black string players. He said, 'Yes. They're working in Broadway shows and other pick-up jobs.' I said, 'Why don't they play record dates?' He said, 'Nobody calls them.' I said, 'If they're good, I want to see them on my sessions.'" Benton's intimate and crisply miked vocals looked back toward the relaxed ballad style of Arthur Prysock and Billy Eckstine and forward to the passion of soul music.

One of the selling points was Benton’s low notes. He was singing deeper and with more feeling than on any of his previous recordings for other labels. The low notes were a legacy from an early R&B giant, Percy Mayfield. Benton had first used them on his demo of The Stroll. After his vocal arrangement had been successfully co-opted by the Diamonds, Benton resolved to use the low notes on his own recordings and perfected his technique. Otis also ensured that Brook rehearsed his vocal part for days before a session so that many of the nuances could be honed to perfection. “The people at Mercury said it was too quiet,” said Otis. “Said it didn’t rock and roll enough. So I took it to a dee-jay, Doctor Jive, asked him to play it. He called back and said the switchboard had lit up. The people at Mercury checked it out and found it was true.”  In January 1959, It's Just A Matter Of Time entered the charts, topping the R&B listings and peaking at #3 on the pop charts.

Both Benton and Otis had been vindicated in the strongest possible terms. 

Various - Blowing The Fuse 1959

Classics That Rocked The Jukebox


Read more at: https://www.bear-family.de/various-blowing-the-fuse-1959-classics-that-rocked-the-jukebox.html
Copyright © Bear Family Records

 
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