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James Brown Time For Payback (4-LP 180g Vinyl)

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Artikel-Nr.: LP532584

Gewicht in Kg: 1,250


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James Brown: Time For Payback (4-LP 180g Vinyl)

(2010/UNIVERSAL) 23 exclusive tracks plus comments by James Brown, Sting, Brian Fery a.o. Gatefold/Klappcover (1.2kg)


Brown, James - Time For Payback (4-LP 180g Vinyl) LP 1
1: Comment
2: The Payback (Part 1)
3: Comment
4: Give It Up Or Turnit A Loose (Remix)
5: Talkin' Loud & Sayin' Nothing (Remix)
6: Comment
7: People Get Up And Drive Your Funky Soul
8: It's A Man's Man's Man's
9: Introduction To Star Time
10: Cold Sweat (Live)
11: Get Up And Feel Like Being A Sex Machine (L..
12: Get Up Get Into It Get Involved (Live)
13: Comment
14: My Thang
15: I Can't Stand It '76
16: Comment
17: All For One
18: Fight Against Drug Abuse (Public Service A...
19: Comment
20: It's A New Day ... (Live)
21: For Goodness Sakes, Look At Those
22: I Refuse To Loose
23: Comment
24: People Who Criticize
25: Comment
26: Bessie
27: Jam
28: Comment
29: Super Bull/Super Bad
30: No Static (Full Force Def Mix)
31: Nature
32: Comment
33: The Payback (Live)


Artikeleigenschaften von James Brown: Time For Payback (4-LP 180g Vinyl)

  • Interpret: James Brown

  • Albumtitel: Time For Payback (4-LP 180g Vinyl)

  • Artikelart LP

  • Genre R&B, Soul

  • Music Genre R&B / Soul
  • Music Style Vinyl - Soul
  • Music Sub-Genre 556 Vinyl - Soul
  • Edition 2 Folk Music
  • Plattengröße LP (12 Inch)
  • Vinyl weight 180g Vinyl
  • Geschwindigkeit 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)

  • SubGenre R&B Music - Soul

  • EAN: 0600753258484

  • Gewicht in Kg: 1.250

Interpreten-Beschreibung "Brown, James"

James Brown with JB's

Always one of soul music‘s leading innovators and by his own nomination The Hardest Working Man in Show Business, James Brown had many a brainstorm. One of the lesser-remembered was the three-part single.

Two-siders were commonplace, but JB’s funk-dripping jams often went so long that they were pressed up on singles in three parts: Part 1 as the A-side, the other two squeezed onto side B. Soul Brother Number 1 used the gimmick on his 1970 R&B chart-topper Super Bad, and he brought it back for Soul Power, cut during an all-night session on January 26, 1971 at Rodel Studios in Washington, D.C. (Brown’s organization was hunkered down at Loew‘s Palace Theater there).

Brown’s band had changed drastically since the days of Papa’s Got A Brand New Bag and Cold Sweat. Saxist Maceo Parker, guitarist Jimmy Nolen, and drummer Clyde Stubblefield had all defected. In their place was a crew that featured brothers Phelps ‘Catfish‘ Collins and William ‘Bootsy‘ Collins driving the funk on guitar and bass. They were abetted by a core group of trusted Brown vets: drummer John ‘Jabo‘ Starks, tenor saxist St. Clair Pinckney, Bobby Byrd on organ and spirited responsorial vocals, and trombonist Fred Wesley, who had been gone for a while but returned to the fold to whip the newcomers into shape.

The Godfather of Soul’s legion of fans didn’t even notice all the uproar in James‘ organization. He started 1971 with the #4 R&B seller Get Up, Get Into It, Get Involved (Part 1) prior to the release of Soul Power, which blasted up to #3 R&B and #29 pop that spring (Wesley stepped out for an extended solo on Part 2, taking Maceo’s place as Brown’s instrumental foil). Over the course of the summer, Brown topped the R&B hit parade twice, with Part 1 of Hot Pants (She Got To Use What She Got, To Get What She Wants) (his biggest pop crossover item of the year, maxing out at #15), and Part 1 of Make It Funky.

By spring, the Collins brothers were off Brown’s payroll, itching to do their own thing and ending up with George Clinton’s Parliament-Funkadelic. James plugged in more talented young players and kept on dishing up the funk. Nobody did it better. 

Various Sweet Soul Music 26 Scorching Classics 1971
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