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James Brown & Maceo Parker The Greatest Soul On Earth! (2-CD)

The Greatest Soul On Earth! (2-CD)

Artikel-Nr.: CD0613462

Gewicht in Kg: 0,110


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James Brown & Maceo Parker: The Greatest Soul On Earth! (2-CD)

Video von James Brown & Maceo Parker - The Greatest Soul On Earth! (2-CD)

(2003/Fuel 2000) 22 Tracks - Mit 8-seitigem Booklet und Liner Notes von Bill Dahl & Cliff White. CD1 enthält ein komplettes Live Konzert James Browns aus New Yorks Trend-Discothek 'Studio 54' des Jahres 1980! Auf CD2 findet sich ein rares Studio Album von Maceo Parker aus dem Jahre 1970! Soul Meilensteine!
Sehr seltenes US 2-CD Set. Versiegelte Neuware aus Lagerbestand. (Bear Family Records)

Maceo Parker - House Of The Fox recordings



James Brown & Maceo Parker - The Greatest Soul On Earth! (2-CD) Medium 1
1: Gonna Have A Funky Good Time (Doing It To Death) James Brown
2: Get Up Offa That Thing James Brown
3: Body Heat James Brown
4: (Get Up, I Feel Like Being A) Sex Machine James Brown
5: Try Me James Brown
6: Papa's Got A Brand New Bag James Brown
7: Get On The Good Foot James Brown
8: It's A Man's, Man's, Man's World, Part 1 James Brown
9: Lost Someone James Brown
10: Cold Sweat/I Got The Feeling (Medley) James Brown
11: Please, Please, Please James Brown
12: The Payback/It's Too Funky In Here (Medley) James Brown
James Brown & Maceo Parker - The Greatest Soul On Earth! (2-CD) Medium 2
1: Maceo Maceo Parker
2: Got To Getcha Maceo Parker  
3: Southwick Maceo Parker  
4: Funky Women Maceo Parker  
5: Shake It Baby Maceo Parker  
6: Better Half Maceo Parker  
7: Don't Waste This World Away Maceo Parker  
8: I Remember Mr. Banks Maceo Parker  
9: Mag-Poo Maceo Parker  
10: Thank You Maceo Parker  


Artikeleigenschaften von James Brown & Maceo Parker: The Greatest Soul On Earth! (2-CD)

  • Interpret: James Brown & Maceo Parker

  • Albumtitel: The Greatest Soul On Earth! (2-CD)

  • Artikelart CD

  • Genre Soul

  • Erscheinungsjahr 2003
  • Label FUEL 2000

  • SubGenre R&B Music - Soul

  • EAN: 0030206134629

  • Gewicht in Kg: 0.110

Interpreten-Beschreibung "Brown, James"

James Brown with JB's

Always one of soul music‘s leading innovators and by his own nomination The Hardest Working Man in Show Business, James Brown had many a brainstorm. One of the lesser-remembered was the three-part single.

Two-siders were commonplace, but JB’s funk-dripping jams often went so long that they were pressed up on singles in three parts: Part 1 as the A-side, the other two squeezed onto side B. Soul Brother Number 1 used the gimmick on his 1970 R&B chart-topper Super Bad, and he brought it back for Soul Power, cut during an all-night session on January 26, 1971 at Rodel Studios in Washington, D.C. (Brown’s organization was hunkered down at Loew‘s Palace Theater there).

Brown’s band had changed drastically since the days of Papa’s Got A Brand New Bag and Cold Sweat. Saxist Maceo Parker, guitarist Jimmy Nolen, and drummer Clyde Stubblefield had all defected. In their place was a crew that featured brothers Phelps ‘Catfish‘ Collins and William ‘Bootsy‘ Collins driving the funk on guitar and bass. They were abetted by a core group of trusted Brown vets: drummer John ‘Jabo‘ Starks, tenor saxist St. Clair Pinckney, Bobby Byrd on organ and spirited responsorial vocals, and trombonist Fred Wesley, who had been gone for a while but returned to the fold to whip the newcomers into shape.

The Godfather of Soul’s legion of fans didn’t even notice all the uproar in James‘ organization. He started 1971 with the #4 R&B seller Get Up, Get Into It, Get Involved (Part 1) prior to the release of Soul Power, which blasted up to #3 R&B and #29 pop that spring (Wesley stepped out for an extended solo on Part 2, taking Maceo’s place as Brown’s instrumental foil). Over the course of the summer, Brown topped the R&B hit parade twice, with Part 1 of Hot Pants (She Got To Use What She Got, To Get What She Wants) (his biggest pop crossover item of the year, maxing out at #15), and Part 1 of Make It Funky.

By spring, the Collins brothers were off Brown’s payroll, itching to do their own thing and ending up with George Clinton’s Parliament-Funkadelic. James plugged in more talented young players and kept on dishing up the funk. Nobody did it better. 

Various Sweet Soul Music 26 Scorching Classics 1971
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