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Ruth Brown Mama, He Treats Your Daughter Mean

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Artikel-Nr.: CDIGO2550

Gewicht in Kg: 0,107

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Ruth Brown: Mama, He Treats Your Daughter Mean

(2004/SANCTUARY) 27 Tracks Atlantic material from 1949-53.


Brown, Ruth - Mama, He Treats Your Daughter Mean CD 1
1: It's Raining
2: So Long
3: Love Me Baby
4: I'll Get Along Somehow
5: Rocking Blues
6: (I'll Come Back) Someday
7: Why
8: Am I Making The Same Mistake Again
9: Teardrops From My Eyes
10: R.B. Blues
11: I Know
12: I Don't Want Nobody (If If Can't Have You)
13: I'll Wait For You
14: Standing On The Corner
15: Don't Cry
16: It's All For You
17: Shine On
18: Without My Love
19: Be Anything (But Be Mine)
20: 5-10-15 Hours
21: Have A Good Time
22: Daddy Daddy
23: Mama, He Treats Your Daughter Mean
24: Mend Your Ways
25: I Would If I Could
26: Wild Wild Young Men
27: The Tears Keep Tumbling Down


Artikeleigenschaften von Ruth Brown: Mama, He Treats Your Daughter Mean

  • Interpret: Ruth Brown

  • Albumtitel: Mama, He Treats Your Daughter Mean

  • Artikelart CD

  • Genre R&B, Soul

  • Music Genre Rhythm & Blues
  • Music Style Rhythm & Blues
  • Music Sub-Genre 251 Rhythm & Blues
  • Label CASTLE

  • SubGenre R&B Music - Classic R&B

  • EAN: 5050361325507

  • Gewicht in Kg: 0.107

Interpreten-Beschreibung "Brown, Ruth"

Ruth Brown

This Little Girl's Gone Rockin'

Ruth Brown

This Little Girl's Gone Rockin'

Ruth Brown acutely felt the changing times at Atlantic Records. She had been there since the label’s inauspicious launch, but saw that her champion, Herb Abramson, was sidelined and would soon be bought out. She didn’t get along as well with his replacement, Jerry Wexler, and felt that the label’s co-founder, Ahmet Ertegun, was becoming remote. One of the artists assigned to Herb Abramson was Bobby Darin, and it took some time for Abramson or anyone at Atlantic to know what to do with him. For Ruth, it was unusual enough just seeing a white performer on the label.

"I often came across him in the studio, trying out little things,” she wrote in her autobiography. “’I hear you’re a songwriter,’ I jived him one day. ‘Why don’t you write me a song?’ He did. It was ‘This Little Girl’s Gone Rockin’,’ and it was produced by two other ex-Brillers, Jerry Leiber and Mike Stoller.” Most sources credit Wexler and Ertegun as A&R men on the session, but Ruth clearly remembers it differently.

A straightforward boogie woogie underpinned by Stoller on piano, it was highlighted by Everett Barksdale on guitar and the always distinctive King Curtis on tenor sax. Ruth damns it with faint praise in her autobiography, but it became her last major pop hit and one of her last R&B hits. Darin’s co-writer, incidentally, was Emanuel Kurtz aka Mann Curtis, who had begun cranking out songs in the early 1940s, and wrote the English words to Let It Be Me. Ruth’s long chart career was winding down, although she performs to this day. Darin’s other contribution to Ruth’s tenure at Atlantic was to advise her to audit the label for unpaid royalties.


Various - Blowing The Fuse 1958 - Classics That Rocked The Jukebox

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