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Ruth Brown Rock & Roll - Miss Rhythm

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Artikel-Nr.: CD263385

Gewicht in Kg: 0,100

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Ruth Brown: Rock & Roll - Miss Rhythm

(1949-59 'Atlantic') (78:55/30) Die beiden Original-LPs 'Rock & Roll' und 'Miss Rhythm' plus vier Bonusstücke. Die bislang beste Zusammenstellung ihrer besten frühen Klassiker


Brown, Ruth - Rock & Roll - Miss Rhythm CD 1
1: Lucky Lips
2: As Long As I'm Moving
3: Wild Wild Young Men
4: Daddy Daddy
5: Mambo Baby
6: Teardrops From My Eyes
7: Hello Little Boy
8: Mama, He Treats Your Daughter Mean
9: 5-10-15 Hours
10: It's Love Baby (24 Hours A Day)
11: Sentimental Journey
12: Old Man River
13: So Long
14: Oh What A Dream
15: This Little Girl's Gone Rockin'
16: Just Too Much
17: I Hope We Meet (On The Road Someday)
18: Why Me
19: Somebody Touched Me
20: When I Get You Baby
21: Jack O'Diamonds
22: I Can't Hear A Word You Say
23: One More Time
24: Book Of Lies
25: I Can See Everybody's Baby
26: Show Me
27: Bonus Tracks:
28: Ever Since My Baby's Been Gone
29: Shine On
30: I Gotta Have You
31: I Don't Know


Artikeleigenschaften von Ruth Brown: Rock & Roll - Miss Rhythm

  • Interpret: Ruth Brown

  • Albumtitel: Rock & Roll - Miss Rhythm

  • Artikelart CD

  • Genre R&B, Soul

  • Music Genre Rhythm & Blues
  • Music Style Rhythm & Blues
  • Music Sub-Genre 251 Rhythm & Blues
  • Label HOODOO

  • SubGenre R&B Music - Classic R&B

  • EAN: 8436028697328

  • Gewicht in Kg: 0.100

Interpreten-Beschreibung "Brown, Ruth"

Ruth Brown

This Little Girl's Gone Rockin'

Ruth Brown

This Little Girl's Gone Rockin'

Ruth Brown acutely felt the changing times at Atlantic Records. She had been there since the label’s inauspicious launch, but saw that her champion, Herb Abramson, was sidelined and would soon be bought out. She didn’t get along as well with his replacement, Jerry Wexler, and felt that the label’s co-founder, Ahmet Ertegun, was becoming remote. One of the artists assigned to Herb Abramson was Bobby Darin, and it took some time for Abramson or anyone at Atlantic to know what to do with him. For Ruth, it was unusual enough just seeing a white performer on the label.

"I often came across him in the studio, trying out little things,” she wrote in her autobiography. “’I hear you’re a songwriter,’ I jived him one day. ‘Why don’t you write me a song?’ He did. It was ‘This Little Girl’s Gone Rockin’,’ and it was produced by two other ex-Brillers, Jerry Leiber and Mike Stoller.” Most sources credit Wexler and Ertegun as A&R men on the session, but Ruth clearly remembers it differently.

A straightforward boogie woogie underpinned by Stoller on piano, it was highlighted by Everett Barksdale on guitar and the always distinctive King Curtis on tenor sax. Ruth damns it with faint praise in her autobiography, but it became her last major pop hit and one of her last R&B hits. Darin’s co-writer, incidentally, was Emanuel Kurtz aka Mann Curtis, who had begun cranking out songs in the early 1940s, and wrote the English words to Let It Be Me. Ruth’s long chart career was winding down, although she performs to this day. Darin’s other contribution to Ruth’s tenure at Atlantic was to advise her to audit the label for unpaid royalties.


Various - Blowing The Fuse 1958 - Classics That Rocked The Jukebox

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