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J.J. Cale Gold (2-CD) EU

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Artikel-Nr.: CD9847752

Gewicht in Kg: 0,120

16,90 € *

J.J. Cale: Gold (2-CD) EU

(2007/UNIVERSAL) 32 tracks, recorded 1972-83, 16-page booklet


Cale, J.J. - Gold (2-CD) EU CD 1
1: Call Me The Breeze
2: Magnolia
3: After Midnight
4: River Runs Deep
5: Woman I Love
6: Crazy Mama
7: Lies
8: If You're Ever In Oklahoma
9: Ridin Home
10: Going Down
11: Cajun Moon
12: Any Way The Wind Blows
13: I Got The Same Old Blues
14: Rock And Roll Records
15: Let Me Do It To You
16: Super Blue
17: Cocaine
18: Ride Me High
19: Hey Baby
20: Thirteen Days
21: Don't Cry Sister
22: Mona
23: I'll Make Love To You Anytime
24: Sensitive Kind
25: Boilin' Pot
26: Carry On
27: Wish I Had Not Said That
28: Love Has Been Gone
29: Don't Wait
30: Devil In Disguise
31: City Girls
32: A Thing Going On
33: Money Talks
34: Hard Times
35: Teardrops In My Tequila
36: Trouble In The City


Artikeleigenschaften von J.J. Cale: Gold (2-CD) EU

  • Interpret: J.J. Cale

  • Albumtitel: Gold (2-CD) EU

  • Artikelart CD

  • Genre Beat

  • Music Genre Rock 'n' Roll
  • Music Style Beat - 60s / 70s
  • Music Sub-Genre 259 Beat - 60s - 70s

  • SubGenre Beat 60s-70s

  • EAN: 0602498477526

  • Gewicht in Kg: 0.120

Interpreten-Beschreibung "Cale, J.J."

J.J. Cale

If You're Ever In Oklahoma

"We started the second LP at Quadrafonic in Nashville," said Cale's producer, Audie Ashworth, "and we did some work in Muscle Shoals, and we put some horns on at the Barn. Cale liked to visit different studios and pull pickers from different locations." There was more commercial gloss to 'Really',but it was still clear that Cale had a very different notion of how to make a record. He reversed the Nashville equation in which everything was factored around the vocal. In a Cale mix, the soloing instruments and the voice just barely rose out of the bed track, and never stood apart from it. The overall sound is muddy and surprisingly dense for so few instruments and so few notes. "Cale always wanted the voice mixed down," said Audie. "We'd be sitting at the board and both of us were trying to get our hands on the knobs. He was always pulling back the fader on the vocal. He said he didn't want to sound like a country singer. He'd mix his voice back in the bed. He said it made you want to lean into the music instead of leaning back from it. It would pull people in. He was an engineer, and he came with chops. He had definite ideas about mixes." If You're Ever In Oklahoma was pretty close to Bluegrass, a connection reinforced by fiddle player Vassar Clements and Scruggs sideman Josh Graves, and the absence of a drummer.


Various Truckers, Kickers, Cowboy Angels - The Blissed-Out Birth Of Country Rock, Vol. 6: 1973 (2-CD)
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Copyright © Bear Family Records

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