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Rosemary Clooney Memories Of You (7-CD)

Memories Of You (7-CD)
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Artikel-Nr.: BCD15914

Gewicht in Kg: 2,100

139,95 € *

Rosemary Clooney: Memories Of You (7-CD)

7-CD Box (LP-Format) mit 76-seitigem gebundenem Buch, 180 Einzeltitel. Spieldauer ca. 481 Minuten.

Die Welle des phänomenalen Erfolges begann für Rosemary Clooney mit dem Überraschungshit Come On-A My House, der seinen Weg um den Globus machte und ihr weitere Aufnahmen, Konzerte, Fernsehauftritte und Filme wie 'White Christmas' bescherte. Ihre einzigartige Stimme und warmherzige Persönlichkeit haben sie zu einer der bekanntesten und beliebtesten Sängerinnen des 20. Jahrhunderts gemacht. Neben Ikonen wie Frank Sinatra und Ella Fitzgerald kann sie leicht bestehen.

Diese zweite von insgesamt drei CD-Boxen beschreibt die zweite Hälfte der Fünfzigerjahre und zeigt die Künstlerin auf dem Höhepunkt ihrer Karriere. Sie ist ausgezeichnet bei Stimme, und mit einem perfekt passendem Repertoire übertrifft sie bei weitem die Titel ihrer frühen Jahre und überrascht vielmehr mit einer vielseitigen Ansammlung von Höhepunkten wie ihren Aufnahmen mit Benny Goodman,
den Hi Lo's und Gene Autry. Hinzu kommt 'Blue Rose', das legendäre Album mit Duke Ellington. Konzerte, darunter die Live-Aufnahmen vom London Palladium, Singles von Broadway Shows
(My Fair Lady, West Side Story, Guys And Dolls), Standards, Country Balladen, Kneipenlieder (A Good Man Is Hard To Find) Hitparaden-Titel (Mangos) und ihre ausgezeichnete Sammlung von Kinderliedern. Unentbehrlich für jeden Liebhaber amerikanischer Pop-Music. Dieser Abriss feiert auf gebührende Art und Weise eine der weltbesten Sängerinnen auf dem Zenith ihrer Karriere.

Unentbehrlich für jeden Liebhaber amerikanischer Pop-Music. Dieser Abriss zelebriert eine der weltbesten Sängerinnen auf dem Zenith ihrer Karriere.

7-CD Box (LP-Format) mit 76-seitigem gebundenem Buch, 180 Einzeltitel. Spieldauer ca. 481 Minuten



Rosemary Clooney - Memories Of You (7-CD) Medium 1
1: Where Will The Dimple Be
2: Love Among The Young
3: Wake Me
4: A Little Girl At Heart
5: From This Moment On
6: Sailor Boys Have Talk To Me In English
7: Go On By
8: Pet Me, Poppa
9: Pet Me, Poppa
10: You Are My Sunshine (& C.SMITH, G.AUTRY &...)
11: No Letter Today
12: Nobody's Darling But Mine
13: I've Grown Accustomed To Your Face
14: I Could Have Danced All Night
15: I Could Have Danced All Night
16: Come Rain Or Come Shine
17: For You
18: Always Together
19: (Don't That Take The) Rag Offen The Bush
20: That's How It Is
21: It's A Nuisance Having You Around
22: Love Is A Feeling
23: Mangos
24: Independent (On My Own)
25: I'm Glad There Is You
26: Love Letters
27: Everything Happens To Me
28: I'm In The Mood For Love
Rosemary Clooney - Memories Of You (7-CD) Medium 2
1: Doncha Go 'Way Mad (& HI LO'S)
2: Together (& HI LO'S)  
3: What Is There To Say (& HI LO'S)  
4: How About You (& HI LO'S)  
5: Sing, Little Birdie, Sing  
6: Who Dot Mon, Mom?  
7: (You Can't Lose The Blues With) Colors (US)  
8: (You Can't Lose The Blues With) Colors (GB)  
9: Love And Learn  
10: A Foggy Day  
11: I'm Glad It's You  
12: I Can't Stop Crying  
13: Tonight  
14: Tonight  
15: Love And Affection  
16: You Don't Know Him  
17: Suprise  
18: You Ol' Son Of A Gun  
19: I Wonder  
20: The Chowder Social(& T.PASTOR & CLOONEY SIS.)  
21: The Click Song (& T.PASTOR & CLOONEY SISTERS)  
22: Bargain Day  
23: Poor Whip, Poor Will (Move Over, Move Over)  
24: On The First Warm Day (double vocal)  
25: Too Old To Cut The Mustard (& M. DIETRICH)  
Rosemary Clooney - Memories Of You (7-CD) Medium 3
1: It's Bad For Me (& BENNY GOODMAN)  
2: Goodbye  
3: Memories Of You  
4: Me And You  
5: Grievin'  
6: I'm Checkin' Out - Goodbye  
7: Blue Rose  
8: Sophisticated Lady  
9: Mood Indigo  
10: If You Were In My Place (What Would You Do?)  
11: I Let A Song Go Out Of My Heart  
12: It Don't Mean A Thing (If It Ain't Got...)  
13: Just A-Sittin' And A-Rockin'  
14: I Got It Bad  
15: Hey, Baby  
16: I'm Going Home  
17: Bourbon Street Parade  
18: A Good Man Is Hard To Find  
19: You Cooked Your Goose With Me  
Rosemary Clooney - Memories Of You (7-CD) Medium 4
1: From This Moment On  
2: Tenderly  
3: It's Delovely  
4: Love, You Didn't Do Right By Me  
5: This Ole House  
6: You Make Me Feel So Young  
7: Danny Boy  
8: Come On-A My House  
9: Botch-A-Me (Ba-Ba-Baciami-Piccina)  
10: Mambo Italiano  
11: Where Will The Dimple Be  
12: Close Your Eyes (Brahm's Lullaby)  
13: Learning The Blues (without applause)  
14: Ebb Tide (without applause)  
15: Go On By  
16: Cherry Pink  
17: Haven't Got A Worry  
18: I Do, I Do, I Do  
19: Don't Care  
20: Lovely Weather For Ducks  
21: Reach For A Star  
22: I Should Have Told You Long Ago  
23: It's Been A Long, Long Time  
24: Boy Wanted  
25: Sweet Leilani (breakup with 'Happy Birthday')  
26: Happy Birthday, Dear Dad  
27: Happy Birthday, Dear Wife  
28: Happy Birthday, Dear Daughter  
29: Music To Shave By(& L. ARMSTRONG & B. CROSBY)  
30: I Get A Kick Out Of You  
Rosemary Clooney - Memories Of You (7-CD) Medium 5
1: I Found My Mamma (& EDDY MASON)  
2: Me And My Teddy Bear  
3: Little Johnny Chickadee  
4: Peterkin Pillowby  
5: Who'll Tie The Bell (On The Old Cat's Tail)  
6: Little Sally One Shoe  
7: Punky Punkin (The Happy Pumpkin)  
8: The Wobblin' Goblin  
9: Fuzzy Wuzzy (Wuz A Bear)  
10: My Choc'late Rabbit  
11: The Land Of Hatchy Milatchy  
12: The Syncopated Clock  
13: Songs From Alice In Wonderland, 1  
14: Songs From Alice In Wonderland, 2  
15: Dandy, Handy And Candy  
16: Willie, The Whistling Giraffe  
17: Eggbert, The Easter Egg  
18: Bunny On The Rainbow  
19: On The Good Ship Lollipop  
20: Snowhite And The Seven Dwarfs (part 1)  
21: Snowhite And The Seven Dwarfs (part 2)  
22: Little Red Riding Hood  
23: Goldilocks And The Three Bears  
24: Little Josey (& JIMMY BOYD)  
Rosemary Clooney - Memories Of You (7-CD) Medium 6
1: Dennis The Menace (& JIMMY BOYD)  
2: All The Pretty Little Horses  
3: The Teddy Bears' Picnic  
4: Little Red Monkey  
5: Little Tink-A-Toy Man  
6: Little Joe Worm (Son Of Glow Worm)  
7: The Kitty Kats' Party  
8: (Ting-A-Ling) Here Comes The Ice Cream Man  
9: Betsy, My Paper Doll  
10: Shoo, Turkey, Shoo  
11: Peachy Peachy  
12: Shaun, Shaun, The Leprechaun  
13: The Little Shoemaker  
14: Peter Cottontail  
15: Easter Parade  
16: The Key To My Heart  
17: Mommy, Can I Keep The Kitten (& GAIL CLOONEY)  
18: Suzy Snowflake  
19: Little Riding Hood's Christmas Tree  
20: (Let's Give) A Christmas Present To St. Claus  
21: C-H-R-I-S-T-M-A-S  
22: He'll Be Comin' Down The Chimney(& G.CLOONEY)  
23: The Night Before Christmas Song(& GENE AUTRY)  
24: Look Out The Window (& GENE AUTRY)  
25: Winter Wonderland  
26: Happy Christmas, Little Friend  
27: Snow  
28: White Christmas  
29: C-H-R-I-S-T-M-A-S  
Rosemary Clooney - Memories Of You (7-CD) Medium 7
1: Intro (Anchors Aweigh)  
2: From This Moment On  
3: Looking For A Boy  
4: Last Night On The Back Porch (BUZZ ADLAM)  
5: I Wish I Wuz (Hi, Ho, Fiddle Dee Dee)  
6: Outro  
7: Intro (Anchors Aweigh)  
8: If Teardrops Were Pennies  
9: They Can't Take That Away From Me  
10: Come On-A My House  
11: Outro  
12: Intro (Anchors Aweigh)  
13: From This Moment On  
14: Mixed Emotions  
15: 's Wonderful  
16: Outro  
17: Intro (Anchors Aweigh)  
18: Haven't Got A Worry  
19: Opus #1 (& TOMMY DORSEY)  
20: Mixed Emotions  
21: Boogie Woogie (& TOMMY DORSEY)  
22: What Would You Do (If You Were In My Place)  
23: Dry Bones (& TOMMY DORSEY)  
24: Lovely Weather For Ducks  
25: Opus#2 & I'm Getting Sentimental..(&T.DORSEY)  


Artikeleigenschaften von Rosemary Clooney: Memories Of You (7-CD)

  • Interpret: Rosemary Clooney

  • Albumtitel: Memories Of You (7-CD)

  • Artikelart Box set

  • Genre Pop

  • Music Genre Pop
  • Music Style Pop Vocal
  • Music Sub-Genre 281 Pop Vocal
  • Edition 2 Deluxe Edition
  • Label Bear Family Records

  • Preiscode GK
  • SubGenre Pop - Vocal Pop

  • EAN: 4000127159144

  • Gewicht in Kg: 2.100

Interpreten-Beschreibung "Clooney, Rosemary"



 “I remember something that Jo Stafford said to me,” Rosemary Clooney recalls. “She said, ‘You will never sing better than when you are pregnant.’”

 The science may be inconclusive, but Stafford had a point. Clooney’s phenomenal wave of success had begun just a few years earlier with Come On-A My House. But the middle and late 1950s—the years covered by this second volume of Bear Family’s anthology of Clooney’s complete recordings—finds the singer not only at the height of her powers, but with a blossoming domestic life centered on her new husband, Jose Ferrer, and the arrival of their five children. This set begins appropriately with the Al Hoffman-Bob Merrill song, Where Will The Dimple Be, from a January, 1955 session. Less than a month later, Miguel Jose Ferrer was born, and Rosemary’s children would then come about a year apart through the end of the decade.

The Ferrers had settled into their Roxbury Drive home in Beverly Hills, a house inhabited by the Gershwin brothers at the end of George’s life, where they’d written Love Is Here To Stay. Ira now lived next door with his wife Leonore. For Rosemary, it was a time when everything in her life seemed to come together. The uncertainties of her own childhood in Maysville, Kentucky, when she and her sister Betty were shuttled between relatives for their care, now gave way to the security and joy of having her own family around her. Joe Ferrer divided his energies between motion pictures and maintaining his prolific acting and directing schedule on Broadway. The house was endlessly filled with the couple’s friends from the musical, theatrical and literary establishments, who spent long California days swimming in the pool, playing tennis and debating the affairs of the world over drinks and dinner.

At the same time, Rosemary’s career remained in high gear. Mitch Miller’s tutelage at Columbia had transformed her from Tony Pastor’s ex-girl singer into an international star with number-one chart records one after the other over the last four years. ‘White Christmas’, the hallmark of her film career at Paramount, had just been released in 1954, cementing her identification in the public mind with her co-star and mentor, Bing Crosby. As a new mother, she maintained a hectic agenda of radio, television and personal appearances, along with continuing her prodigious recording schedule for Columbia. Rarely, now, were the sessions conducted in New York, as they had often been in the early days under Miller’s eye. With Rosemary ever-more ensconced in California, distance was added to the already existing tensions between the singer and Columbia’s A&R wizard, and as the ‘50s wore on, Miller’s influence over Clooney’s recording career--from style to choice of material--lessened drastically.

In the summer of 1955, with baby and nanny in tow, Mr. and Mrs. Ferrer left for an extended stay in England. While Ferrer was there to finish filming ‘Cockleshell Heroes’ with Trevor Howard, Rosemary would make her debut at the London Palladium for a two week engagement. They took an old mill house in the country on the Cone River, up against one of England’s interior canals, and with a lake on the property. They had an Italian couple cooking for them, and picked up a basset hound named George (it was Rosemary and Betty’s Uncle George Guilfoyle, recently home from the war, who’d been the teenagers’ chaperone when they went on the road with the Pastor band).

“England was a very happy time, a very fun time,” Rosemary remembers, “because we were close to friends in the country, and we had people around every Sunday. I remember Dietrich came over and wanted to go fishing. So we found some rods there, and she found some worms. And she was talking to the worms, as she’s putting them on the hook: ‘Now, this isn’t going to hurt you…’”

Clooney put the Palladium job in the hands of Buddy Cole, whom she knew through her work with Bing Crosby on the radio. (In fact, just before the trip she and Cole had done a radio broadcast that produced exceptional recordings of Learnin’ The Blues, Cherry Pink, and a luscious Ebb Tide.)

They traveled to Glasgow before the July 19 London opening in order to break in the show. “The Palladium was very important to me,” Rosemary says. There was a two-a-day policy, with a six o’clock show catering to the working man, and a gallery that liked to talk back. “I remember in Glasgow, while I was singing, hearing ‘Roooooosemarrie!’ I finally stopped and said, ‘What do you want?’ ‘He said, ‘Come On-A My House!’…”

Although Clooney was accustomed to making personal appearances (it actually hadn’t been all that long since her bandsinger days), the back-and-forth with an audience was still not that comfortable for her, and it would be years before touring with Crosby taught her to feel significant ease before a crowd. Even so, the live record of her unscripted Palladium patter gives us an early glimpse of the easy, ad-libbing humor and straight-ahead personality for which she would eventually become legendary.

With Cole at the piano before the Skyrockets Orchestra, the show largely featured a sampling of Clooney’s signature hits to date, including Tenderly, This Ole House, Mambo Italiano, Botch-A-Me and of course, Come On-A My House. To the mix, she added Cole Porter’s From This Moment On and It’s Delovely, Irving Berlin’s tailor-made Love, You Didn’t Do Right By Me from ‘White Christmas’, You Make Me Feel So Young, Where Will The Dimple Be, The Brahms Lullaby, and always proud of her Irish heritage, Danny Boy—all of which created a sensation with a hysterically enthusiastic British audience. Both the man on the street and area luminaries (including Dietrich, Noel Coward, Laurence Olivier and Vivien Leigh) arrived nightly in droves, and their cheers produced a wall of sound that caused her to involuntarily flinch the first time it hit her.

The program, with its accumulated chart-topping songs of the past few years, affirmed the solidity of Clooney’s international stardom. At the same time, there is something retrospective about it, in that musically she was about to embark on a new chapter in her development as an artist. From that time forward, the nature of Clooney’s recorded work started to change. The rest of the ‘50s saw not only the singer in blissful vocal shape, but reaching beyond the novelty songs imposed on her by Miller and Columbia in the early years to deepen her range of material. Her growing maturity as a woman and a singer exerted itself not only in her more confident pursuit of what she felt was right for her, but carried over to a more consistent sophistication of arrangements and overall sound. Columbia’s commercial priorities, which (apart from Tenderlys) had planted Clooney firmly in the path of the kitschy and the kooky, now afforded her room for some significant explorations.

Benny Goodman and Rosemary were strangers when they were teamed to cut three records in November of 1955. A fan, she was well acquainted with his reputation as a musical perfectionist often difficult to work with. She also knew about The Ray – the legendary withering glare he would fix on any musician to have incurred his displeasure.“I liked him fine,” she says. “He was weird, but I liked him.” They were to record three of his signature tunes: Cole Porter’s It’s Bad For Me and Gordon Jenkins’ Goodbye with the sextet, and the Andy Razaf-Eubie Blake Memories Of You with the trio, the record would reach number 20 on the charts.

Their first rehearsal was held at the Ferrer apartment on West 57th Street, next to Carnegie Hall. It was the nanny’s day off, and Rosemary was looking after baby Miguel while waiting for the musicians, who included Aaron Bell on bass, Bobby Donaldson on drums, Dick Hyman on piano, Urbie Green on trombone and Buck Clayton on trumpet. Goodman arrived before the others. “I put Miguel in the playpen,” she recalls, “and I said ‘I didn’t have anyone to take care of him, so if you don’t mind, he’ll just play in the playpen—he wouldn’t be any trouble.’ So Benny put his clarinet together, and did a run up and down. And Miguel had never heard a sound like that before, and he started to cry. And Benny—very seriously—looked at Miguel, and said, ‘He doesn’t like the way I play.’ And I started to laugh. Then I realized that he was not kidding.”

Rosemary Clooney Memories Of You (7-CD)
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