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Doris Day Day Time On The Radio - Lost Radio Duets From The Doris Day Show 1952-1953 (CD)

Day Time On The Radio - Lost Radio Duets From The Doris Day Show 1952-1953 (CD)

Artikel-Nr.: CDRGM0590

Gewicht in Kg: 0,100


Sofort versandfertig, Lieferzeit** 1-3 Werktage

19,95 € *

Doris Day: Day Time On The Radio - Lost Radio Duets From The Doris Day Show 1952-1953 (CD)

(2017/Real Gone) 30 tracks (57:48) with 20 page booklet.
One couldn’t imagine a better opening number for the radio program The Doris Day Show than “It’s Magic,” for each week between March 1952 and May 1953, the versatile song stylist and beloved motion picture star cast a spell over listeners worldwide with an intimate gathering of famous friends filled with music and laughter. Over the course of five dozen broadcasts of The Doris Day Show—recorded in Hollywood in front of a live audience and happily preserved on 16-inch transcription discs—Doris joined her special guests at the piano for performances of songs she often had never commercially recorded.
Among her notable foils are frequent leading man Gordon MacRae, who starred in five pictures with Doris; here the two of them sing a total of four duets, highlighted by their medley of “Cuddle Up a Little Closer”/”Till We Meet Again.” Movie stars Kirk Douglas, George Murphy, Ronald Reagan (!), and Broderick Crawford all prove willing and able duet partners, while the more musically-inclined Tony Martin, Howard Keel, Smilin’ Jack Smith, and Frank Loesser lend their formidable talents to a mix of traditional and Broadway-inspired fare.


Doris Day - Day Time On The Radio - Lost Radio Duets From The Doris Day Show 1952-1953 (CD) Medium 1
1: It's Magic (The Doris Day Show Radio Opening
2: A Wooin' We Will Go
3: The Love Nest
4: You're Just in Love
5: Ma Says, Pa Says
6: Dearie
7: Life Will Be Peaches & Cream
8: Red Hot Henry Brown
9: I Will Marry You
10: By the Light of the Silvery Moon
11: A Kiss Like This
12: Merrily Song
13: Take Me Out to the Ball Game
14: I'm Forever Blowing Bubbles
15: Tea For Two
16: We're in Love
17: My Darling, My Darling
18: Around the Corner
19: Wait Till the Sun Shines Nellie
20: Little by Little
21: Something Sort of Grandish
22: You're My Peaches & Cream
23: Together
24: I'll Be Seeing You
25: Ma Says, Pa Says
26: I'm Gonna Mend My Fences
27: Till We Meet Again Cuddle Up a Little Closer
28: Hark! The Herald Angels Sing Jingle Bells
29: Love to Be with You (The Doris Day Show Radio Closing)
30: Till I Waltz Again with You


Artikeleigenschaften von Doris Day: Day Time On The Radio - Lost Radio Duets From The Doris Day Show 1952-1953 (CD)

  • Interpret: Doris Day

  • Albumtitel: Day Time On The Radio - Lost Radio Duets From The Doris Day Show 1952-1953 (CD)

  • Artikelart CD

  • Genre Pop

  • Erscheinungsjahr 2017
  • Label Real Gone Music

  • SubGenre Pop - Vocal Pop

  • EAN: 0848064005902

  • Gewicht in Kg: 0.100

Interpreten-Beschreibung "Day, Doris"

Doris Day

Doris Mary Anne von Kappelhoff entered the world on April 3, 1924, in Evanston, a comfortable middle class suburb of Cincinnati, Ohio. Her first name was borrowed from her mother's favorite silent film actress, Doris Kenyon. Both of her parents were born in America to German immigrants, and she was their third and final child (one son, Richard, died at the age of two long before Doris was born.


The other boy, Paul, was three years her elder). Her father, Frederick Wilhelm von Kappelhoff (known as William), was a music teacher; church organist; and choral master with a pronounced affinity for classical music. Her mother, Alma Sophia Welz, was an earthy, gregarious woman with a predilection for hillbilly music and country and western tunes. Her parents' diverse musical tastes (neither of which exerted any lasting influence on young Doris) were symptomatic of a deeper rift between them, and they were divorced in 1936. Alma Sophia moved her children to the nearby suburb of College Hill, but retained her job in the Evanston Bakery, which helped to finance the dance lessons that Doris had pursued since kindergarten.


A disastrous "debut performance", during which her turn in a school minstrel show was abbreviated when she wet her pants, did nothing to deter the youngster's fascination with popular music in general and dancing in particular. She attended ballet school, learned to tap dance, and by the age of twelve had developed an act with a neighborhood boy named Jerry Doherty. In 1937 the duo won the five hundred dollar first prize in a local amateur contest.


It was decided to use this money to help finance a trip to Hollywood, where they might further develop their skills at the well known Fanchon & Marco dance school. The fledgling partnership was so buoyed by their four weeks of tutelage under the attentive eye of film choreographer Louis Da Pron that they decided, along with their mothers, to return to Cincinnati and gather their possessions for a permanent move to the West Coast.


On Friday the 13th, October, 1937, the night of a farewell party thrown by family friends, Doris was in the back seat of a car that collided with a train at a railroad crossing. Her right leg was shattered, the move to Hollywood was forgotten, and presumably Astaire & Rogers could breathe easier once again. It was during her lengthy recuperation, compounded by a fall that broke the knitting bones once again, that the events which turned Day into a singer were set in motion. "So you see, every 'break' is a good one!," she later noted wryly.


The long commute to school was unmanageable on her crutches, so Doris bided her time in the family's new apartment. It was upstairs from her Uncle Charley's tavern, and the music of the latest popular favorites from the juke box down below was constantly in the background. In her boredom she turned to the radio, which regularly featured remote broadcasts from the great dance bands of the era. She enjoyed Benny Goodman and the Dorseys and their ilk, though as she was later to note in her autobiography, "... the one radio voice I listened to above others belonged to Ella Fitzgerald.


There was a quality to her voice that fascinated me, and I'd sing along with her, trying to catch the subtle ways she shaded her voice, the casual yet clear way she sang the words." At this time Fitzgerald was singing with the band that brought her to stardom, Chick Webb and his Orchestra (together they enjoyed one of the most successful recordings of all time with A-Tisket, A-Tasket in 1938). Her influence on Day is very much in evidence on many of Doris's early recordings with the Les Brown band, as well as on the four small-group sides that open this collection.


In hopes that this newfound interest in singing might supplant dancing in her daughter's life, Day's mother brought her to vocal coach Grace Raine, the woman whom Doris today credits as the, "one person who had the greatest effect on the career that was in store for me. "Though not a vocalist herself, Raine was a gifted • teacher who impressed upon her young pupil the importance of sincerely feeling a song's lyrics, and communicating their meaning in

an intimate, personal manner.


"The most important thing that Grace Raine told me," recalls Day, "was that when you sing, don't think of a big audience out there. Sing into someone's ear. A person. You're acting." Grace felt that Doris had so much potential that she was willing to accommodate her limited means and gave her three lessons a week for the price of one.

Raine was affiliated with Cincinnati radio station WLW, and to gauge how her protege might sound over the air, she arranged for her to appear on Carlin's Carnival, a local Saturday morning radio show that featured amateur talent. Doris performed Day After Day, the song that was to eventually provide her with...

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Doris Day It's Magic (6-CD)

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