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CELLOS Rang Tang Ding Dong

Rang Tang Ding Dong
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Artikel-Nr.: CDREL7029

Gewicht in Kg: 0,107

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CELLOS: Rang Tang Ding Dong



CELLOS - Rang Tang Ding Dong Medium 1
1: Rang Tang Ding Dong (I'm The Japanese Sandman  
2: Under Your Spell  
3: Love That Girl  
4: Juicy Crocodile  
5: You Took My Love  
6: What's The Matter For You  
7: Rang Tang Ding Dong  
8: The Be Bop Mouse  
9: Doo Doo Wah  
10: What's The Matter For You  
11: Rang Tang Ding Dong (I'm The Japanese Sandman  
12: Under Your Spell  
13: Love That Girl  
14: Juicy Crocodile  
15: You Took My Love  
16: What's The Matter For You  
17: Rang Tang Ding Dong  
18: The Be Bop Mouse  
19: Doo Doo Wah  
20: What's The Matter For You  
21: Don't Wait (& DOLLY LYON)  
22: I Beg For Your Love  
23: Buffalo Bill  
24: Girlie That I Love  


Artikeleigenschaften von CELLOS: Rang Tang Ding Dong

  • Interpret: CELLOS

  • Albumtitel: Rang Tang Ding Dong

  • Artikelart CD

  • Genre R&B, Soul

  • Music Genre R&B, Soul
  • Music Style Vocal Groups / Doo Wop
  • Music Sub-Genre 255 Vocal Groups/Doo Wop
  • Label RELIC

  • SubGenre R&B Music - Classic R&B

  • EAN: 0724075702927

  • Gewicht in Kg: 0.107

Interpreten-Beschreibung "Cellos"

The Cellos

Rang Tang Ding Dong (I Am The Japanese Sandman)

The days when Apollo Records was a force in the R&B and jazz fields were in the rear view mirror by the time The Cellos were old enough to record for the New York firm. The quintet was a product of Charles Evans Hughes High School in Manhattan, consisting of lead tenor Alton Campbell, first tenor Billy Montgomery, second tenor Clifford Williams, baritone Bobby Thomas, and bass Alvin Williams. In 1955, when they first sang in the school's halls, they were known as The Marcals.

Deep-voiced Alvin dreamed up the zany rocker Rang Tang Ding Dong (I Am The Japanese Sandman), with its tongue-twisting nonsense lyrics and Oriental musical motif. The group cut a $4 demo at Nola Studios that so impressed recording engineer Lew Merenstein that he played it for his uncle Charles, a bigwig at Apollo. Very little was clicking for the label, so taking a chance on a Japanese sandman wasn't much of a gamble. The Cellos cut it and Thomas' ballad, You Took My Love, on January 24, 1957 at Mastertone Studios. The ever-reliable Sam 'The Man' Taylor was on hand for the sax solo. Out that April, the crazy ditty made it to #62 pop, inspiring covers by pianist Chuck Miller on Mercury and a then-unknown Ray Stevens on Prep that couldn't touch the original.

Lew Merenstein became The Cellos' manager and got them on the road, but there was time to wax another Williams-penned rocker, The Juicy Crocodile, as their Apollo encore. It was as insane as Rang Tang Ding Dong and incorporated another laser-beam guitar riff (the dreamy ballad Under Your Spell sat on the other side). They tried again in October with a pair of jumps supplied by Williams: The Be-Bop Mouse (something of a Japanese Sandman sequel) and a more traditional Girlie That I Love. With the jumping What's The Matter For You and a last ballad, I Beg For Your Love, in early 1958, The Cellos called it a day. Montgomery and Campbell joined The Channels in 1959.

- Bill Dahl -

Various Street - Corner Symphonies 1957 Vol.9

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