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The Dovells The Dovells - Mono

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Artikel-Nr.: LPDOMINO1006

Gewicht in Kg: 0,210


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The Dovells: The Dovells - Mono

(1989/Domino) 20 tracks

(1989/Domino) 20 tracks



Dovells, The - The Dovells - Mono LP 1
1: Bristol Stomp
2: Jim Dandy
3: Save Me Baby
4: 36- 42 - 36
5: Summer Job
6: Why Do Fools Fall In Love
7: To Make A Long Story Short
8: Trickle Trickle
9: (I'll Remember) In The Still Of The Night
10: Your Last Chance
11: Bristol Twistin' Annie
12: Two People In The World
13: The Clock
14: Oh What A Night
15: Little Bitty Pretty One
16: I Want You To Be My Girl
17: Little Girl Of Mine
18: Letters Of Love
19: No, No, No
20: You Can't Sit Down


Artikeleigenschaften von The Dovells: The Dovells - Mono

  • Interpret: The Dovells

  • Albumtitel: The Dovells - Mono

  • Artikelart LP

  • Genre Rock 'n' Roll

  • Music Genre Rock 'n' Roll
  • Music Style Vinyl - Rock & Roll
  • Music Sub-Genre 553 Vinyl - Rock & Roll
  • Plattengröße LP (12 Inch)
  • Geschwindigkeit 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Label DOMINO

  • SubGenre Rock - Rock'n'Roll

  • EAN: 4000127787491

  • Gewicht in Kg: 0.210

Interpreten-Beschreibung "Dovells, The"

The Dovells

Bristol Stomp

If not for a persuasive promo man who was hip to the latest dance craze in Bristol, Pennsylvania, The Dovells might have waited a lot longer to score their first smash. They formed as The Brooktones in 1957 while attending Overbrook High School in Philadelphia, lead tenor Len Barry (born June 12, 1942 in West Philly; birth name Borisoff) joined first tenor Jerry Gross (nee Summers), second tenor Mike Dennis (nee Freda), baritone Arnie Satin (nee Silver), and bass Danny Brooks (nee Jim Mealey), with tenor Mark Stevens (nee Gordesky) a part-time member.

They rehearsed at the record shop of John Madara, singer and co-writer of Danny & The Juniors' '57 smash At The Hop, their repertoire strongly favoring R&B and doo-wop standards. Jerry, Mike, and Mark eventually split to form another group, The Gems. The remaining Brooktones reformed around Barry, bringing in two new members. An audition at Philly's Cameo-Parkway Records won them a contract in December of 1960. They began work on their jumping debut, Len's No No No, at Philly's Reco-Art Studios in February. But the new members weren't cutting it, so Len asked Jerry to rejoin the group. Jerry suggested bringing Mike back in as well.

The original group was back together, but they'd record under a new name. Cameo-Parkway co-owner Bernie Lowe had just stayed at the Deauville Hotel in Miami Beach, so he suggested changing the group's name to The Deauvilles. The group thought that too hard to spell, so they settled on The Dovells. Recording at the label's in-house studio that July, promo man Billy Harper stormed into the studio, animatedly talking about a new dance called The Stomp the kids were doing at the Goodwill Fire Hall in Bristol. They stomped to a 1958 platter by The Students, Everyday Of The Week, that sported a very distinctive guitar intro.

Label co-owner Kal Mann and A&R man/arranger Dave Appell fashioned Bristol Stomp overnight, leaning heavily on The Students' platter as a template (a revival of Frankie Lymon and The Teenagers' '57 hit Out In The Cold Again occupied the opposite side). Barry's distinctive lead and the choppy beat translated into a smash that went a lot further than Philly: #2 pop and #7 R&B nationally that autumn. Suddenly the whole country was doing the Bristol Stomp.

Various Street Corner Symphonies 1961 Vol.13

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