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Sleepy John Estes Sleepy John Estes (4-CD-Box)

Artikel-Nr.: CDJSP7779

Gewicht in Kg: 0,400

 

Sofort versandfertig, Lieferzeit** 1-3 Werktage

15,95 € *
 
 
 
 
 

Sleepy John Estes: Sleepy John Estes (4-CD-Box)

(1929-47) (308:56/104) Die Bezeichnung ist irreführend. Lediglich zwei der vier CDs enthalten Estes-Einspielungen - der Rest stammt aus seinem Umfeld
 

Songs

Sleepy John Estes - Sleepy John Estes (4-CD-Box) Medium 1
1: The Girl I Love, She Got Long Curly Hair ESTES, Sleepy John  
2: Broken-Hearted, Ragged And Dirty Too ESTES, Sleepy John  
3: Divin' Duck Blues ESTES, Sleepy John  
4: Little Sarah ESTES, Sleepy John  
5: Black Mattie Blues ESTES, Sleepy John  
6: T-Bone Steak Blues ESTES, Sleepy John  
7: Milk Cow Blues ESTES, Sleepy John  
8: Street Car Blues ESTES, Sleepy John  
9: Expressman Blues ESTES, Sleepy John  
10: Whatcha Doin? ESTES, Sleepy John  
11: Poor John Blues ESTES, Sleepy John  
12: Stack O' Dollars ESTES, Sleepy John  
13: My Black Gal Blues ESTES, Sleepy John  
14: Sweet Mama ESTES, Sleepy John  
15: Down South Blues ESTES, Sleepy John  
16: Stop That Thing ESTES, Sleepy John  
17: Someday Baby Blues ESTES, Sleepy John  
18: Who's Been Telling You Buddy Brown Blues ESTES, Sleepy John  
19: Married Woman Blues ESTES, Sleepy John  
20: Drop Down Mama ESTES, Sleepy John  
21: Government Money ESTES, Sleepy John  
22: I Wanna Tear It All The Time ESTES, Sleepy John  
23: Vernita Blues ESTES, Sleepy John  
24: I Ain't Gonna Be Worried No More ESTES, Sleepy John  
25: Floating Blues ESTES, Sleepy John  
Sleepy John Estes - Sleepy John Estes (4-CD-Box) Medium 2
1: Need More Blues ESTES, Sleepy John  
2: Jack And Jill Blues ESTES, Sleepy John  
3: Poor Man's Friend (T Model) ESTES, Sleepy John  
4: Hobo Jungle Blues ESTES, Sleepy John  
5: Airplane Blues ESTES, Sleepy John  
6: Everybody Oughta Make A Change ESTES, Sleepy John  
7: Liquor Store Blues ESTES, Sleepy John  
8: Easin' Back To Tennessee ESTES, Sleepy John  
9: Fire Department Blues (Martha Hardin) ESTES, Sleepy John  
10: Clean Up At Home ESTES, Sleepy John  
11: New Someday Baby ESTES, Sleepy John  
12: Brownsville Blues ESTES, Sleepy John  
13: Special Agent (Railroad Police Blues) ESTES, Sleepy John  
14: Mailman Blues ESTES, Sleepy John  
15: Time Is Drawing Near ESTES, Sleepy John  
16: Mary Come On Home ESTES, Sleepy John  
17: Jailhouse Blues ESTES, Sleepy John  
18: Tell Me How About It (Mr. Tom's Blues) ESTES, Sleepy John  
19: Drop Down (I Don't Feel Welcome Here) ESTES, Sleepy John  
20: Don't You Want To Know ESTES, Sleepy John  
21: You Shouldn't Do That ESTES, Sleepy John  
22: When The Saints Go Marching In ESTES, Sleepy John  
23: Lawyer Clark Blues ESTES, Sleepy John  
24: Little Laura Blues ESTES, Sleepy John  
25: Working Man Blues ESTES, Sleepy John  
26: Harlem Bound ESTES, Sleepy John  
27: Stone Blind ESTES, Sleepy John  
Sleepy John Estes - Sleepy John Estes (4-CD-Box) Medium 3
1: Blue And Worried Woman RACHEL, Yank  
2: Sugar Farm Blues RACHEL, Yank  
3: Stack O' Dollars Blues RACHEL, Yank  
4: Night Latch Blues RACHEL, Yank  
5: Squeaky Work Bench Blues RACHEL, Yank  
6: Gravel Road Woman RACHEL, Yank  
7: J. L. Dairy Blues RACHEL, Yank  
8: Rachel Blues RACHEL, Yank  
9: Lake Michigan Blues RACHEL, Yank  
10: I'm Wild And Crazy As Can Be RACHEL, Yank  
11: When You Feel Down And Out RACHEL, Yank  
12: Texas Tommy RACHEL, Yank  
13: It's All Over RACHEL, Yank  
14: My Mind Got Bad RACHEL, Yank  
15: Hobo Blues RACHEL, Yank  
16: It Seems Like A Dream RACHEL, Yank  
17: Army Man Blues RACHEL, Yank  
18: 38 Pistol Blues RACHEL, Yank  
19: Worried Blues RACHEL, Yank  
20: Biscuit Baking Woman RACHEL, Yank  
21: Insurance Man Blues RACHEL, Yank  
22: Up North Blues RACHEL, Yank  
23: Yellow Yam Blues RACHEL, Yank  
24: Tappin' That Thing RACHEL, Yank  
25: Rainy Day Blues RACHEL, Yank  
26: Peach Tree Blues RACHEL, Yank  
Sleepy John Estes - Sleepy John Estes (4-CD-Box) Medium 4
1: She Loves Who She Please RACHEL, Yank  
2: Bye-Bye Blues RACHEL, Yank  
3: Loudella Blues RACHEL, Yank  
4: Katy Lee Blues RACHEL, Yank  
5: All Night Long BROWNSVILLE SON BONDS  
6: She Walks Like My Woman BROWNSVILLE SON BONDS  
7: Weary Worried Blues BROWNSVILLE SON BONDS  
8: Back And Side Blues BROWNSVILLE SON BONDS  
9: I Want To Live So God Can Use Me BROWNSVILLE SON BONDS  
10: Ain't That News? BROWNSVILLE SON BONDS  
11: Give Me That Old Time Religion BROWNSVILLE SON BONDS  
12: In My Father's House BROWNSVILLE SON BONDS  
13: Trouble Trouble Blues BROWNSVILLE SON BONDS  
14: Tennessee Worried Blues BROWNSVILLE SON BONDS  
15: I'll Work Up To You Someday BROWNSVILLE SON BONDS  
16: Old Bachelor Blues BROWNSVILLE SON BONDS  
17: Black Gal Swing BROWNSVILLE SON BONDS  
18: Get Up And Go BROWNSVILLE SON BONDS  
19: Every Time My Heart Beats BROWNSVILLE SON BONDS  
20: 80 Highway Blues BROWNSVILLE SON BONDS  
21: A Hard Pill To Swallow BROWNSVILLE SON BONDS  
22: Come Back Home, Little Girl BROWNSVILLE SON BONDS  
23: Crazy 'Bout My Black Gal BROWNSVILLE SON BONDS  
24: Trembling Blues BROWNSVILLE SON BONDS  
25: Let Me Squeeze Your Lemon BROWNSVILLE SON BONDS  
26: Down The Highway BROWNSVILLE SON BONDS  
27: 0  

 

Artikeleigenschaften von Sleepy John Estes: Sleepy John Estes (4-CD-Box)

  • Interpret: Sleepy John Estes

  • Albumtitel: Sleepy John Estes (4-CD-Box)

  • Artikelart CD

  • Genre Blues

  • Label JSP

  • SubGenre Blues - Acoustic

  • EAN: 0788065777920

  • Gewicht in Kg: 0.400
 
 

Interpreten-Beschreibung "Estes, Sleepy John"

Born in Ripley, Tennessee in 1904 John Estes lived most of his life in Brownsville, Tennessee. He did his first recordings for Victor in 1929 and 1930, a career interrupted by the great depression. When the jukebox rejuvenated the record business, he was picked up by Decca in 1935. Blues artists who wrote their own songs were the rule rather than the exception in those days and his discs sold well enough that he stayed with Decca for the next five years. He even made a trip to New York during the Chicago recording ban of 1938. But on one of those trips, having cashed in their train tickets from Dec., he and harp player Hammie Nixon hoboed on a train where John lost his last eye to total blindness in a gravel car when a piece of grav-el flew up and hit him in the eye.

Under the aegis of publisher Lester Melrose John moved to Bluebird for a session in 1941, a new career path interrupted by World War 11 and the Petrillo recording ban. No one could call John's songs simple, but he was an uncomplicated man. He loved his blues, his booze and his family. Wishing to put Hammie Nixon's name on the Decca labels, he gave him song credit (although John kept the $10 royalty buyout payment.) John was not a roving song collector like Big Joe Williams. He wrote in Brownsville or on occasional trips to nearby Memphis, and often about the people and places of his hometown. Those are real people and places in the songs that rise above the usual insight-ful generalizations about life and love. Brownsville and neighboring towns gave the world more bluesmen than you might expect. Mandolinist and fellow Victor, Bluebird and Delmark artist Yank Rachell and John's faithful companion Hammie Nixon, as well as Son Bonds whose Decca/Champion recording session led to John's Decca stint, were Brownsvillians.

Nearby towns gave us Kids Spoons and John Lee Williamson, aka Sonny Boy I. After the war, the blues business, which had involved jazz-influenced trumpet-sax band accompaniments, soon made room for the more down home electric blues and, with a few exceptions, the old country blues was out of the R&B picture. However, John did record for the legendary Sun label although the results only appeared years after Delmark's first albums. A filmmaker had been to Brownsville for the first chapter of a production to be titled Citizen South-Citizen North when we met him at the Jazz Record Mart where he spoke with Joe Segal about filming a jazz artist at one of his Sutherland Hotel Jazz Showcase sessions. So I went to Brownsville to bring John back to Chicago for recording sessions. He told us about Hammie's presence in Brownsville and Yank's in Indianapolis and we eventually included them.

On our return trip to Chicago John asked to go to 437 South Wabash where his brother worked. That was next door to Jazz Record Mart and I had met his brother, who was older than John, not realizing of course who he was. In fact, one day I almost called the brother "Sleepy John" but decided that would be unkind. Had I been my usual crass self, we might have found John before we did. I should mention that blues writer and pro-ducer George Mitchell of Atlanta, GA, who later worked at the Jazz Record Mart, appar-ently met Sleepy John before I did. The young white audience for blues was only beginning to build in the early 60s but John was able to find some work including a European tour with the American Folk Blues Festival and an appearance at the Newport Folk and Ann Arbor Blues Festivals. I judge any blues artist by his voice and his lyrics.

I am not a guitarist. But at least one of John's guitar patterns was adopted by Big Bill Broonzy and in a 1998 Delta blues compila-tion, a sadly uncredited writer states that "his style of accompaniment, although subtle in its approach ...became the foundation for Texas and Chicago blues style." This author goes on to cite Jimmy Reed, Lightnin' Hopkins, Freddie King and Stevie Ray Vaughan. -Bob Koester, July, 2008

 
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