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Sleepy John Estes Sleepy John Estes (4-CD-Box)

Sleepy John Estes (4-CD-Box)
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(1929-47) (308:56/104) Die Bezeichnung ist irreführend. Lediglich zwei der vier CDs enthalten... mehr

Sleepy John Estes: Sleepy John Estes (4-CD-Box)

(1929-47) (308:56/104) Die Bezeichnung ist irreführend. Lediglich zwei der vier CDs enthalten Estes-Einspielungen - der Rest stammt aus seinem Umfeld

Artikeleigenschaften von Sleepy John Estes: Sleepy John Estes (4-CD-Box)

Estes, Sleepy John - Sleepy John Estes (4-CD-Box) CD 1
01 The Girl I Love, She Got Long Curly Hair ESTES, Sleepy John
02 Broken-Hearted, Ragged And Dirty Too ESTES, Sleepy John
03 Divin' Duck Blues ESTES, Sleepy John
04 Little Sarah ESTES, Sleepy John
05 Black Mattie Blues ESTES, Sleepy John
06 T-Bone Steak Blues ESTES, Sleepy John
07 Milk Cow Blues ESTES, Sleepy John
08 Street Car Blues ESTES, Sleepy John
09 Expressman Blues ESTES, Sleepy John
10 Whatcha Doin? ESTES, Sleepy John
11 Poor John Blues ESTES, Sleepy John
12 Stack O' Dollars ESTES, Sleepy John
13 My Black Gal Blues ESTES, Sleepy John
14 Sweet Mama ESTES, Sleepy John
15 Down South Blues ESTES, Sleepy John
16 Stop That Thing ESTES, Sleepy John
17 Someday Baby Blues ESTES, Sleepy John
18 Who's Been Telling You Buddy Brown Blues ESTES, Sleepy John
19 Married Woman Blues ESTES, Sleepy John
20 Drop Down Mama ESTES, Sleepy John
21 Government Money ESTES, Sleepy John
22 I Wanna Tear It All The Time ESTES, Sleepy John
23 Vernita Blues ESTES, Sleepy John
24 I Ain't Gonna Be Worried No More ESTES, Sleepy John
25 Floating Blues ESTES, Sleepy John
Estes, Sleepy John - Sleepy John Estes (4-CD-Box) CD 2
01 Need More Blues ESTES, Sleepy John
02 Jack And Jill Blues ESTES, Sleepy John
03 Poor Man's Friend (T Model) ESTES, Sleepy John
04 Hobo Jungle Blues ESTES, Sleepy John
05 Airplane Blues ESTES, Sleepy John
06 Everybody Oughta Make A Change ESTES, Sleepy John
07 Liquor Store Blues ESTES, Sleepy John
08 Easin' Back To Tennessee ESTES, Sleepy John
09 Fire Department Blues (Martha Hardin) ESTES, Sleepy John
10 Clean Up At Home ESTES, Sleepy John
11 New Someday Baby ESTES, Sleepy John
12 Brownsville Blues ESTES, Sleepy John
13 Special Agent (Railroad Police Blues) ESTES, Sleepy John
14 Mailman Blues ESTES, Sleepy John
15 Time Is Drawing Near ESTES, Sleepy John
16 Mary Come On Home ESTES, Sleepy John
17 Jailhouse Blues ESTES, Sleepy John
18 Tell Me How About It (Mr. Tom's Blues) ESTES, Sleepy John
19 Drop Down (I Don't Feel Welcome Here) ESTES, Sleepy John
20 Don't You Want To Know ESTES, Sleepy John
21 You Shouldn't Do That ESTES, Sleepy John
22 When The Saints Go Marching In ESTES, Sleepy John
23 Lawyer Clark Blues ESTES, Sleepy John
24 Little Laura Blues ESTES, Sleepy John
25 Working Man Blues ESTES, Sleepy John
26 Harlem Bound ESTES, Sleepy John
27 Stone Blind ESTES, Sleepy John
Estes, Sleepy John - Sleepy John Estes (4-CD-Box) CD 3
01 Blue And Worried WomanRACHEL, Yank
02 Sugar Farm BluesRACHEL, Yank
03 Stack O' Dollars BluesRACHEL, Yank
04 Night Latch BluesRACHEL, Yank
05 Squeaky Work Bench BluesRACHEL, Yank
06 Gravel Road WomanRACHEL, Yank
07 J. L. Dairy BluesRACHEL, Yank
08 Rachel BluesRACHEL, Yank
09 Lake Michigan BluesRACHEL, Yank
10 I'm Wild And Crazy As Can BeRACHEL, Yank
11 When You Feel Down And OutRACHEL, Yank
12 Texas TommyRACHEL, Yank
13 It's All OverRACHEL, Yank
14 My Mind Got BadRACHEL, Yank
15 Hobo BluesRACHEL, Yank
16 It Seems Like A DreamRACHEL, Yank
17 Army Man BluesRACHEL, Yank
18 38 Pistol BluesRACHEL, Yank
19 Worried BluesRACHEL, Yank
20 Biscuit Baking WomanRACHEL, Yank
21 Insurance Man BluesRACHEL, Yank
22 Up North BluesRACHEL, Yank
23 Yellow Yam BluesRACHEL, Yank
24 Tappin' That ThingRACHEL, Yank
25 Rainy Day BluesRACHEL, Yank
26 Peach Tree BluesRACHEL, Yank
Estes, Sleepy John - Sleepy John Estes (4-CD-Box) CD 4
01 She Loves Who She PleaseRACHEL, Yank
02 Bye-Bye BluesRACHEL, Yank
03 Loudella BluesRACHEL, Yank
04 Katy Lee BluesRACHEL, Yank
05 All Night LongBROWNSVILLE SON BONDS
06 She Walks Like My WomanBROWNSVILLE SON BONDS
07 Weary Worried BluesBROWNSVILLE SON BONDS
08 Back And Side BluesBROWNSVILLE SON BONDS
09 I Want To Live So God Can Use MeBROWNSVILLE SON BONDS
10 Ain't That News?BROWNSVILLE SON BONDS
11 Give Me That Old Time ReligionBROWNSVILLE SON BONDS
12 In My Father's HouseBROWNSVILLE SON BONDS
13 Trouble Trouble BluesBROWNSVILLE SON BONDS
14 Tennessee Worried BluesBROWNSVILLE SON BONDS
15 I'll Work Up To You SomedayBROWNSVILLE SON BONDS
16 Old Bachelor BluesBROWNSVILLE SON BONDS
17 Black Gal SwingBROWNSVILLE SON BONDS
18 Get Up And GoBROWNSVILLE SON BONDS
19 Every Time My Heart BeatsBROWNSVILLE SON BONDS
20 80 Highway BluesBROWNSVILLE SON BONDS
21 A Hard Pill To SwallowBROWNSVILLE SON BONDS
22 Come Back Home, Little GirlBROWNSVILLE SON BONDS
23 Crazy 'Bout My Black GalBROWNSVILLE SON BONDS
24 Trembling BluesBROWNSVILLE SON BONDS
25 Let Me Squeeze Your LemonBROWNSVILLE SON BONDS
26 Down The HighwayBROWNSVILLE SON BONDS
Born in Ripley, Tennessee in 1904 John Estes lived most of his life in Brownsville, Tennessee.... mehr
"Sleepy John Estes"

Born in Ripley, Tennessee in 1904 John Estes lived most of his life in Brownsville, Tennessee. He did his first recordings for Victor in 1929 and 1930, a career interrupted by the great depression. When the jukebox rejuvenated the record business, he was picked up by Decca in 1935. Blues artists who wrote their own songs were the rule rather than the exception in those days and his discs sold well enough that he stayed with Decca for the next five years. He even made a trip to New York during the Chicago recording ban of 1938. But on one of those trips, having cashed in their train tickets from Dec., he and harp player Hammie Nixon hoboed on a train where John lost his last eye to total blindness in a gravel car when a piece of grav-el flew up and hit him in the eye.

Under the aegis of publisher Lester Melrose John moved to Bluebird for a session in 1941, a new career path interrupted by World War 11 and the Petrillo recording ban. No one could call John's songs simple, but he was an uncomplicated man. He loved his blues, his booze and his family. Wishing to put Hammie Nixon's name on the Decca labels, he gave him song credit (although John kept the $10 royalty buyout payment.) John was not a roving song collector like Big Joe Williams. He wrote in Brownsville or on occasional trips to nearby Memphis, and often about the people and places of his hometown. Those are real people and places in the songs that rise above the usual insight-ful generalizations about life and love. Brownsville and neighboring towns gave the world more bluesmen than you might expect. Mandolinist and fellow Victor, Bluebird and Delmark artist Yank Rachell and John's faithful companion Hammie Nixon, as well as Son Bonds whose Decca/Champion recording session led to John's Decca stint, were Brownsvillians.

Nearby towns gave us Kids Spoons and John Lee Williamson, aka Sonny Boy I. After the war, the blues business, which had involved jazz-influenced trumpet-sax band accompaniments, soon made room for the more down home electric blues and, with a few exceptions, the old country blues was out of the R&B picture. However, John did record for the legendary Sun label although the results only appeared years after Delmark's first albums. A filmmaker had been to Brownsville for the first chapter of a production to be titled Citizen South-Citizen North when we met him at the Jazz Record Mart where he spoke with Joe Segal about filming a jazz artist at one of his Sutherland Hotel Jazz Showcase sessions. So I went to Brownsville to bring John back to Chicago for recording sessions. He told us about Hammie's presence in Brownsville and Yank's in Indianapolis and we eventually included them.

On our return trip to Chicago John asked to go to 437 South Wabash where his brother worked. That was next door to Jazz Record Mart and I had met his brother, who was older than John, not realizing of course who he was. In fact, one day I almost called the brother "Sleepy John" but decided that would be unkind. Had I been my usual crass self, we might have found John before we did. I should mention that blues writer and pro-ducer George Mitchell of Atlanta, GA, who later worked at the Jazz Record Mart, appar-ently met Sleepy John before I did. The young white audience for blues was only beginning to build in the early 60s but John was able to find some work including a European tour with the American Folk Blues Festival and an appearance at the Newport Folk and Ann Arbor Blues Festivals. I judge any blues artist by his voice and his lyrics.

I am not a guitarist. But at least one of John's guitar patterns was adopted by Big Bill Broonzy and in a 1998 Delta blues compila-tion, a sadly uncredited writer states that "his style of accompaniment, although subtle in its approach ...became the foundation for Texas and Chicago blues style." This author goes on to cite Jimmy Reed, Lightnin' Hopkins, Freddie King and Stevie Ray Vaughan. -Bob Koester, July, 2008

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