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FONTANE SISTERS Their Greatest Hits

Artikel-Nr.: CDRMB75125

Gewicht in Kg: 0,100


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FONTANE SISTERS: Their Greatest Hits

(2007/Remember) 25 tracks (58:49) 1951-56

(2007/Remember) 25 tracks



FONTANE SISTERS - Their Greatest Hits Medium 1
1: Tennessee Waltz
2: Let Me In
3: Castle Rock
4: Cold, Cold Heart
5: Kissing Bridge
6: Happy Days And Lonely Nights
7: Echoes Of Love
8: Hearts Of Stone
9: Rock Love
10: Most Of All
11: Rollin' Stone
12: Playmates
13: Seventeen
14: If I Could Be With You (One Hour Tonight)
15: Daddy-O
16: Adorable
17: Nuttin' For Christmas
18: Eddie My Love
19: I'm In Love Again
20: Voices [Narration By Pat Bone]
21: Lonesome Lover Blues [Narration By Pat Bone]
22: Please Don't Leave Me
23: Still
24: The Banana Boat Song (Day-0)
25: Honolulu Moon


Artikeleigenschaften von FONTANE SISTERS: Their Greatest Hits

  • Interpret: FONTANE SISTERS

  • Albumtitel: Their Greatest Hits

  • Artikelart CD

  • Genre Pop

  • Music Genre Pop
  • Music Style Pop Vocal
  • Music Sub-Genre 281 Pop Vocal
  • Erscheinungsjahr 2007
  • Label REMEMBER

  • SubGenre Pop - Vocal Pop

  • EAN: 8712177050673

  • Gewicht in Kg: 0.100

Interpreten-Beschreibung "Fontane Sisters, The"

Fontane Sisters

Please Don't Leave Me

It's odd that this song traveled outside of Fat Domino's New Orleans base of operations. But it did. Most notably, it showed up on an RCA session by the decidedly un-bluesy Four Seasons, back when they were still called the Four Lovers. And here it is, as one side of a single by the Fontane Sisters who, truth be told, were part of Dot Records' stable of white folks (e. g., Snooky Lanson; Pat Boone) who covered R&B hits. All that might suggest that this would be a colossal mess, or a disgrace, or something to put race relations back 50 years. But it isn't.

In fact, it's quite a nice, even memorable record. The Fontanes have managed to take what is best, indeed quirkiest about Fats original and adapt it to their pop style. The beat here is insistent, a feature they borrowed handily from Fats. The vocal consists largely of a wordless chant, another feature lifted from Domino's original. But mostly – without trying to get overly technical – the arrangement features those big, juicy IV-7 chords. [In the key of C, both the band and the singers hammer home those fat F-7 chords]. The impact is undeniable and bluesy, whether you know about flatted thirds or chord theory. That's all that matters. You may not be inclined to like this record, but it's pretty hard not to concede that these girls (and their backup musicians) tried to rock, and they succeeded.

Various The Popsters - They Tried To Rock Vol.3
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Copyright © Bear Family Records

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