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Lee Hazlewood Poet, Fool Or Bum & Back On The Street Again (CD)

Poet, Fool Or Bum & Back On The Street Again (CD)

Artikel-Nr.: CD5766332

Gewicht in Kg: 0,100


Sofort versandfertig, Lieferzeit** 1-3 Werktage

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Lee Hazlewood: Poet, Fool Or Bum & Back On The Street Again (CD)

(2004/EMI) 21 tracks 1973/1977


Hazlewood, Lee - Poet, Fool Or Bum & Back On The Street Again (CD) CD 1
1: Poet, Fool Or Bum
2: Heaven Is My Woman's Love
3: Kari
4: Feathers
5: Nancy And Me
6: The Performer
7: Come Spend The Morning
8: Wind, Sky, Sea And Sand
9: Think I'm Coming Down
10: Those Were Days Of Roses (Martha)
11: Back On The Street Again
12: Save A Place For Me
13: Your Thunder And Your Lightning
14: Suddenly Tennessee
15: You Make It Look So Easy
16: A Rider On A White Horse
17: Smokey Put The Sweat On Me
18: Dolly And Hawkeye
19: Beginning To Feel Like Home
20: New Box Of People
21: Dolly Parton's Guitar


Artikeleigenschaften von Lee Hazlewood: Poet, Fool Or Bum & Back On The Street Again (CD)

  • Interpret: Lee Hazlewood

  • Albumtitel: Poet, Fool Or Bum & Back On The Street Again (CD)

  • Artikelart CD

  • Genre Country

  • Music Genre Country Music
  • Music Style Classic Country Artists
  • Music Sub-Genre 002 Classic Country Artists
  • Label EMI

  • SubGenre Country - General

  • EAN: 0724359898025

  • Gewicht in Kg: 0.100

Interpreten-Beschreibung "Hazlewood, Lee"

Lee Hazelwood

Lee Hazelwood, born in 1929 in Mannford, Oklahoma, went to Southern Methodist University before the Army took him to Korea. On his discharge in 1953, he became one of the most popular deejays in Phoenix, Arizona, where he broadcast C&W music locally. In 1955, he branched out into songwriting and began dabbling in record production after experimenting in his radio studio. His production of 'The Fool', by Sanford Clark, sold 800,000 copies on Dot Records in 1956 and Dot subsequently signed him as a record pro-ducer for a year, but he failed to make another hit. In 1957, he teamed up with entrepreneur Lester Sill and they formed the Jamie label in Philadelphia with a distribu-tor and Dick Clark of Bandstand fame.

Through Bandstand, they launched Duane Eddy with the 'twangy' guitar sound which made him a star. In three and a half years, Hazelwood sold 20 million Duane Eddy records which despite their crass commerciality were the earliest 'sound' productions in rock. In 1961, Hazelwood and Sill formed the Gregmark label which scored with Phil Spector-produced records by the Paris Sisters (Sill and Hazelwood had earlier run two less successful labels called Trey and East-West). They parted company in 1962 and Hazelwood formed an unsuccessful label, Eden.

In 1964, he left the business but the following year, Jimmy Bowen at Reprise asked him to produce the bubblegum trio of Dino, Desi and Billy for whom he pro-duced four consecutive hits. He also began recording Nancy Sinatra at Reprise and established her as a potent chart-force with 'These Boots Are Made For Walkin" and re-corded countrified duets, like 'Jackson', with her. In the late Sixties, be ran his own LHI label in Hollywood but lack of success ended the project.

Always something of a bohemian, Hazelwood — now in semi-retirement — commutes between homes in Sweden, Paris and Los Angeles.

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