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Mississippi John Hurt Memorial Anthology (2-CD)

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Artikel-Nr.: CD99067

Gewicht in Kg: 0,200


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Mississippi John Hurt: Memorial Anthology (2-CD)

(1964'Gene's') (129:22/28) Zuvor unveröffentlichte Live-Aufnahmen, sorgfältig zusammengestellt und restauriert / previously unreleased live recordings from one of the finest pickers of all time.


Mississippi John Hurt - Memorial Anthology (2-CD) Medium 1
1: Salty Dog  
2: Louis Collins  
3: Stagger Lee  
4: Monday Mornin' Blues  
5: Comin' Home  
6: Candyman Blues  
7: A Hot Time In The Old Town Tonight  
8: K.C. Jones Blues  
9: Make Me A Pallet On Your Floor  
10: You Can't Come In  
11: Joe Turner  
12: Spanish Flangdang  
13: Lonesome Am I  
14: I Shall Not Be Moved  
15: CC Rider  
16: Trouble Blues  
Mississippi John Hurt - Memorial Anthology (2-CD) Medium 2
1: Richland Woman Blues  
2: Frankie And Albert (Johnny)  
3: Creole Belle  
4: Chicken  
5: Pete Seeger / John Hurt Interview  
6: Let The Mermaids Flirt With Me  
7: Nobody's Dirty Business  
8: Stop Time (Buck Dance)  
9: Worried Blues  
10: Avalon Blues  


Artikeleigenschaften von Mississippi John Hurt: Memorial Anthology (2-CD)

  • Interpret: Mississippi John Hurt

  • Albumtitel: Memorial Anthology (2-CD)

  • Artikelart CD

  • Genre Blues

  • Music Genre Blues
  • Music Style Postwar Country Blues
  • Music Sub-Genre 942 Postwar Country Blues
  • Label GENES

  • SubGenre Blues - Acoustic

  • EAN: 0722485990620

  • Gewicht in Kg: 0.200

Interpreten-Beschreibung "Hurt, Mississippi John"

Mississippi John Hurt

Mississippi John Hurt, (born July 3, 1893, Teoc, Miss.; died November 2, 1966, Grenada, Miss.) Mississippi John Hurt was a songster whose repertoire included a caressing, gentle version of the blues, handed-down folk songs, light rags, and ballads. Apart from a brief recording career in the late 1920s, Hurt lived nearly all of his life in obscurity until being rediscovered by folk fan Tom Hoskins in 1963. During the three years before his death in 1966, Hurt performed his soft-spoken, finger-picked blues and folk tunes at college coffeehouses and numerous festivals, in-cluding the Newport Folk Festival (1963 to 1965).

A favorite with the early-'60s folk crowd, who were touched by his untroubled voice and equally tranquil guitar picking, Hurt also appeared on national television, performed in the blues docu-mentary This Hour Has Seven Days, and recorded three albums for Vanguard Records. Hurt was raised in Mississippi, where he taught himself how to play guitar. He worked as a farmhand and often performed at local dances and socials. Hurt was discovered by an Okeh Records talent scout in 1928 and sent to Memphis and New York where he recorded thirteen sides, only seven of which were ever released. Hurt returned to Mississippi where he continued to do farm work and occasional performances in the Avalon area until age seventy-one, when Hoskins found him. Hurt was a major influence on the many folk artists who came of age in the early 1960s.

Everyone from Bob Dylan down has paid tribute to Hurt's inventive finger-picking technique and his humble brand of blues.

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