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Rick Nelson The Last Time Around (7-CD)

Star Rating (2)

Artikel-Nr.: BCD16682

Gewicht in Kg: 2,660

 

Sofort versandfertig, Lieferzeit** 1-3 Werktage

157,95 € *
 
 
 
 
 

Rick Nelson: The Last Time Around (7-CD)

Video von Rick Nelson - The Last Time Around (7-CD)

7-CD Box, LP-Format, mit 144-seitigem gebundenem Buch. 134 Einzeltitel. Spieldauer: 453:33 Minuten.

Der letzte Teil der Bear-Family-Dokumentation über Rick Nelsons gesamte Plattenkarriere enthält alle späten Aufnahmen von 1970 bis 1982, die viele Fans für Rick Nelsons beste überhaupt halten, darunter seinen letzten großen Hit Garden Party. Enthalten sind die vollständigen 'Back To Vienna'-Sessions, produziert von Al Kooper. Die meisten Titel blieben damals unveröffentlicht. Weltpremiere für die kompletten 'Memphis Sessions' (1979) - so wie sie aufgenommen wurden. Hinzu kommen viele seltene und bislang unveröffentlichte Titel, darunter die noch nie zu hören gewesenen 1974er-Studioversionen von
Mystery Train und California Free.

'The Last Time Around' beschließt das auf drei CD-Boxen verteilte Gesamtwerk von Rick Nelson. Das neue Set beginnt mit vier Alben, eingespielt mit der Stone Canyon Band: 'Rick Sings Nelson', 'Rudy The Fifth', 'Garden Party' und 'Windfall'. 'Garden Party' enthält selbstverständlich seinen letzten großen, gleichnamigen Hit - und Rick Nelsons Ankündigung, dass er nicht zu einem 'Oldies-Act' werden wolle. Es geht weiter mit der für Epic eingespielten 'Intakes'-LP und mit dem Capitol-Album 'Playing To Win'. Damit nicht genug: Bear Family präsentiert erstmals zwei komplette, nie erschienene LPs: 'Back To Vienna' (in Hollywood produziert von Al Kooper und eingespielt mit herausragenden Sessionmusikern) sowie 'The Memphis Sessions', produziert von Larry Rogers und mit einer sehr ansprechenden Band, besetzt mit fast ausschließlich lokalen Studiogrößen. Weitere Höhepunkte: ein kompletter (nie zuvor veröffentlichter) Liveauftritt mit der zweiten Besetzung der Stone Canyon Band sowie reine Single-Tracks, zusätzliche Studiosessions und sogar einige Werbejingles.

Das 144seitige Hardcover-Begleitbuch enthält dutzende Fotos und andere Abbildungen, eine vollständige Dokumentation aller Sessions und einen Karriereabriss (25.000 Wörter) von Todd Everett, der schon die hochgelobten Begleittexte für die beiden ersten Boxen 'An American Dream' und 'For You' geschrieben hat. Die nicht zu toppenden Informationen aus erster Hand enthüllen, was bei den Studiosessions wirklich passierte.

Auch wenn Rick Nelsons späte Einspielungen nicht mehr das kommerzielle Volumen seiner Frühwerke erreichten, sind sie ein Beweis dafür, dass sie sich qualitativ nicht davon unterscheiden. Kein Zweifel -
Rick Nelson hat gerockt!

7-CD Box, LP-Format, mit 144-seitigem gebundenem Buch. 134 Einzeltitel. Spieldauer: 453:33 Minuten


 

Songs

Rick Nelson - The Last Time Around (7-CD) Medium 1
1: We've Got Such A Long Way To Go
2: California
3: How Long
4: Sweet Mary
5: Down Along The Bayou Country
6: My Woman
7: Anytime
8: Mr. Dolphin
9: Look At Mary
10: (Can't You See) The Reason Why
11: Life
12: Just Like A Woman
13: The Last Time Around
14: Gypsy Pilot
15: Honky Tonk Women
16: Sing Me A Song
17: Love Minus Zero / No Limit
18: Thank You Lord [long version]
19: This Train
20: Song For Kristin
21: Song For Kristin [Reprise]
22: Feel So Good
23: Palace Guard [long version]  
24: So Long Mama  
25: I'm Talking About You [version 2]  
26: Garden Party  
27: Don't Let Your Goodbye Stand  
28: I Wanna Be With You  
29: A Flower Opens Gently By  
30: Let It Bring You Along  
31: Are You Really Real  
32: Nightime Lady  
33: Legacy  
34: Evil Woman Child  
35: Don't Leave Me Here  
36: Someone To Love  
37: Wild Nights In Tulsa  
38: Lifestream  
39: How Many Times  
40: Windfall  
41: One Night Stand  
42: I Don't Want To Be Lonely Tonight  
43: Introduction  
44: I Don't Want To Be Lonely Tonight  
45: Hello Mary Lou  
46: She Belongs To Me  
47: My Babe  
48: The Last Time Around  
49: One Night Stand  
50: Windfall  
51: Louisiana Man  
52: Someone To Love  
53: Garden Party  
54: Honky Tonk Woman  
55: Gypsy Pilot  
56: Traveling Man  
57: Easy To Be Free  
58: My Babe [Reprise]  
59: Life [single version]  
60: Try (Try To Fall In Love)  
61: Louisiana Belle  
62: Rock And Roll Lady [edited version]  
63: Fadeaway  
64: Palace Guard [short version]  
65: Thank You Lord [short version]  
66: Song For Kristin [Reprise alt]  
67: California Free [early take]  
68: Try (Try To Fall In Love) [long version]  
69: Louisiana Belle [alternate mix]  
70: Mystery Train  
71: Rock And Roll Lady [long version]  
72: California Free  
73: Rudy The Fifth Radio Spot  
74: Heart Fund commercial 1974  
75: Garden Party Radio Spot  
76: Windfall Radio Spot  
77: You Can't Dance  
78: (Love Is) Something You Can't Buy  
79: I Wanna Move With You  
80: Five Minutes More  
81: Gimme Little Sign  
82: Stay Young  
83: Wings  
84: It's Another Day  
85: One By One  
86: Change Your Mind  
87: Everyday I Have To Cry Some  
88: Love You So  
89: Chump Change Romeo  
90: What Is Success  
91: Carl Of The Jungle  
92: No Words Of Love  
93: New Delhi Freight Train  
94: Mama, You've Been On My Mind  
95: Getting' It On  
96: Conversation  
97: Dream Lover  
98: That's Alright Mama  
99: It's All Over Now  
100: In My Heart  
101: Send Me Somebody To Love  
102: Stuck In The Middle  
103: It Shall Remain  
104: True Love Ways  
105: That Ain't The Way Love's Supposed To Be  
106: Sleep Tight Good Night Man  
107: Rave On  
108: Lay Back In The Arms Of Someone  
109: Almost Saturday Night  
110: Dream Lover  
111: Send Me Somebody To Love [altermate mix]  
112: Lay Back In The Arms Of Someone [alt.]  
113: Almost Saturday Night [alt.]  
114: Rave On [alternate version]  
115: Lay Back In The Arms Of Someone [EP]  
116: Almost Saturday Night [EP version]  
117: Rave On [EP version]  
118: Tired Of Toeing The Line  
119: I Can't Take It No More  
120: Don't Look At Me  
121: It Hasn't Happened Yet  
122: Almost Saturday Night  
123: Radio Girl  
124: Little Miss American Dream  
125: Rave On  
126: Do The Best You Can  
127: Believe What You Say  
128: Back To Schooldays  
129: The Loser Babe Is You  
130: Call It What You Want  
131: Believe What You Say [single version]  
132: Doll Hospital  
133: No Fair Falling' In Love  
134: Give 'em My Number  

 

Artikeleigenschaften von Rick Nelson: The Last Time Around (7-CD)

  • Interpret: Rick Nelson

  • Albumtitel: The Last Time Around (7-CD)

  • Artikelart Box set

  • Genre Rock 'n' Roll

  • Music Genre Rock 'n' Roll
  • Music Style Rock & Roll
  • Music Sub-Genre 201 Rock & Roll
  • Edition 2 Deluxe Edition
  • Label Bear Family Records

  • Preiscode GL
  • SubGenre Rock - Rock'n'Roll

  • EAN: 4000127166821

  • Gewicht in Kg: 2.660
 
 

Interpreten-Beschreibung "Nelson, Rick"

Ricky Nelson

Ultimately, it all came down to music. Rick Nelson came of age in the rock 'n' roll era, and was on his way to play rock 'n' roll the night he died. He wasn't quite there at the beginning, not in the sense that Elvis, Bill Haley, or Little Richard were, but, in not quite being present at the creation, he was like millions of kids who understood just how and why rock 'n' roll was theirs. It hadn't been created for them by adults; it was for, by, and about themselves.

Rick Nelson wasn't in music for recognition; he was one of the most recognizable faces in the country before he made his first record. He wasn't in it for the money, either; the best guess is that he had a half-million dollars stashed in trust accounts before he sang his first note. He simply wanted to sing rock 'n' roll. And if he wasn't quite there at the beginning, he can still lay claim to one innovation: when he sang on the family sitcom, 'The Adventures Of Ozzie And Harriet,' he became the first rock 'n' roll singer to harness music and video on a regular basis. They used to say that too much TV meant too much exposure, but Rick Nelson proved that people would buy what they could get for free, and might even buy more of it.

Eric Hilliard 'Rick' Nelson was the younger son of Harriet Hilliard Nelson (born Peggy Lou Snyder) and Oswald 'Ozzie' Nelson. Harriet's father was a director, and she was on-stage when she was six weeks old. Ozzie was already the hitmaking leader of his own dance band when they met on New Year's Eve, 1932. They married in October 1935, the year of Ozzie's biggest hit, And Then Some. Their first son, David, was born on October 24, 1936, and Rick was born in Teaneck, New Jersey on May 8, 1940. One year later, the Nelsons moved to Los Angeles so that Ozzie and Harriet could work on Red Skelton's 'Raleigh Cigarette Program' on NBC radio. When Skelton was drafted in 1944, Ozzie developed the idea of spinning a radio sitcom from his family life. On October 8, 1944, 'The Adventures Of Ozzie And Harriet' made its debut on CBS. David and Rick were written into the scripts from the beginning, and began playing themselves as of February 1949. Recording tape was introduced that year, enabling Ozzie to edit out bloopers and prerecord the shows without interfering with the boys' schooling. In 1952, the sitcom spawned a hit movie, 'Here Come The Nelsons,' which in turn convinced Ozzie that it was time to move to television. 'The Adventures Of Ozzie And Harriet' first aired on ABC-TV on October 3, 1952. The 435th and last episode was filmed on January 1, 1966, and aired that September.

Rick was fifteen when rock 'n' roll erupted. He was a fan, while Ozzie's response was that of the quintessential Fifties adult. "Harriet and I were slowly being blasted out of the house by a barrage of twanging guitars, thumping drums, and undistinguishable grunts," he wrote later. Rick loved it all, but he especially loved the spare, echoey primitive Sun Records sound. He would go in many directions over the next thirty years, but would ultimately return to that Sun sound. There's something about the music you hear during a critical, formative period, and the music Rick heard was rockabilly. He bought the Sun hits, and searched out the more obscure Sun records where marginal musicianship, giddy testosterone levels, and Southern nights converged. "My main idol,"  he said later, "was Carl Perkins. I really idolized him and wanted to sound like him."

from booklet BCD16856 - Ricky Nelson Ricky Nelson - Ricky Rocks
Read more at: https://www.bear-family.de/nelson-ricky-ricky-nelson-ricky-rocks.html
Copyright © Bear Family Records

 

RICKY NELSON  

The American Legend

 

Everybody knew what a rockabilly singer was: a tough young man (or, occasionally, girl) from a hardscrabble deep-South background. He'd picked cotton as a child, and learned to play a guitar he'd patched together from a cigar box, broomstick and window screen wire. He learned his first songs from black field hands, or perhaps the 'Grand Ole Opry'broadcasts from Nashville.

Then there was Ricky Nelson. Born in New Jersey to a veteran show business family, he was a national radio and television star before he first stepped up to a recording studio microphone, at the age of sixteen. Raised in Hollywood, he dated starlets.

But there was another side to young Ricky Nelson. He discovered country music on radio and television broadcasts, and the first record he bought was by his favorite singer and great inspiration, Carl Perkins, While he grew up surrounded by jazz musicians -- his father had been a nationally prominent bandleader -- he recorded most of his biggest hits with a band headed by two youngsters from Shreveport, Louisiana.

It all came together in a recording and performing career that lasted until his unanticipated death in an airplane crash on the way from one show to another -- ironically emulating many of his predecessors and contemporaries, notably Buddy Holly, Ritchie Valens and J. P. 'The Big Bopper' Richardson.

A certain degree of Ricky (later, 'Rick') Nelson's success could be credited to his weekly television exposure. How, then, to explain his nineteen top-40 hits in England? "Over in England," fan Paul McCartney has explained, "we knew nothing about the Nelson [TV] show -- to us, he was the famous one in the family."

So how did this unprecedented and unduplicated combination of life and music occur? Elvis Presley was in the Army for a substantial portion of Ricky's Imperial years, but that's not only the sole answer, it isn't even the main answer. Lorrie Collins, of The Collins Kids, ventures that "he was serious, not a flash in the pan like some of the TV stars who made records. Rick had the talent and he had the longing; when you have that, the difference will shine through. And he had the best people in Hollywood back him up."

John Fogerty, who claims Nelson as an early influence, says the answer is simple: "Ricky's records had all of the best ingredients...great songs, great singing, great band -- did I say great guitar?

"He made some of the best records in rock and roll."

* * *

Today, when Americans refer to living an 'Ozzie and Harriet' kind of life, they're speaking of a kind of idealized family: happily married mother and father, two reasonably well-behaved children, and no problem that can't be eliminated with little more than a heart-to-heart conversation. It's become kind of a shorthand, a cliché, even among people too young to know who Ozzie and Harriet were.

In the 1950s, though, it seemed as though everybody in the United States knew Ozzie and Harriet Nelson, and their teenaged sons David and Ricky. The family could be seen every week for fourteen years in a popular television situation comedy; playing themselves and using their real names. The Nelsons' TV house was a near-accurate reproduction of the family's real-life home, and their next-door neighbor, 'Thorny' Thornberry (played by Don DeFore), was based on the Nelsons' real-life next-door neighbor, a fellow named Thornbury.

A popular joke of the day had it that nobody knew what Ozzie -- the TV character -- did for a living. As Ozzie Nelson points out in his autobiography, his seeming joblessness (he seemed to be always around the house, often in search of a dish of tutti-frutti ice cream) was a canard. "...We have always tried to keep the show honest...when we started on radio back in 1944, I was a bandleader both on the show and in real life, and if I were suddenly to become a plumber or an insurance salesman, it would simply not ring true...Our scenes were almost always played as if it were a Saturday or Sunday...I did occasionally go downtown to an office, but I never designated the kind of work that I did because by my not designating a specific job, people were able to identify with me more readily." Anybody who watched regularly would notice that Ozzie -- the character -- had a lot of musician friends, and that there were occasional musical interludes on the program.

From New Jersey To Hollywood

Oswald George 'Ozzie' Nelson -- the actor -- a graduate of Rutgers University in New Jersey, had led one of the more popular 'sweet' bands of the 1930s and early 1940s, with hits including About A Quarter To Nine, I'll Never Say 'Never Again' Again, At Long Last Love, and (it wasn't a commercial success, but is well-remembered as an example of the dry Nelson wit) I'm Looking For A Guy Who Plays Alto And Baritone And Doubles On A Clarinet And Wears A Size 37 Suit. Well, musicians loved it.

The Nelson band's girl singer was a pert Iowan named Peggy Lou Snyder, raised in a theatrical family and appearing professionally as Harriet Hilliard. She debuted with Ozzie's band in June, 1932; her brief marriage to comic Roy Sedley was annulled in 1933; and she and Ozzie married on October 8, 1935. Scouted by RKO films, Harriet left for Hollywood where she was featured -- as a last-minute substitute for Irene Dunne -- in the Fred Astaire-Ginger Rogers vehicle, 'Follow The Fleet.'Ozzie remained in New York City, where he was radio bandleader; first on a program headlined by comedian Joe Penner, then on Robert Ripley's 'Believe It Or Not.'

An advertising executive, aware of the Nelsons' chemistry as a couple as well as their talent, suggested that the two appear together on radio. There was one condition: he wanted the family (which by then included elder son David, born October 24, 1936) to relocate to Hollywood, where Harriet's film career (two more roles since 'Follow The Fleet') was keeping the couple separated. Ozzie wrote that he wasn't sure that he could support his band on radio salary alone. Record sales weren't terrific, and there were relatively few venues suitable for his band in Los Angeles, but the agency made an offer that persuaded the Nelsons to trek West, with a personal entourage and fourteen musicians in tow.

Ricky Nelson The American Dream (6-CD)
Read more at: https://www.bear-family.com/nelson-ricky-the-american-dream-6-cd.html
Copyright © Bear Family Records

 

 
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