The Supremes Definitive Collection - Gold Series (2-CD)
- Artikel-Nr.: CD9881265
- Gewicht in Kg.: 0.12
The Supremes: Definitive Collection - Gold Series (2-CD)
Artikeleigenschaften von The Supremes: Definitive Collection - Gold Series (2-CD)
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Interpret: The Supremes
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Albumtitel: Definitive Collection - Gold Series (2-CD)
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Label UNIVERSAL
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Genre R&B, Soul
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Artikelart CD
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EAN: 0602498812655
- Gewicht in Kg: 0.12
| Ross, Diana & The Supremes - Definitive Collection - Gold Series (2-CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | When The Lovelight Starts Shining Through... | The Supremes | ||
| 02 | Where Did Our Love Go | The Supremes | ||
| 03 | Ask Any Girl | The Supremes | ||
| 04 | Baby Love | The Supremes | ||
| 05 | Run, Run, Run | The Supremes | ||
| 06 | Stop! In The Name Of Love | The Supremes | ||
| 07 | Back In My Arms Again | The Supremes | ||
| 08 | Come See About Me | The Supremes | ||
| 09 | Nothing But Heartaches | The Supremes | ||
| 10 | Everything Is Good About You | The Supremes | ||
| 11 | I Hear A Symphony | The Supremes | ||
| 12 | Love Is Here And Now You're Gone | The Supremes | ||
| 13 | My World Is Empty Without You | The Supremes | ||
| 14 | Whisper You Love Me Boy | The Supremes | ||
| 15 | The Happening | The Supremes | ||
| 16 | You Keep Me Hangin' On | The Supremes | ||
| 17 | You Can't Hurry Love | The Supremes | ||
| 18 | Standing At The Crossroads Of Love | The Supremes | ||
| 19 | Love Is Like An Itching In My Heart | The Supremes | ||
| 20 | There's No Stopping Us Now | The Supremes | ||
| Ross, Diana & The Supremes - Definitive Collection - Gold Series (2-CD) CD 2 | ||||
|---|---|---|---|---|
| 01 | Reflections | The Supremes | ||
| 02 | Someday We'll Be Together | The Supremes | ||
| 03 | Love Child | The Supremes | ||
| 04 | Some Things You Never Get Used To | The Supremes | ||
| 05 | Forever Came Today | The Supremes | ||
| 06 | In And Out Of Love | The Supremes | ||
| 07 | I'm Livin' In Shame | The Supremes | ||
| 08 | No Matter What Sign You Are | The Supremes | ||
| 09 | The Composer | The Supremes | ||
| 10 | I'm Gonna Make You Love Me | The Supremes | ||
| 11 | Stoned Love | The Supremes | ||
| 12 | I'm Gonna Let My Heart Do The Walking | The Supremes | ||
| 13 | Floy Joy | The Supremes | ||
| 14 | Nathan Jones | The Supremes | ||
| 15 | The Sha La Bandit | The Supremes | ||
| 16 | Up The Ladder To The Roof | The Supremes | ||
| 17 | You're My Driving Wheel | The Supremes | ||
| 18 | Everybody's Got The Right To Love | The Supremes | ||
| 19 | Bad Weather | The Supremes | ||
| 20 | Love Train | The Supremes | ||
The Supremes
Where Did Our Love Go
The Supremes
Where Did Our Love Go
Wags around Hitsville U.S.A. had sarcastically labeled Diana Ross's group the "no-hit" Supremes early in their Motown tenure, but that was before Berry Gordy sagely handed their artistic direction to Brian Holland, Lamont Dozier, and Eddie Holland. Soon enough, the Supremes were the top female vocal group in the country.
Fronted by Diana Ross (born March 26, 1944 on Detroit's East Side), the Supremes started out as the Primettes with Florence Ballard their main lead singer. The Primettes waxed their only single in 1960 for Robert West's LuPine label, Tears Of Sorrow featuring Ross while the flip, Pretty Baby, cast Mary Wilson as lead. In '61, they signed with Motown, choosing their name from a list supplied by Ballard and debuting with I Want A Guy. But only Your Heart Belongs To Me, Let Me Go The Right Way, and A Breath Taking Guy nicked the pop charts prior to H-D-H handing them the Spectoresque anthem When The Lovelight Starts Shining Through His Eyes, a sizable pop seller in 1963.
Where Did Our Love Go had been shunned by Gladys Horton, lead singer of the Marvelettes. "When the track was cut, I called her back and she just said out and out, she said, 'I don't like that!'" says Dozier. The Supremes weren't too thrilled with it either. "That was one that for us didn't sound like one, didn't feel like one that we thought it should feel like," says Mary. "My brother wanted Mary Wilson to sing that song first. And what had happened was, Lamont and I disagreed," says Brian Holland. "Lamont and I won out."
Dozier was determined to change Ross's vocal sound. "I hated her voice up in the sky like that on a lot of those songs," he says. "It was whiny to me. It didn't have enough substance. So this particular song was in Gladys Horton's key, 'cause that's how I envisioned it. It was low and sexy, like a Julie London or something kind of voice, foggy. So we tried that approach with Diana, bringing her off of those high notes and high keys that she sang in, and bring her down to this little sultry thing." Two other key ingredients: the relentless footstomps of Mike Valvano, whose Mike & the Modifiers briefly cut for Motown, and Mike Terry's burbling baritone sax,
a recurring motif on future triumphs by the lovely trio. Where Did Our Love Go topped the pop and R&B charts as the Supremes commenced their march to superstardom.
- Bill Dahl -
Various - Sweet Soul Music
31 Scorching Classics From 1964
Read more at: https://www.bear-family.de/various-sweet-soul-music-31-scorching-classics-from-1964.html
Copyright © Bear Family Records
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