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The Supremes More Hits By (1965)...plus (2-CD) Limited Ed.

More Hits By (1965)...plus (2-CD) Limited Ed.
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  • CD1621002
  • 0.17
(2011/MOTOWN/HIP-O) 52 tracks - gatefold digipac with two booklets. Limited Edition. mehr

The Supremes: More Hits By (1965)...plus (2-CD) Limited Ed.

(2011/MOTOWN/HIP-O) 52 tracks - gatefold digipac with two booklets. Limited Edition.

Artikeleigenschaften von The Supremes: More Hits By (1965)...plus (2-CD) Limited Ed.

  • Interpret: The Supremes

  • Albumtitel: More Hits By (1965)...plus (2-CD) Limited Ed.

  • Label HIP-O SELECT

  • Genre R&B, Soul

  • Artikelart CD

  • EAN: 0602527843520

  • Gewicht in Kg: 0.17
Ross, Diana & The Supremes - More Hits By (1965)...plus (2-CD) Limited Ed. CD 1
01 Ask Any Girl
02 Nothing But Heartaches
03 Stop! In The Name Of Love
04 Honey Boy
05 Back In My Arms Again
06 Whisper You Love Me Boy
07 The Only Time I'm Happy
08 The Holds His Own
09 Who Could Ever Doubt My Love
10 (I'm So Glad) Heartaches Don't Last Always
11 I'm In Love Again
12 Ask Any Girl (Stereo)
13 Nothing But Heartaches (Stereo)
14 Mother Dear (Stereo)
15 Stop! In The Name Of Love (Stereo)
16 Honey Boy (Stereo)
17 Back In My Arms Again (Stereo)
18 Whisper You Love Me Boy (Stereo)
19 The Only Time I'm Happy (Stereo)
20 He Holds His Own (Stereo)
21 Who Could Ever Doubt My Love (Stereo)
22 (I'm So Glad) Heartaches Don't Last Always (S
23 I'm In Love Again (Stereo)
24 Bonus Tracks:
25 Coca-Cola Commercials (Stereo Mixes)
26 Supremes Interview (Alternative Version)
Ross, Diana & The Supremes - More Hits By (1965)...plus (2-CD) Limited Ed. CD 2
01 Baby Love (Live At The Fox)
02 Where Did Our Love Go (Live At The Fox)
03 Come See About Me (Live At The Fox)
04 Come Into My Palace
05 Oowee Baby
06 Surfer Boy
07 Beach Ball
08 Stop! In The Name Of Love (Version 1)
09 Take Me Where You Go (Version 1 without ...)
10 Back In My Arms Again (Alternate Vocal)
11 Too Hurt To Cry, Too In Love To Say Goodbye
12 Whisper You Love Me Boy (Alternate Vocal)
13 Nothing But Heartaches (Alternate Vocal)
14 It's All Your Fault (Version 2)
15 Mother Dear (Version 2)
16 Too Much A Little Too Soon
17 He Holds His Own (Alternate Vocal)
18 Moonlight And Kisses
19 Babym Baby, wo ist unsere Liebe (Where Did ..
20 Thank You Darling, Thank You Baby
21 Jonny und Joe (Come See About Me)
22 Stop! In The Name Of Love (Live In Paris)
23 Baby Love (Live In Paris)
24 Somewhere (Live In Paris)
25 You're Nobody 'til Somebody Loves You (Live..
26 Shake (Live In Paris)
The Supremes Where Did Our Love Go The Supremes Where Did Our Love Go  ... mehr
"The Supremes"

The Supremes

Where Did Our Love Go

The Supremes

Where Did Our Love Go

 

Wags around Hitsville U.S.A. had sarcastically labeled Diana Ross's group the "no-hit" Supremes early in their Motown tenure, but that was before Berry Gordy sagely handed their artistic direction to Brian Holland, Lamont Dozier, and Eddie Holland. Soon enough, the Supremes were the top female vocal group in the country.

Fronted by Diana Ross (born March 26, 1944 on Detroit's East Side), the Supremes started out as the Primettes with Florence Ballard their main lead singer. The Primettes waxed their only single in 1960 for Robert West's LuPine label, Tears Of Sorrow featuring Ross while the flip, Pretty Baby, cast Mary Wilson as lead. In '61, they signed with Motown, choosing their name from a list supplied by Ballard and debuting with I Want A Guy. But only Your Heart Belongs To Me, Let Me Go The Right Way, and A Breath Taking Guy nicked the pop charts prior to H-D-H handing them the Spectoresque anthem When The Lovelight Starts Shining Through His Eyes, a sizable pop seller in 1963.

Where Did Our Love Go had been shunned by Gladys Horton, lead singer of the Marvelettes. "When the track was cut, I called her back and she just said out and out, she said, 'I don't like that!'" says Dozier. The Supremes weren't too thrilled with it either. "That was one that for us didn't sound like one, didn't feel like one that we thought it should feel like," says Mary. "My brother wanted Mary Wilson to sing that song first. And what had happened was, Lamont and I disagreed," says Brian Holland. "Lamont and I won out."

Dozier was determined to change Ross's vocal sound. "I hated her voice up in the sky like that on a lot of those songs," he says. "It was whiny to me. It didn't have enough substance. So this particular song was in Gladys Horton's key, 'cause that's how I envisioned it. It was low and sexy, like a Julie London or something kind of voice, foggy. So we tried that approach with Diana, bringing her off of those high notes and high keys that she sang in, and bring her down to this little sultry thing." Two other key ingredients: the relentless footstomps of Mike Valvano, whose Mike & the Modifiers briefly cut for Motown, and Mike Terry's burbling baritone sax,

a recurring motif on future triumphs by the lovely trio. Where Did Our Love Go topped the pop and R&B charts as the Supremes commenced their march to superstardom.

- Bill Dahl -

Various - Sweet Soul Music

31 Scorching Classics From 1964

Read more at: https://www.bear-family.de/various-sweet-soul-music-31-scorching-classics-from-1964.html
Copyright © Bear Family Records

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