(Motown) 12 tracks - Re-issue of the original 1968 'Motown' LP album
Reflections of the way life used to be ... When I look into the mirror of my life of not so long ago, I see how music and lyrics have led me to warm friends and deep love. While just a child in a disadvantaged section of Detroit the air I breathed was filled with music. My heartbeat was like the throbbing of. drums. I knew even then that the road up was a tough one. But at least for me, it would be paved with song.
Reflections of the way life used to be ... What I didn't know in those early days was that I was destined to meet and work pith some of the most wonderful people anywhere: that great producing and writing team of Holland-Dozier-Holland, who are responsible for this album; the one man, Berry Gordy, Jr., founder and president of Motown without whom we could never have made it; and most of all, the kids around the country who never let us down.
Reflections of the may life used to be ... When I was 12 and singing in my church choir, I dared to dream that when I was 22, I would still be singing . . . that I would be fortunate enough to feel the warmth of your acceptance, the thrill of your applause, the fulfillment of my desires. I never dreamt how much I would love my work nor how much easier this would be with Mary Wilson and Cindy Birdsong a part of the team. Yes, my childhood dream has come true and I sincerely hope yours does too.
Reflections of the may life used tube... Just eight words, eight words from the title song of this album. Eight little words that make me think what might have been if I were not so fortunate.
Artikeleigenschaften von Diana Ross & The Supremes: Reflections (LP)
Wags around Hitsville U.S.A. had sarcastically labeled Diana Ross's group the "no-hit" Supremes early in their Motown tenure, but that was before Berry Gordy sagely handed their artistic direction to Brian Holland, Lamont Dozier, and Eddie Holland. Soon enough, the Supremes were the top female vocal group in the country.
Fronted by Diana Ross (born March 26, 1944 on Detroit's East Side), the Supremes started out as the Primettes with Florence Ballard their main lead singer. The Primettes waxed their only single in 1960 for Robert West's LuPine label, Tears Of Sorrow featuring Ross while the flip, Pretty Baby, cast Mary Wilson as lead. In '61, they signed with Motown, choosing their name from a list supplied by Ballard and debuting with I Want A Guy. But only Your Heart Belongs To Me, Let Me Go The Right Way, and A Breath Taking Guy nicked the pop charts prior to H-D-H handing them the Spectoresque anthem When The Lovelight Starts Shining Through His Eyes, a sizable pop seller in 1963.
Where Did Our Love Go had been shunned by Gladys Horton, lead singer of the Marvelettes. "When the track was cut, I called her back and she just said out and out, she said, 'I don't like that!'" says Dozier. The Supremes weren't too thrilled with it either. "That was one that for us didn't sound like one, didn't feel like one that we thought it should feel like," says Mary. "My brother wanted Mary Wilson to sing that song first. And what had happened was, Lamont and I disagreed," says Brian Holland. "Lamont and I won out."
Dozier was determined to change Ross's vocal sound. "I hated her voice up in the sky like that on a lot of those songs," he says. "It was whiny to me. It didn't have enough substance. So this particular song was in Gladys Horton's key, 'cause that's how I envisioned it. It was low and sexy, like a Julie London or something kind of voice, foggy. So we tried that approach with Diana, bringing her off of those high notes and high keys that she sang in, and bring her down to this little sultry thing." Two other key ingredients: the relentless footstomps of Mike Valvano, whose Mike & the Modifiers briefly cut for Motown, and Mike Terry's burbling baritone sax,
a recurring motif on future triumphs by the lovely trio. Where Did Our Love Go topped the pop and R&B charts as the Supremes commenced their march to superstardom.