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The Shirelles Baby It's You (1962) Limited Edition (180g)

Artikel-Nr.: LP771973

Gewicht in Kg: 0,310


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The Shirelles: Baby It's You (1962) Limited Edition (180g)

(2014/Wax Time) 14 tracks, includes free mp3 download and bonustracks

(2014/Wax Time) 14 tracks, includes free mp3 download



Shirelles - Baby It's You (1962) Limited Edition (180g) LP 1
1: Baby It`S You
2: Irresistible You
3: Things I Want To Hear (Pretty Words)
4: Big John
5: The Same Old Story
6: Voice Of Experience
7: Ooh Poo Pah Doo
8: Soldier Boy
9: A Thing Of The Past
10: Twenty One
11: Make The Night A Little Longer
12: Twisting In The USA
13: Putty In Your Hands
14: Mama, Here Comes The Bride


Artikeleigenschaften von The Shirelles: Baby It's You (1962) Limited Edition (180g)

  • Interpret: The Shirelles

  • Albumtitel: Baby It's You (1962) Limited Edition (180g)

  • Artikelart LP

  • Genre R&B, Soul

  • Music Genre R&B / Soul
  • Music Style Vinyl - Doo Wop / Vocal Groups
  • Music Sub-Genre 554 Vinyl - Doo Wop/Vocal Groups
  • Edition 2 Folk Music
  • Plattengröße LP (12 Inch)
  • Vinyl weight 180g Vinyl
  • Geschwindigkeit 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Label WAX TIME

  • SubGenre Doo-Wop

  • EAN: 8436542016933

  • Gewicht in Kg: 0.310

Interpreten-Beschreibung "Shirelles"

The Shirelles

Will You Love Me Tomorrow

The Shirelles were the top girl group in the country in 1960. They had an impressive seller that summer with the sleek Tonight's The Night, but their coronation was due to a remorseful theme written by young New York composers Carole King and Gerry Goffin. Lyrically,Will You Love Me Tomorrow was fairly heavy stuff, lead singer Shirley Owens wondering if her lover would treat her the same way the next day after they'd had sex (one had to read between the lines). Owens had initially informed Luther Dixon, her producer at Florence Greenberg's Scepter Records, that she didn't think she could sing the tune because it was too country!

Will You Love Me Tomorrow didn't sound country at all by the time The Shirelles got done with it. King, in charge of the music, and lyricist Goffin worked for Aldon Music, the domain of Al Nevins, formerly of The Three Suns, and street-smart Don Kirshner. Located at 1650 Broadway, up the street from Manhattan's Brill Building, the publishing firm specialized in youth-oriented material tailor-made for the violin-enriched uptown soul productions that The Shirelles favored as female counterparts to The Drifters. King went all out on the sumptuous arrangement; Dixon's production technique was similarly top-notch.

With the less ambitious but thoroughly delightful rocker Boys, penned by Dixon and Wes Farrell (and later recorded by no less than the Beatles), on the B-side, the sparkling ballad cracked the pop charts in November of 1960 and rocketed to #1 by late January of '61, missing the same happy fate on the R&B side by one slot. Owens, Addie 'Micki' Harris, Doris Coley, and Beverly Lee had come a long way from their Passaic, New Jersey beginnings and their first small hit for Decca, I Met Him On A Sunday (Ronde-Ronde).


Various - Street Corner Symphonies 1960 Vol.12

Read more at:
Copyright © Bear Family Records

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