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The Shirelles Best

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Artikel-Nr.: CDCHD356

Gewicht in Kg: 0,107

17,75 € *

The Shirelles: Best



Shirelles - Best CD 1
1: Dedicated To The One I Love
2: Look A Here Baby
3: Tonight's The Night
4: Will You Love Me Tomorrow
5: Boys
6: Mama Said
7: A Thing Of The Past
8: What A Sweet Thing That Was
9: Big John
10: Putty In Your Hands
11: Baby It's You
12: Soldier Boy
13: Welcome Home Baby
14: Mama Here Comes The Bride
15: Stop The Music
16: It's Love That Really Counts
17: Everybody Loves A Lover
18: Foolish Little Girl
19: Abracadabra
20: Don't Say Goodnight And Mean Goodbye
21: What Does A Girl Do
22: Don't Let It Happen To Us
23: A Girl Is Not A Girl
24: Sha La La
25: His Lips Get In The Way
26: Thank You Baby
27: Doomsday
28: Maybe Tonight
29: Shades Of Blue
30: Don't Go Home
31: Last Minute Miracle
32: Wait Till I Give The Signal


Artikeleigenschaften von The Shirelles: Best

  • Interpret: The Shirelles

  • Albumtitel: Best

  • Artikelart CD

  • Genre R&B, Soul

  • Music Genre R&B, Soul
  • Music Style Vocal Groups / Doo Wop
  • Music Sub-Genre 255 Vocal Groups/Doo Wop
  • Label ACE

  • SubGenre R&B Music - Classic R&B

  • EAN: 0029667135627

  • Gewicht in Kg: 0.107

Interpreten-Beschreibung "Shirelles"

The Shirelles

Will You Love Me Tomorrow

The Shirelles were the top girl group in the country in 1960. They had an impressive seller that summer with the sleek Tonight's The Night, but their coronation was due to a remorseful theme written by young New York composers Carole King and Gerry Goffin. Lyrically,Will You Love Me Tomorrow was fairly heavy stuff, lead singer Shirley Owens wondering if her lover would treat her the same way the next day after they'd had sex (one had to read between the lines). Owens had initially informed Luther Dixon, her producer at Florence Greenberg's Scepter Records, that she didn't think she could sing the tune because it was too country!

Will You Love Me Tomorrow didn't sound country at all by the time The Shirelles got done with it. King, in charge of the music, and lyricist Goffin worked for Aldon Music, the domain of Al Nevins, formerly of The Three Suns, and street-smart Don Kirshner. Located at 1650 Broadway, up the street from Manhattan's Brill Building, the publishing firm specialized in youth-oriented material tailor-made for the violin-enriched uptown soul productions that The Shirelles favored as female counterparts to The Drifters. King went all out on the sumptuous arrangement; Dixon's production technique was similarly top-notch.

With the less ambitious but thoroughly delightful rocker Boys, penned by Dixon and Wes Farrell (and later recorded by no less than the Beatles), on the B-side, the sparkling ballad cracked the pop charts in November of 1960 and rocketed to #1 by late January of '61, missing the same happy fate on the R&B side by one slot. Owens, Addie 'Micki' Harris, Doris Coley, and Beverly Lee had come a long way from their Passaic, New Jersey beginnings and their first small hit for Decca, I Met Him On A Sunday (Ronde-Ronde).


Various - Street Corner Symphonies 1960 Vol.12

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