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The Shirelles Collection

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Artikel-Nr.: CDCCS238

Gewicht in Kg: 0,100

8,90 € *

The Shirelles: Collection

(1990/CASTLE) 24 tracks


Shirelles - Collection CD 1
1: Will You Love Me Tomorrow
2: Welcome Home Baby
3: Dedicated To The One I Love
4: Baby It's You
5: I Met Him On A Sunday
6: Big John (Ain't You Gonna Marry Me?)
7: The Things I Want To Hear
8: Mama Said
9: Blue Holiday
10: Everybody Loves A Lover
11: Sha La La
12: Follish Little Girl
13: Soldier Boy
14: What Does A Girl Do
15: A Thing Of The Past
16: Boys
17: What A Sweet Thing That Was
18: You're Under Arrest
19: Don't Say Goodnight And Mean Goodbye
20: Thank You Baby
21: It's Love That Really Counts
22: Tonight's The Night
23: Maybe Tonight
24: Abra Cadabra


Artikeleigenschaften von The Shirelles: Collection

  • Interpret: The Shirelles

  • Albumtitel: Collection

  • Artikelart CD

  • Genre R&B, Soul

  • Music Genre R&B, Soul
  • Music Style Vocal Groups / Doo Wop
  • Music Sub-Genre 255 Vocal Groups/Doo Wop
  • Label CASTLE

  • SubGenre R&B Music - Classic R&B

  • EAN: 5013428732380

  • Gewicht in Kg: 0.100

Interpreten-Beschreibung "Shirelles"

The Shirelles

Will You Love Me Tomorrow

The Shirelles were the top girl group in the country in 1960. They had an impressive seller that summer with the sleek Tonight's The Night, but their coronation was due to a remorseful theme written by young New York composers Carole King and Gerry Goffin. Lyrically,Will You Love Me Tomorrow was fairly heavy stuff, lead singer Shirley Owens wondering if her lover would treat her the same way the next day after they'd had sex (one had to read between the lines). Owens had initially informed Luther Dixon, her producer at Florence Greenberg's Scepter Records, that she didn't think she could sing the tune because it was too country!

Will You Love Me Tomorrow didn't sound country at all by the time The Shirelles got done with it. King, in charge of the music, and lyricist Goffin worked for Aldon Music, the domain of Al Nevins, formerly of The Three Suns, and street-smart Don Kirshner. Located at 1650 Broadway, up the street from Manhattan's Brill Building, the publishing firm specialized in youth-oriented material tailor-made for the violin-enriched uptown soul productions that The Shirelles favored as female counterparts to The Drifters. King went all out on the sumptuous arrangement; Dixon's production technique was similarly top-notch.

With the less ambitious but thoroughly delightful rocker Boys, penned by Dixon and Wes Farrell (and later recorded by no less than the Beatles), on the B-side, the sparkling ballad cracked the pop charts in November of 1960 and rocketed to #1 by late January of '61, missing the same happy fate on the R&B side by one slot. Owens, Addie 'Micki' Harris, Doris Coley, and Beverly Lee had come a long way from their Passaic, New Jersey beginnings and their first small hit for Decca, I Met Him On A Sunday (Ronde-Ronde).


Various - Street Corner Symphonies 1960 Vol.12

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Copyright © Bear Family Records

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