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The Shirelles Hits & Rarities

Hits & Rarities
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Artikel-Nr.: CDMAR044

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The Shirelles: Hits & Rarities



Shirelles, The - Hits & Rarities CD 1
1: Foolish Little Girl
2: His Lips Get In The Way
3: You're Under Arrest
4: I Might Like It
5: Abracadabra
6: Hard Times
7: Stop The Music
8: May Be Tonight
9: You Don't Want My Love
10: Get Rid Of Him
11: For My Sake
12: Oh No, Not My Baby
13: If I Had You
14: Go Tell Her
15: Please Go Away
16: Lonesome Native Girl
17: Baby It's You
18: Make The Night A Little Longer
19: Putty In Your Hands
20: It's Love That Really Counts
21: Will You Still Love Me Tomorrow
22: Tonight's The Night
23: A Thing Of The Past
24: Don't Say Goodnight And Mean Goodbye
25: What Does A Girl Do
26: Dooms Day
27: The Things I Want To Hear
28: Lonely Teardrops
29: Church Bells May Ring
30: Celebrate Your Victory
31: 31 Flavors
32: Teasin Me
33: Oh, What A Waste Of Love


Artikeleigenschaften von The Shirelles: Hits & Rarities

  • Interpret: The Shirelles

  • Albumtitel: Hits & Rarities

  • Artikelart CD

  • Genre R&B, Soul

  • Music Genre R&B, Soul
  • Music Style Vocal Groups / Doo Wop
  • Music Sub-Genre 255 Vocal Groups/Doo Wop
  • Label MARGINAL

  • SubGenre R&B Music - Classic R&B

  • EAN: 2500000442285

  • Gewicht in Kg: 0.100

Interpreten-Beschreibung "Shirelles, The"

The Shirelles

Will You Love Me Tomorrow

The Shirelles were the top girl group in the country in 1960. They had an impressive seller that summer with the sleek Tonight's The Night, but their coronation was due to a remorseful theme written by young New York composers Carole King and Gerry Goffin. Lyrically,Will You Love Me Tomorrow was fairly heavy stuff, lead singer Shirley Owens wondering if her lover would treat her the same way the next day after they'd had sex (one had to read between the lines). Owens had initially informed Luther Dixon, her producer at Florence Greenberg's Scepter Records, that she didn't think she could sing the tune because it was too country!

Will You Love Me Tomorrow didn't sound country at all by the time The Shirelles got done with it. King, in charge of the music, and lyricist Goffin worked for Aldon Music, the domain of Al Nevins, formerly of The Three Suns, and street-smart Don Kirshner. Located at 1650 Broadway, up the street from Manhattan's Brill Building, the publishing firm specialized in youth-oriented material tailor-made for the violin-enriched uptown soul productions that The Shirelles favored as female counterparts to The Drifters. King went all out on the sumptuous arrangement; Dixon's production technique was similarly top-notch.

With the less ambitious but thoroughly delightful rocker Boys, penned by Dixon and Wes Farrell (and later recorded by no less than the Beatles), on the B-side, the sparkling ballad cracked the pop charts in November of 1960 and rocketed to #1 by late January of '61, missing the same happy fate on the R&B side by one slot. Owens, Addie 'Micki' Harris, Doris Coley, and Beverly Lee had come a long way from their Passaic, New Jersey beginnings and their first small hit for Decca, I Met Him On A Sunday (Ronde-Ronde).


Various - Street Corner Symphonies 1960 Vol.12

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