Alvin Stardust Greatest & Latest - Still Standing (CD)

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Artikel-Nr.: CDEMI31572
Gewicht in Kg.: 0.107

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(1996/EMI) 17 tracks (58:02) mehr

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Alvin Stardust: Greatest & Latest - Still Standing (CD)

(1996/EMI) 17 tracks (58:02)

Artikeleigenschaften von Alvin Stardust: Greatest & Latest - Still Standing (CD)

Interpret: Alvin Stardust
Albumtitel: Greatest & Latest - Still Standing (CD)
Label EMI
Genre Beat
Artikelart CD
EAN: 0724382315728
Gewicht in Kg: 0.107

Stardust, Alvin - Greatest & Latest - Still Standing (CD) CD 1
01	My Coo-Ca-Choo	Alvin Stardust
02	Gotta Do It All Again	Alvin Stardust
03	Pretend	Alvin Stardust
04	Don't Trust That Guy	Alvin Stardust
05	Jealous Mind	Alvin Stardust
06	Rock'n'Roll United	Alvin Stardust
07	Good Love Can Never Die	Alvin Stardust
08	I Feel Like Buddy Holly	Alvin Stardust
09	Shakin' All Over	Alvin Stardust
10	Red Dress	Alvin Stardust
11	Just To Hear Your Voice	Alvin Stardust
12	You You You	Alvin Stardust
13	Suddenly	Alvin Stardust
14	I Won't Run Away	Alvin Stardust
15	Will You Still Love Me Tomorrow	Alvin Stardust
16	So Near To Christmas	Alvin Stardust
17	Bonustrack:	Alvin Stardust
18	My Coo-Ca-Choo (Duet with Jo Brand)	Alvin Stardust

Alvin Stardust Alvin Stardust's extraordinary success story gave heart to every ageing rocker... mehr

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"Alvin Stardust"

Alvin Stardust

Alvin Stardust's extraordinary success story gave heart to every ageing rocker dreaming of a comeback. Born Bernard Jewry in London in 1942, his first break was passing an au-dition for BBC radio's Saturday Club. He and his group (which included Bobby Elliott — later of the Hollies — on drums) became Shane Fenton and the Fentones, an ener-getic quintet in silver lame, who had a hit with 'I'm A Moody Guy' on HMV (1962) and made a reasonable living until they were beaten back by the Beatles. He returned with the rise of rock'n'roll nostalgia and was working the Northern club circuit (still as Shane Fenton) when Peter Shelley of Magnet Records persuaded him to release 'My Coo-ca-choo' under the name Alvin Stardust. It rocketed to the top of the charts in 1973 and so did five follow-ups, all Shelley compositions featuring more tape echo on the voice than had been heard since Gene Vincent. His image alternates between being a moody guy in black leather and a big brother to his youthful audience. When in-terviewed about his good fortune, he always seems bemused by it. In 1976, Roger Greenaway replaced Shelley as his writer/producer.

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