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Ten Years After Ten Years After (LP, Mono)

Ten Years After (LP, Mono)
 
 
 

Artikel-Nr.: SLP5266

Gewicht in Kg: 0,236

 

Sofort versandfertig, Lieferzeit** 1-3 Werktage

26,95 € *
 
 
 
 
 

Ten Years After: Ten Years After (LP, Mono)

Video von Ten Years After - Ten Years After (LP, Mono)

(2017/Sundazed) 9 Tracks - The electrifying Ten Years After! A premium RTI Pressing, from the original U.K. MONO masters! Ten Years After’s self-titled debut hit the British blues scene with the subtlety and precision of a wrecking ball in 1967, serving notice that what had once been confined to steamy haunts in London was now there for the world to hear. And by the time the band electrified half a million hippies at Woodstock two years later, the world was roaring its approval. Cut live with vocals overdubbed later, Ten Years After is an impressive debut, showing off a tight band steeped not only in blues, but rockabilly, jazz, folk and even occasionally psychedelia. They rival Cream on a powerful cover of “Spoonful,” which sports a heavy rhythm drive also evident on their extended jam version of “Help Me” that builds and builds to stratospheric heights. The latter allows Alvin Lee to cut loose with the fast licks for which he would become best known, but he was also capable of subtler, more impressionistic soloing on a stellar remake of the Blues Project’s “I Can’t Keep From Crying, Sometimes.” If those three aren’t enough evidence of the band’s ability, then a spruced-up “I Want to Know,” first done by Eric Clapton and the Powerhouse on the legendary What’s Shakin’ comp (also reissued by Sundazed), certainly seals the deal. But even at this early stage, Ten Years After was no cover act — throwing originals like the Robert Johnson-inspired “Love Until I Die,” the country acoustic blues of “Don’t Want You Woman” and the swingin’ boogie of “Feel It for Me” into the mix. It was no one-man show, either — as organist Chick Churchill takes the lead on “Adventures of a Young Organ” and buttresses “Losing the Dogs” with some rollicking Jerry Lee Lewis piano. And beneath it all, there was the metronomic telepathy of the Ric Lee/Leo Lyons rhythm section. The best way to hear this classic album is in its punchier mono mix, available on vinyl for the first time in 50 years and faithfully packaged with all of the original iridescent psychedelic cover art intact. Now Sundazed proudly presents the searing guitar of Alvin Lee & Chick Churchill’s haunting organ textures as they were meant to be heard, from the original U.K. MONO masters and pressed on premium RTI vinyl!
 

Songs

Ten Years After - Ten Years After (LP, Mono) Medium 1
1: I Want To Know
2: I Can't Keep From Crying, Sometimes
3: Adventures Of A Young Organ
4: Spoonful
5: Losing The Dogs
1: Feel It For Me
2: Love Until I Die
3: Don't Want You, Woman
4: Help Me

 

Artikeleigenschaften von Ten Years After: Ten Years After (LP, Mono)

  • Interpret: Ten Years After

  • Albumtitel: Ten Years After (LP, Mono)

  • Artikelart LP

  • Genre Beat

  • Plattengröße LP (12 Inch)
  • Geschwindigkeit 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Erscheinungsjahr 2017
  • Label SUNDAZED

  • Preiscode VLP2
  • SubGenre Beat 60s-70s

  • EAN: 0090771526618

  • Gewicht in Kg: 0.236
 
 

Interpreten-Beschreibung "Ten Years After"

Ten Years After

Ten Years After was formed in late 1966 by Alvin Lee (guitar, vocals, born in Nottingham on Dec. 19, 1944), Chick Churchill (organ, born Jan. 2, 1946), Leo Lyons (bass, born Nov. 30, 1943), Ric Lee (drums, born Oct. -20, 1945). Brought up in Nottingham on his father's extensive blues collection, Alvin Lee established a successful local trio with Leo Lyons, journeying to Hamburg directly after the Bea-tles, where they established the direction that ultimately sur-faced as Ten Years After. Working in London in a West End production they met Ric Lee, a music scholar, and subsequently Chick Churchill, also well versed in musical styles. As Ten Years After they first gained attention at London's Marquee Club, soon signing a contract with Decca's Deram label, who released an album in 1967, 1st Album, without the benefit of the then obligatory establishing hit single.

American promoter Bill Graham booked them into his Fillmore Auditoriums on the basis of this recording and they soon be-came a major concert attraction in the United States. In 1968 they gained major English and European attention, but it was their fast and furious rendition of 'I'm Going Home' in the Woodstock film that established them as a top world attraction. Many of their subsequent audience, however, viewed this one song as their only style and were unprepared to accept anything else. The group officially disbanded in 1975. In early 1974 Lee played a solo concert at London's Rainbow Theatre, subsequently performing a world tour as Alvin Lee and Co. before retiring once more to his country mansion-cum-studio, where he produced bands that inter-ested him, such as FBI. The other members were similarly engaged in solo projects.

 
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