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Ike Turner Risin' With The Blues

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Artikel-Nr.: CD200611

Gewicht in Kg: 0,100

16,75 € *
 
 

Ike Turner: Risin' With The Blues

(2006 'Zoho Music') (53:59/14) Jeder, der sein phänomenales Comeback-Album von 2001, 'Here And Now' kennt wird sich vorstellen können, wie schwierig es sein muss, diese Hürde mit einem neuen Album zu überwinden. Folgerichtig hat Ike gar nicht erst den Versuch gestartet. Lebte 'Here And Now' von einem homogenen Konzept, so blüht hier die Vielfältigkeit. Gassenhauer wie 'Caldonia' oder 'Five Long Years' stehen neben 'Senor Blues' von Jazzer Horace Silver oder dem Pop-Standard 'A Love Like Yours'. Als Tribut an das damals am Boden liegende New Orleans gibt es eine Version von Fats Dominos 'Going Home Tomorrow'. Aus Ikes eigenem Repertoire kommen fantastisch-coole Funk-Nummern wie 'Jazzy Fuzzy', 'Tease Me', Bi-Polar' oder 'Gimme Back My Wig', altbacken klingende Tanznummern ('I Don't Want Nobody') und eine Menge herkömmliches Zeugs wie 'Rockin' Blues', 'Big Fat Mama' oder 'After Hours'. Auch wenn ich mir ein stilistisch einheitlicheres Album (z.B. ausschließlich cool und funky) gewünscht hätte, so entwickelt sich 'Rising With The Blues' nach mehrmaligem Hören zu einer spannenden Demonstration der Kreativität des Ike Turner. Ein besonderer Tipp
 

Songs

Turner, Ike - Risin' With The Blues CD 1
1: Gimme Back My Wig
2: Caldonia
3: Tease Me
4: Goin' Home Tomorrow
5: Jazzy Fuzzy
6: I Don't Want Nobody
7: Jesus Loves Me
8: A Love Like Yours
9: Senor Blues
10: Eighteen Long Years
11: Rockin' Blues
12: After Hours
13: Big Fat Mama
14: Bi Polar

 

Artikeleigenschaften von Ike Turner: Risin' With The Blues

  • Interpret: Ike Turner

  • Albumtitel: Risin' With The Blues

  • Artikelart CD

  • Genre Blues

  • Music Genre Blues
  • Music Style The Blues
  • Music Sub-Genre 910 The Blues
  • Label ZOHO MUSIC

  • SubGenre Blues - Electric

  • EAN: 0880956061122

  • Gewicht in Kg: 0.100
 
 

Interpreten-Beschreibung "Turner, Ike"

Ike and Tina Turner evolved one of the most dramatically successful rock stage acts of the Seventies after a career em­bracing most forms of blues and soul. Ike Turner was born in Clarksdale, Mississippi, deep in the Delta cotton belt, on Nov. 5, 1931. A disc-jockeying job at station WROX led to the formation of the Kings Of Rhythm, a band of local musi­cians led by Turner. Their first record was 'Rocket 88' (Chess, 1951), sung by Jackie Brenston, a disc which is often cited as the first rock'n'roll recording.

Next, he became a talent scout in the southern states for Modern Records, fixing sessions by Bobby Bland, B, B. King, Howlin' Wolf and others. With the arrival of rock'n' roll in 1956, Turner moved north to St Louis, recording and playing in clubs with the Kings Of Rhythm. With them he evolved a revue format featuring various singers, while play­ing piano and guitar himself.

He found the focal point for the act in Annie Mae Bul­lock, who was born on Nov. 26, 1938 in Brownsville, Tennes­see, and moved to Knoxville, where she sang in the choir of her father's church. She was known at first as Little Ann, but her first record, 'A Fool In Love', was credited to Ike and Tina Turner. Released on Sue in 1960, it reached No. 2 in the R&B charts, No. 27 in the pop charts and eventually sold a million. That success led to the formation of the Ikettes (of which P. P. Arnold, Merry Clayton and Bonnie Bramlett have been members at one time) to back Tina, and the con­struction of the stage act which has persisted until the present day, in its essential features.

Like many black artists, Ike Turner has proved himself able to adapt to changing moods in both black and white audiences while still producing worthwhile music on many of the thirty-odd albums he and Tina have recorded for Sue, Warner Bros., Philles, Blue Thumb and United Artists amongst others. Perhaps surprisingly, they have had few major hits. 'It's Gonna Work Out Fine' (Sue, 1961), a fiery blues classic, was the most successful until their Top Ten version of 'Proud Mary' (Liberty, 1971), the funky, futuristic `Nutbush City Limits' (United Artists, 1973) and 'Sweet Rhode Island Red' (1974). In 1966, Ike Turner relinquished production control to Phil Spector for the remarkable 'River Deep — Mountain High'. It reached only No. 88 in America but was a Top Three record in Britain.

By the Seventies, Ike had his own studios, Bolic, and recorded a highly personal solo album, Blues Roots (United Artists, 1971), which suggested that the increasingly spec­tacular and regimented stage act, centred on Tina's flaunting sexuality, might be less than satisfying for him.

 
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