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Ike & Tina Turner So Fine (CD)

So Fine (CD)

Artikel-Nr.: CDACR207

Gewicht in Kg: 0,100


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Ike & Tina Turner: So Fine (CD)

(2003/ACROBAT) 18 tracks A couple of years before The Ike & Tina Turner Revue signed with United Artists Records and toured with Th Rolling Stones, Ike Turner undertook a series of recording sessions for his own label Pompeii. These recordings have been reissued countless times around the world but for the first time on CD here are all the vocal tracks as originally released on Pompeii LPs and singles. These were pretty much the last hardcore soul sessions for Ike & Tina Tina before they became worldwide pop and rock sensations.

The Pompeji Sessions



Ike & Tina Turner - So Fine (CD) Medium 1
1: Bet'cha Can't Kiss Me (Just One Time)  
2: Ain't Nobody's Business  
3: It Sho Ain't Me  
4: Too Hot Too Hold  
5: A Fool In Love  
6: I Better Get Ta Steppin'  
7: Shake A Tail Feather  
8: So Fine  
9: We Need An Understanding  
10: You're So Fine  
11: Cussin' Cryin' And Carryin' On  
12: Poor Little Fool  
13: So Blue Over You  
14: Nothing You Can Do Boy (To Change My Way)  
15: I'm Fed Up  
16: You Got What You Wanted  
17: Make'em Wait - The Ikettes  
18: Beauty Is Just Skin Deep - The Ikettes  


Artikeleigenschaften von Ike & Tina Turner: So Fine (CD)

  • Interpret: Ike & Tina Turner

  • Albumtitel: So Fine (CD)

  • Artikelart CD

  • Genre R&B, Soul

  • Music Genre Soul
  • Music Style Soul
  • Music Sub-Genre 254 Soul
  • Erscheinungsjahr 2003
  • Label ACROBAT

  • SubGenre R&B Music - Soul

  • EAN: 0824046520724

  • Gewicht in Kg: 0.100

Interpreten-Beschreibung "Turner, Ike & Tina"

Ike & Tina Turner

A Fool In Love

Ike & Tina Turner

A Fool In Love

Ike Turner had worked in Clarksdale, Mississippi, he’d worked in Memphis, and he’d relocated to St. Louis. We first encountered him as the bandleader on Jackie Brenston’s epochal Rocket 88 (see our ‘1951’ volume), and ten years later he was still fronting one the hottest live R&B combos, but things were fairly lean on the record scene. He had a new lady in his life, though.

Annie Mae Bullock, whom he named Tina after a movie jungle goddess, was from Nutbush, Tennessee, and bore him a child. Initially, though, he didn’t see her as the band’s vocalist. “I wrote ‘A Fool In Love’ for Art Lassiter," Turner recalls. "Tina was there as I was writing it. And this guy [Lassiter], he was going to beat me out of some money. He borrowed, I don't know, $80 or $90 to get some tires for his car, and he had no intention of paying that money back. So we went out to Technosonic Studios. They never did any live bands there; all they did was TV commercials and stuff. We waited on Art, and he never showed up. So Tina said, 'Why don't you put my voice on there, and when you find him, you can put him on instead?' So that's what we did. When Tina got to the part where she makes that scream, Ed, the guy who owned the studio, like to hit the ceiling: 'Goddammit, don't holler in my microphone!' In those days, they didn't have no limiters. I guess she rammed the needle. It was real funny. But that was the beginning.

There was a disc jockey there called Dave Dixon. After I recorded the song, I went out to Club Imperial, and we played it out there for some of the kids on a little recorder in the car. They said, 'Man, why don't you put it out with her voice on it?' So Dave Dixon heard it that same night. He sent it to Sue Records; they put it out, and boom, it was a hit."  In fact, Sue Records boss, Juggy Murray, boarded a plane for St. Louis as soon as he heard the disc. As an aside, Lassiter’s vocal group, the Artettes (Robbie Montgomery, Sandra Harding, and Frances Hodges), turned up for the session, but when some of them were unwilling to tour in support of the single, Ike recruited the first Ikettes. Of course, the Ike & Tina story had a sad denouement, but during the 1960s there was no more exciting act in R&B.

Various - Blowing The Fuse 1960

Classics That Rocked The Jukebox

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