Big Joe Turner Big Joe Is Here (LP, 180g colored Vinyl, Ltd.)

Vorschau: Big Joe Is Here (LP, 180g colored Vinyl, Ltd.)

Big Joe Is Here (LP, 180g colored Vinyl, Ltd.)

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Artikel-Nr.: LPMOV3127
Gewicht in Kg.: 0.3

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(Music On Vinyl) 12 tracks, 180g farbiges Vinyl in silber, nummerierte limitierte Edition von... mehr

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Big Joe Turner: Big Joe Is Here (LP, 180g colored Vinyl, Ltd.)

(Music On Vinyl) 12 tracks, 180g farbiges Vinyl in silber, nummerierte limitierte Edition von 750 Kopien

Joe Turner war ein amerikanischer Bluessänger, der unter seinem Spitznamen "Big Joe Turner" (wegen seiner korpulenten Statur), aber auch unter anderen Spitznamen wie "Boss of the Blues" bekannt war. Seinen größten Ruhm erlangte er jedoch während seiner Rock'n'Roll-Phase in den 1950er Jahren. In dieser Zeit veröffentlichte er sein Album "Big Joe Is Here", ein Album, das Turners Post-R&B-Ära repräsentiert. Das Album konzentriert sich auf die jazzige Bluesseite von Turners Karriere, die dem Kansas City Jazz und dem traditionellen Pop näher steht als seinen bahnbrechenden R&B-Hits.

Artikeleigenschaften von Big Joe Turner: Big Joe Is Here (LP, 180g colored Vinyl, Ltd.)

Interpret: Big Joe Turner
Albumtitel: Big Joe Is Here (LP, 180g colored Vinyl, Ltd.)
Label MUSIC ON VINYL
Genre R&B, Soul
Geschwindigkeit 33 U/min
Plattengröße LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Artikelart LP
EAN: 8719262024328
Gewicht in Kg: 0.3

Turner, Big Joe - Big Joe Is Here (LP, 180g colored Vinyl, Ltd.) LP 1
01	Wee Baby Blues	Big Joe Turner
02	Rock A While	Big Joe Turner
03	Baby I Still Want You	Big Joe Turner
04	The Chill Is On	Big Joe Turner
05	Poor Lover’s Blues	Big Joe Turner
06	Don’t You Cry	Big Joe Turner
07	Ti-Ri-Lee	Big Joe Turner
08	Married Woman	Big Joe Turner
09	Midnight Cannonball	Big Joe Turner
10	I’ll Never Stop Loving You	Big Joe Turner
11	After My Laughter Came Tears	Big Joe Turner
12	Bump Miss Susie	Big Joe Turner

Big Joe Turner Tipping the scales in the vicinity of 300 pounds and well into his 40s when... mehr

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"Big Joe Turner"

Big Joe Turner

Tipping the scales in the vicinity of 300 pounds and well into his 40s when rock 'n' roll blasted into the mainstream consciousness during the mid-1950s, Big Joe Turner was probably the unlikeliest star of the idiom's primordial era. Elvis hadn't even made his debut on the planet yet when Big Joe's booming voice shook the walls of swinging Kansas City gin joints on a nightly basis. Roll 'Em Pete, Turner's 1938 boogie masterpiece with pianist Pete Johnson, anticipated the primal excitement of rock 'n' roll in its relentless rhythmic drive, and his horn-powered postwar jump blues helped lay the foundation for the musical revolution that would soon follow. Unlike many of his peers who sadly fell forgotten by the wayside upon rock 'n' roll's rise, Turner would actually profit from the shift in demographics.

When Big Joe stepped up to sing, trivialities like microphones were an unnecessary luxury. During his formative years in Kansas City, it was said with no small degree of reverence that he could belt the blues from clear across the street while his band kept right on rocking the house where he originally counted the song off without the outsized singer ever missing a beat. It didn't hurt that the functionally illiterate Turner stockpiled a seemingly infinite storehouse of blues lyrics in his head that could be plugged into any song at any tempo. Big Joe was never more devastating than when he stood like an immovable mountain in front of a roaring bank of horns and a storming rhythm section, swinging like crazy on an open-ended up-tempo cooker that drove dancers and listeners alike into a frenzy.

Kansas City's indigenous brand of blues differed considerably from the blues styles developed in other parts of the country in that many of its leading practitioners hailed from a strong jazz background. Another distinguishing factor was K.C.'s reliance on huge horn sections. The city boasted an incredible array of influential big bands led by titans such as Count Basie, Jay McShann, Benny Moten, and Andy Kirk that deftly blended swing and blues into one irresistibly appealing whole. That Big Joe was exposed early and often to such jumping fare no doubt played an incalculable part in his development.

Horns aside, all Turner really required for accompaniment was a masterful pianist. To that end, he partnered with Pete Johnson, one of the very best in town, early in his amazing career. Together they helped fuel a full-scale boogie-woogie craze when they took New York by storm in the late '30s. Johnson was no longer there to accompany Turner when the singer launched his second extended stint in the limelight during the early 1950s, but that unquenchable penchant for stomping boogies that he helped instill in his younger partner stuck with Big Joe like glue to the very end.

Born May 18, 1911 in Kansas City, Big Joe was perfectly situated to follow his life's destiny. Under the corrupt regime of politician 'Boss' Thomas Pendergast, the town's plethora of nightclubs stayed open around the clock, serving up booze and all-night jam sessions where local musicians honed their chops and visiting stars sat in to test themselves against K.C.'s finest. This was a thrilling scene where a young singer like Big Joe owning rafter-rattling pipes could quickly establish himself as a force to be reckoned with...

from BCD17215 - Big Joe Turner Big Joe Turner - Rocks
Read more at: https://www.bear-family.de/turner-big-joe-big-joe-turner-rocks.html
Copyright © Bear Family Records

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