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Various - Country & Western Hit Parade 1954 - Dim Lights, Thick Smoke And Hillbilly Music

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1-CD-Album deluxe mit 72-seitigem Booklet, 28 Einzeltitel, Spieldauer: 74:03 Minuten. Something... mehr

Various - Country & Western Hit Parade: 1954 - Dim Lights, Thick Smoke And Hillbilly Music

1-CD-Album deluxe mit 72-seitigem Booklet, 28 Einzeltitel, Spieldauer: 74:03 Minuten.

Something was happening. In 1953, Bill Haley had cracked the pop charts with Crazy Man, Crazy. A mix of western swing, pop, and R&B, Haley's music heralded changes that would soon obliterate much of the music heard here. Down in Texas, white kids were playing R&B and calling it Cat Music. In April 1954, Atlantic Records wised up to the phrase and started Cat Records. The first hit on Cat, the Chords' Sh-Boom, was covered by western swing stars Leon McAuliffe and Bobby Williamson. So there was a two-way trade between black and white music. As if to underscore the point, Elvis Presley made his first record during the week that the Chords' record entered the charts. One month later, Bill Haley's cover of Big Joe Turner's Shake, Rattle And Roll became a pop smash. For now, very little of this was reflected in the country charts. Elvis cracked a few local country charts, and Haley, despite his roots in east coast country music, was confined to the pop charts.

Blind as they might have been to changes on the near horizon, the grandees who controlled country music were happy with what was happening. Country music was slicking itself up and sales were booming. Writing in 'Billboard' in May 1954, RCA's head of country A&R, Steve Sholes, mentioned that the musicians he dealt with before the Second World War were essentially "only fair amateurs" compared with the class of '54. And country music was attracting professional songsmiths who would have looked down their noses at country music ten years earlier. Then he presciently added, "If the next ten years bring about developments in the country & western field as constructive and vital as in the last ten, I believe 1964 will find the country & western and pop fields so closely allied, it will be impossible to tell the difference without a score card." Sholes, of course, would sign Elvis Presley at the end of 1955, and would personally hasten some of those changes. In April 1954, he assembled an innovative package show, the RCA Country Caravan, with a good cross-section of his roster (the notable absence being Eddy Arnold). Starting in Asheville, North Carolina it headed south and west, emphasizing that the regionality of country music was fast disappearing. A source of regret for purists perhaps, but a good omen for Sholes.

And then, in December 1954, Fred Rose died. Perhaps more than anyone else, Rose had been the architect of the Nashville music business. He'd settled there when there were no record companies, music publishers, or recording studios, and he'd co-founded the first music publisher. Early in '54, he'd launched an indie label, Hickory Records. Along the way, he'd written hundreds of country songs and helped to polish hundreds more. Not least among his achievements was producing and mentoring country music's troubled king, Hank Williams.

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Various - Country & Western Hit Parade - 1954 - Dim Lights, Thick Smoke And Hillbilly Music CD 1
01 This Ole House Hamblen, Stuart
02 Rose Marie Whitman, Slim
03 Bimbo Reeves, Jim
04 Oh Baby Mine (I Get So Lonely) Johnnie & Jack
05 I Really Don't Want To Know Arnold, Eddy
06 Release Me Price, Ray
07 Idaho Red Ray, Wade
08 Slowly Pierce, Webb
09 Looking Back To See Browns, The
10 Take Me As I Am (Or Let Me Go) Dickens, Little Jimmy
11 I Wouldn't Change You If I Could Butler, Carl
12 You Better Not Do That Collins, Tommy
13 One By One Foley, Red & Kitty Wells
14 I'll Be There (If You Ever Want Me) Price, Ray
15 I Closed My Heart's Door Acuff, Roy
16 If You Ain't Lovin (You Ain't Livin') Young, Faron
17 I Don't Hurt Anymore Snow, Hank
18 Good Deal, Lucille Terry, Al
19 Sparkling Brown Eyes Pierce, Webb & The Wilburn Bro
20 Cry, Cry Darling Newman, Jimmy
21 Too Hot To Handle Burns, Sonny
22 If You Don't Somebody Else Will Mathis, Jimmy Lee & Johnny
23 Blue Guitar Wooley, Sheb
24 Two Glasses Joe Tubb, Ernest
25 Truck Drivin' Man Fell, Terry
26 Take It Away, Lucky Noack, Eddie
27 Loose Talk Smith, Carl
28 That's All Right Presley, Elvis - Scotty & Bill
Dim Lights, Thick Smoke And Hillbilly Music Country & Western Hit Parade Diese... mehr
"Various - Country & Western Hit Parade"

Dim Lights, Thick Smoke And Hillbilly Music

Country & Western Hit Parade

Diese Serie ist das Nonplus ultra, großartig aufgemacht und mit perfektem Mastering

Jack Clement, der Johnny Cash, Roy Orbison, Waylon Jennings, Don Williams und viele andere produziert hat, sagte: "Dies ist fraglos die beste Country-Serie der Musikgeschichte, kein Zweifel!" Und Robert Hilburn schrieb in der 'Los Angeles Times': "Dieses unschätzbar wertvolle Album-Projekt... ermöglicht es den Fans so zuzuhö ren, wie es schon Elvis Presley, Ray Charles und Bob Dylan taten."

Die Hits sind ergänzt um Raritäten, die die Country Music – und die Musik generell – in den Folgejahren be- einflußt haben: zum Beispiel Wanda Jacksons Originalversion von Silver Threads And Golden Needles, Carl Belews Original von Lonely Street und Chet Atkins' wegweisendes Walk, Don't Run.

Diese Serie ist konzipiert, um neue Hörer für das Beste zu gewinnen, das die Country Music je anzubieten hatte, aber auch um alte Fans bestens zu unterhalten. Jede einzelne CD steht für eine wunderbare Zeitreise.

Neben den Hits präsentiert die Serie viele Raritäten, die die Country Music – und die Musik generell – in der Folgezeit beeinflußt haben.

Wie alles begann:

Seit vielen Jahren erhielten wir immer wieder Anfragen nach einer definitiven Country-Serie. Und nachdem unsere chronologisch sortierten R&B-/Soul-Reihen 'Blowin' The Fuse' und zuletzt 'Sweet Soul Music' (denen sich demnächst ein Projekt zur Funk Music anschließen wird) zu Riesenerfolgen wurden, haben wir entschieden: Das machen wir in vergleichbarer Form auch für die Country Music! Die ersten Folgen von 'Dim Lights, Thick Smoke And Hillbilly Music' befaßten sich mit den Jah- ren 1945 bis 1955 – jetzt setzen wir die Reise fort und bewegen uns dabei Richtung Nashville Sound.

Die Serie wurde auf Fans von heute zugeschnitten. Natürlich enthält sie die großen Hits; aber ebenso gibt es klassische Aufnah- men, die es damals nicht nach ganz oben geschafft haben und dennoch später einflußreich wurden. Jede CD glänzt mit bei- spielhaft detaillierten Erläuterungen aus erster Hand sowie mit sensationell seltenen Fotos. Und es wird aufgezeigt, wie sich die Country Music kontinuierlich weiterentwickelte, während es in anderen Bereichen des amerikanischen Musikgeschäftes deutli- che Verwerfungen gab. Jedes einzelne Booklet ist unglaubliche 72 Seiten stark! Also alles wie gewünscht: die definitive Serie!

Superlative werden zwar manchmal überstrapaziert – aber wir sind sicher: Die Serie ist Teil unserer Idee, diese Musik auch nach- gewachsenen Fans näherzubringen – und zugleich die Kenner gut zu unterhalten. Los geht es im Jahr 1956 – als die Country Music sich mit dem Rock'n'Roll arrangieren musste, der für Aufruhr sorgte.... 

Dim Lights, Thick Smoke And Hillbilly Music - Country & Western Hitparade

Read more at: https://www.bear-family.de/bear-family/country-serien/dim-light-thick-smoke-and-hillbillly-music/
Copyright © Bear Family Records

 

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Kundenbewertungen für "1954 - Dim Lights, Thick Smoke And Hillbilly Music"
18.07.2018

Klasse Sampler mit guter alter Countrymusik!

Ich habe bereits mehr CD´s aus dieser Reihe, und alles sind liebevoll zusammengestellt. Ein Stück Musikgeschichte des Country und Hillbilly in guter Qualität und schönem Booklet.
Für Liebhaber eine absolute Kaufempfehlung.

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