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Various - That'll Flat Git It! Vol.06 Rockabilly From The Vaults Of Decca Records

Artikel-Nr.: BCD15733

Gewicht in Kg: 0,107

 

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Various - That'll Flat Git It!: Vol.06 Rockabilly From The Vaults Of Decca Records

1-CD mit 40-seitigem Booklet, 30 Einzeltitel. Spieldauer ca. 69 Minuten.

Mehr Rockabilly aus den Archiven von Decca Records!
Wir finden, dass Rockabilly auf Compact Discs ganz prima klingt. Also nahmen wir uns 1992 vor, die ultimative Rockabilly-Serie aus der Taufe zu heben, 'That’ll Flat Git It!'
Ursprünglich war diese Art von Musik ja etwas zur Veröffentlichung auf Singles, darum bauten wir unsere neue Reihe nach Labels auf und nicht nach Künstlern. Und wir setzten alles daran, dass sie ein Genuss für die Ohren wird – mit einem Knaller nach dem anderen, ergänzt durch etliche Top-Raritäten.

Jede einzelne der CDs sollte gewissermaßen eine, wenn möglich, 30-Titel-Musicbox sein, mit den besten Rockabilly-Songs, die jemals für all die legendären Labels aufgenommen worden sind. Wir machten uns auf die Suche nach den am besten klingenden Bändern, ließen sie dann von den führenden Mastering-Spezialisten bearbeiten und haben auch in puncto Verpackung neue Maßstäbe gesetzt. Als übergeordneten Serien-Titel wählten wir ‚ 'That’ll Flat Git It!', das verbale Erkennungszeichen des ersten Rockabilly-Discjockeys Dewey Phillips.

Für die Zusammenstellung konnten wir Bill Millar verpflichten, der in den Siebziger- und Achtzigerjahren die klassischen Label-Rockabilly-LPs zusammengestellt hat. Außerdem suchten wir unveröffentlichtes Fotomaterial und machten all jene Interpreten ausfindig, nach denen bis dahin vergeblich geforscht worden war. Unterm Strich steht unsere einzigartige Rockabilly-Serie mit insgesamt 27 Folgen.



Various That'll Flat Git It! Vol. 6

This CD, the sequel to 'That'll Flat Git It! Volume Two, Rockabilly From The Vaults Of Decca Records', contains a further 25 tracks (with 5 additions) from 'Rare Rockabilly' Volumes One to Four, the British MCA series issued between 1975 and 1978.

The sounds which emerged from Owen Bradley's Nashville studio still reside at the core of this collection and most of the tracks bear the stamp of Grady Martin, the unsung de facto producer and major architect of the rockabilly guitar. Overall, however, there are wider parameters here. As well as Nashville, there are tracks from Los Angeles, Alabama, upstate New York and even Times Square. For the younger singers E.A. Presley defined a style that overcame regional variation but there's an uncalculated and febrile edge to most of their mimicry. Older C&W musicians preserved the effervescence of pre-rock styles including western swing and hillbilly boogie; their relaxed, experience-laced voices add an extra dimension to a maniacally exhausting music. Unlike its predecessor, not all the tracks here can be bandied about in the same sentence as classic but every ingredient of the rockabilly stew is present and there is still a great deal to enjoy.

Brief details about Eddie Fontaine, Roy Hall, Don Woody and Billy Harlan appeared in the booklet which accompanied 'That'll Flat Git It! Volume Two'. This set includes Fontaine's version of One And Only, a tune originally recorded as Only One by Don 'Red' Roberts on Chart. Fontaine died of throat cancer on April 13, 1992. He claimed to have been born in 1937 but he was older than he looked and 1927 is probably nearer the truth.

There are three more of Roy Hall's pounding country-boogie rockers including Move On, a song first recorded under the title of Carry On, by R&B singer Clarence Garlow who also wrote it. Jimmy Newman revived the tune for Dot Records in 1958 (see Bear Family BCD 15469). Morse Code completes the quartet of songs which Don Woody cut in 1956 and no searching sweep of the Decca-Brunswick archives could possibly omit Billy Harlan's Schoolhouse Rock.

Barbara Allen tackles Sweet Willie with a sore-throated vocal power that should make Brenda Lee fans feel right at home. The resemblance didn't stop there (she was only 5'2" tall) but it wasn't much help to a career which began when she gave up typing and joined Chuck Bland's Orchestra on Norfolk's Hometown Hoedown in 1955.

Allen, who was born on a farm near Zuni, Virginia circa 1937, re-located to Nashville on the advice of Ernest Tubb. There, she was discovered by songwriter Vic McAlpin who obtained her Decca contract in 1957. Her debut, Between Now And Then, got a fine review in 'Billboard' where she was voted Third Most Promising Female Singer of 1958. Early the following year, Allen joined the New Dominion Barn Dance which was broadcast live on Saturday nights from the WRVA Theatre in downtown Richmond. (The Old Dominion Barn Dance had given Janis Martin her big break in 1955). Despite that exposure - the Barn Dance was heard in 33 states - none of her Decca singles, including Make Up Your Mind, From Midnight Till Dawn and Sweet Willie, lived up to 'Billboard''s prediction. But she appeared regularly throughout the South-East and in 1960 'Country Song Roundup' pictured her with Ronald Reagan at the annual Azalea Festival in Wilmington, North Carolina.

Ein weiteres CD-Album aus der Bear Family Records - Rock'n'Roll CD Serie - That'll Flat Git It -


 

Songs

Various - That'll Flat Git It! - Vol.06 Rockabilly From The Vaults Of Decca Records CD 1
1: All By Myself HALL, Roy
2: Rock It On Down To My House TUBB, Justin
3: Alligator Come Across DUFF, Arlie
4: Wee Willie Brown GRAHAM, Lou
5: Hey Babe! Let's Go Downtown THERRIEN JR, Joe
6: Everybody's Tryin' To Be My Baby YORK BROS
7: Morse Code WOODY, Don
8: Juke Joint Johnny SOVINE, Red
9: Don't Stop Now HALL, Roy
10: Come Back To Me Darling THERRIEN JR, Joe
11: You Gotta Move SMITH, Chester
12: Knock Knock Rattle ALLEN, Rex
13: Crazy Little Guitar Man FOLEY, Red
14: Sputnik (Satellite Girl) ENGLER, Jerry
15: You're Long Gone THERRIEN JR, Joe
16: Baby's Gone CLAUD, Vernon
17: Sweet Willie ALLEN, Barbara
18: Move On HALL, Roy
19: She Wanna Rock DERKSEN, Arnie
20: Wheels THERRIEN JR, Joe
21: Crazy Chicken GALLAGHER, James
22: Don't Go Baby (Don't Go) COKER, Al
23: School House Rock HARLAN, Billy
24: Bring My Cadillac Back KNIGHT, Baker & KNIGHTMARES
25: Rock-A-Billy Boogie THERRIEN JR, Joe
26: Roc-A-Chicka MACK, Warner
27: Cheat On Me Baby ROCKIN' SAINTS
28: Tennessee Toddy GRAY, Billy & WESTERN OKIES
29: One And Only FONTAINE, Eddie
30: Shake Baby Shake RANEY, Wayne

 

Artikeleigenschaften von Various - That'll Flat Git It!: Vol.06 Rockabilly From The Vaults Of Decca Records

  • Interpret: Various - That'll Flat Git It!

  • Albumtitel: Vol.06 Rockabilly From The Vaults Of Decca Records

  • Artikelart CD

  • Genre Rock 'n' Roll

  • Music Genre Rock 'n' Roll
  • Music Style Label Rock & Roll
  • Music Sub-Genre 206 Label R&R
  • Label Bear Family Records

  • Preiscode AH
  • SubGenre Rock - Rock'n'Roll

  • EAN: 4000127157331

  • Gewicht in Kg: 0.107
 
 

Interpreten-Beschreibung "Various - That'll Flat Git It!"

That'll Flat Git It  

That'll Flat Git It CDs als Album-Serie produziert von Bear Family Records 

'That'll Flat Git Git It!' - Legendäre Rockabilly CD-Serie mit Kult-Status

Hier sind sie! Die Rockabilly-Originale des Jahrzehnts zwischen 1954 und 1964 und teilweise sogar darüber hinaus. Jede einzelne CD 'kümmert' sich um ein bestimmtes Label, sei es SUN, RCA, oder eines der vielen weiteren Labels der 'That'll Flat Git It!' Volumes. Ob Rockabilly, Hillbilly Bopper, oder knallharter Rock'n'Roll, ob Garagen-Rocker oder Rockabilly mit Chart-Notierung, was auch immer ihr sucht, hier sind die Sahnestücke der Labels zusammengefasst!

Es gibt keine vergleichbare Serie, die derart auf den Punkt kommt!
Das Nonplusultra in Sachen 1950s Rockabilly!

Read more at: https://www.bear-family.de/bear-family/rock-n-roll-serien/that-ll-flat-git-it/
Copyright © Bear Family Records

 
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