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Link Wray Rumble And Roll (CD)

Rumble And Roll (CD)

Artikel-Nr.: CD250346

Gewicht in Kg: 0,100


Sofort versandfertig, Lieferzeit** 1-3 Werktage

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Link Wray: Rumble And Roll (CD)

(2013/Music Avenue) 16 tracks (43:42) digipac. Als Erfinder des “Power Chord” kann man Link Wrays Einfluss auf unzählige Rock Gitarristen gar nicht hoch genug einschätzen. Mit seinem 1958er Instrumental Hit 'Rumble' hat Link Wray den Weg für Heavy Metal und Punk geebnet. 'Rumble' stieg bis auf Platz 16 der Billboard Hot 100! Basierend auf dem Sound verzerrter Gitarren früher Blues Alben, hat er mit Akkorden gearbeitet. Das Rolling Stone Magazin wählte Link Wray auf Platz 45 der 100 besten Gitarristen aller Zeiten. “Rumble & Roll” wurde 1969 aufgenommen und hieß ursprünglich “Listen to the Voices That Want to Be Free”. Das Album war für das Polydor Label bestimmt, erschien dann aber 1970 auf Jimmy Velvets Music City Label in Nashville und später als kanadische Version. Bis heute erschien das Album nie auf CD.


Link Wray - Rumble And Roll (CD) Medium 1
1: Rippin' 'em Off In The Name Of Love
2: Turn You On To Sunshine
3: Let The Good Times Roll
4: Rumble 69
5: Fire And Brimstone
6: Dark Was The Color Of Her Hair
7: I Remember Her Love (But I Forgot Her Name)
8: Listen To The Voices That Want To Be Free
9: I'm From The World (I'm From The Earth)
10: Peace Is The Freedom
11: Jesus, Be My Friend
12: Searchin' For Me (So I Can Find You)
13: It's Too Late
14: Love Is A Moment
15: Goin' Home
16: Voices In The Sky


Artikeleigenschaften von Link Wray: Rumble And Roll (CD)

  • Interpret: Link Wray

  • Albumtitel: Rumble And Roll (CD)

  • Artikelart CD

  • Genre Rock 'n' Roll

  • Music Genre Rock 'n' Roll
  • Music Style Rock & Roll
  • Music Sub-Genre 201 Rock & Roll
  • Erscheinungsjahr 2013

  • SubGenre Rock - Rock'n'Roll

  • EAN: 5413992503469

  • Gewicht in Kg: 0.100

Interpreten-Beschreibung "Wray, Link"


La De Da

recorded October 1970 at Wray's Shack Three Track, Accokeek, Maryland; Producers: Steve Verroca and Ray Vernon in association with Bob Feldman

with Lincoln 'Link' Wray: vocal/guitars/Dobro/bass; Billy Hodges: piano/organ/ backing vocal; Bobbie Howard: mandolin/piano; Doug Wray: drums/backing vocal; Steve Verroca: percussion/backing vocal

Polydor 24-4064 (LP)


Link Wray played the most important D chord in history: it opened Rumble. Guitarists often remember where they were when they first heard it. Thirteen years later, Wray signed with the newly-launched American division of Polydor, and his back porch sound could almost have emanated from another Link Wray. The extended Wray family was living almost communally on the family farm near Accokeek, Maryland, an hour south of Washington. "Papa started building a chicken coop and a porch on the house," Link told Tom Zito in 1971. "Then he built a room onto the porch, and then another room onto that and pretty soon it was all connected. Ray moved his three-track recorder into one of the rooms and we converted the coop into a studio, but the two were never connected so we still have to yell back and forth, 'Is it running, Ray?' every time we want to start."


One of Link's steady gigs was at the Two Thieves Club in suburban Maryland. There, he was heard by Steve Verocca, an Italian who'd come to the States in the wake of Volare, an Italian song he claimed to have produced in its original version by Domenico Modungo. "I was overwhelmed by [Link's] music," said Verroca. "Here was a man on-stage singing out his soul, so I asked him about recording an album and he told me about his past experiences, and I suggested we do it at the Shack. I believe the Shack has a soul. You can hear people burping on the record, and that's great. It's real." When Verroca had no success placing the LP, it was handed to Bob Feldman, who'd been in the Strangeloves and had produced the Angels' My Boyfriend's Back. Feldman had known Link when they were touring together in the late '50s, and was both moved and intrigued by the new record. "Every so often, magic happens," he said. Given the rights for ninety days, he placed the LP with the new American division of Polydor Records. Lyrically, Wray's new songs weren't especially strong, but the funky, organic vibe was compelling. If Rick Nelson's reinvention was still in character; Wray's was a complete 180 degree turn.

Various - Truckers, Kickers, Cowboy Angels Vol.04, The Blissed-Out Birth Of Country Rock 1971 (2-CD)

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