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Link Wray & The Wraymen The Original 1958 Cadence Sessions

The Original 1958 Cadence Sessions
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Artikel-Nr.: LP2011091

Gewicht in Kg: 0,220

17,95 € *

Link Wray & The Wraymen: The Original 1958 Cadence Sessions

(2014/Rumble Records) 18 tracks, original Cadence recordings 1958.
Dies ist das Album das Link Wray für das Cadence Label im Anschluss an seinen großen Chart-Erfolg  'Rumble' 1958 aufnahm. Jedoch kam es damals nicht mehr zur Veröffentlichung, denn Cadence trennte sich von der Band unvermittelt, da diese formell zu sehr das Image der Underdogs und Straßengangs hatte und somit den Moralvorstellungen in der amerikanischen Gesellschaft und somit auch den Vorstellungen bei Cadence widersprach. Link und seine Jungs nahmen kurze Zeit später das Material einfach erneut auf, diesmal für ihr neues Label Epic. Die vorliegende LP enthält die original Cadence Versionen von den original Session Tapes 1958. Link's Debut Album, so wie es eigentlich geplant war, endlich auf Vinyl! Rumble! 

(2014/Rumble Records) 18 tracks, original Cadence recordings 1958.



Link Wray & The Wraymen - The Original 1958 Cadence Sessions Medium 1
1: Oddball a.k.a. Rumble  
2: Pancho Ville  
3: Walking With Link  
4: Comanche  
5: The Swag  
6: Raw Hide  
7: Dance Contest  
8: School Girl  
9: Heartbreak Hotel  
10: Drag Race  
11: Rebel Rouser  
12: Patricia  
13: The Freeze  
14: I'll Be So Good To You  
15: Window Shopping  
16: Missing Link  
17: White Lightnin'  
18: Creepy  


Artikeleigenschaften von Link Wray & The Wraymen: The Original 1958 Cadence Sessions

  • Interpret: Link Wray & The Wraymen

  • Albumtitel: The Original 1958 Cadence Sessions

  • Artikelart LP

  • Genre Rock 'n' Roll

  • Music Genre Rock 'n' Roll
  • Music Style Vinyl - Rock & Roll
  • Music Sub-Genre 553 Vinyl - Rock & Roll
  • Plattengröße LP (12 Inch)
  • Geschwindigkeit 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Erscheinungsjahr 2014

  • SubGenre Surf und Garage

  • EAN: 0889397104337

  • Gewicht in Kg: 0.220

Interpreten-Beschreibung "Wray, Link"


La De Da

recorded October 1970 at Wray's Shack Three Track, Accokeek, Maryland; Producers: Steve Verroca and Ray Vernon in association with Bob Feldman

with Lincoln 'Link' Wray: vocal/guitars/Dobro/bass; Billy Hodges: piano/organ/ backing vocal; Bobbie Howard: mandolin/piano; Doug Wray: drums/backing vocal; Steve Verroca: percussion/backing vocal

Polydor 24-4064 (LP)


Link Wray played the most important D chord in history: it opened Rumble. Guitarists often remember where they were when they first heard it. Thirteen years later, Wray signed with the newly-launched American division of Polydor, and his back porch sound could almost have emanated from another Link Wray. The extended Wray family was living almost communally on the family farm near Accokeek, Maryland, an hour south of Washington. "Papa started building a chicken coop and a porch on the house," Link told Tom Zito in 1971. "Then he built a room onto the porch, and then another room onto that and pretty soon it was all connected. Ray moved his three-track recorder into one of the rooms and we converted the coop into a studio, but the two were never connected so we still have to yell back and forth, 'Is it running, Ray?' every time we want to start."


One of Link's steady gigs was at the Two Thieves Club in suburban Maryland. There, he was heard by Steve Verocca, an Italian who'd come to the States in the wake of Volare, an Italian song he claimed to have produced in its original version by Domenico Modungo. "I was overwhelmed by [Link's] music," said Verroca. "Here was a man on-stage singing out his soul, so I asked him about recording an album and he told me about his past experiences, and I suggested we do it at the Shack. I believe the Shack has a soul. You can hear people burping on the record, and that's great. It's real." When Verroca had no success placing the LP, it was handed to Bob Feldman, who'd been in the Strangeloves and had produced the Angels' My Boyfriend's Back. Feldman had known Link when they were touring together in the late '50s, and was both moved and intrigued by the new record. "Every so often, magic happens," he said. Given the rights for ninety days, he placed the LP with the new American division of Polydor Records. Lyrically, Wray's new songs weren't especially strong, but the funky, organic vibe was compelling. If Rick Nelson's reinvention was still in character; Wray's was a complete 180 degree turn.

Various - Truckers, Kickers, Cowboy Angels Vol.04, The Blissed-Out Birth Of Country Rock 1971 (2-CD)

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Copyright © Bear Family Records


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