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Rolontz finally hit paydirt in early ’57 with the captivating

guitar-wielding duo of Mickey Baker and Sylvia Vanderpool.

Their mammoth success in the wake of their Groove smash

Love Is Strange

sliced into Baker’s studio time as NewYork’s

preeminent session axeman.

“The king of the slip-and-slide

guitar,”

laughed the late Baker of his pre-Mickey & Sylvia

days.

“I lost a lot of money trying to get Mickey & Sylvia

together, because I was making all kinds of money as a studio

guitarist

.

“I would go out on little gigs with her and get her to

stand up with the guitar in her hands. It took time to do that,

but finally when she got that courage, she could really gyrate

with that guitar, man. I’d be up on there on that damn stage,

and no matter what theater it was or what club it was, I

could do anything. Here I was supposed to be one of the

most famous guitar players in the world. No matter what I

did with that guitar, nobody would pay any attention. They

were looking at Sylvia gyrating. She had those sequined

dresses. She’d be gyrating the guitar!”

Love Is Strange

wasn’t enough to save Groove. RCA shut

down its R&B subsidiary in February of 1957, transferring

Rolontz, Mickey & Sylvia, and blues piano pounder

9

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