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The Supremes Meet The Supremes...plus (2-CD) Ltd.Edition

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  • CDHIP1378802
  • 0.13
(2010/HIP-O/MOTOWN) 49 tracks 1962-65 digipac. mehr

The Supremes: Meet The Supremes...plus (2-CD) Ltd.Edition

(2010/HIP-O/MOTOWN) 49 tracks 1962-65 digipac.

Artikeleigenschaften von The Supremes: Meet The Supremes...plus (2-CD) Ltd.Edition

  • Interpret: The Supremes

  • Albumtitel: Meet The Supremes...plus (2-CD) Ltd.Edition

  • Label HIP-O SELECT

  • Genre R&B, Soul

  • Artikelart CD

  • EAN: 0602527272542

  • Gewicht in Kg: 0.13
Ross, Diana & The Supremes - Meet The Supremes...plus (2-CD) Ltd.Edition CD 1
01 Your Heart Belongs To Me The Supremes
02 Who's Lovin' You The Supremes
03 Baby Don't Go The Supremes
04 Buttered Popcorn The Supremes
05 I Want A Guy The Supremes
06 Let Me Go The Right Way The Supremes
07 You Bring Back Memories The Supremes
08 Time Changes Things The Supremes
09 Play A Sad Song The Supremes
10 Never Again The Supremes
11 He's Seventeen The Supremes
12 Your Heart Belongs To Me The Supremes
13 Who's Lovin' You The Supremes
14 Baby Don't Go The Supremes
15 Buttered Popcorn The Supremes
16 I Want A Guy The Supremes
17 Let Me Go The Right Way The Supremes
18 You Bring Back Memories The Supremes
19 Time Changes Things The Supremes
20 Play A Sad Song The Supremes
21 Never Again The Supremes
22 He's Seventeen The Supremes
23 Your Heart Belongs To Me The Supremes
24 I Want A Guy The Supremes
25 Time Changes Things The Supremes
26 Let Me Go The Right Way The Supremes
Ross, Diana & The Supremes - Meet The Supremes...plus (2-CD) Ltd.Edition CD 2
01 After All (Stereo Mix) The Supremes
02 You Can Depend On Me (Version 2) The Supremes
03 The Boy That Got Away (Alternate Mix) The Supremes
04 Hey Baby (Version 2) The Supremes
05 Too Hot (Version 2) The Supremes
06 Buttered Popcorn (Version 3) The Supremes
07 Buttered Popcorn (Version 4) The Supremes
08 I Want A Guy (Version 1) The Supremes
09 Who's Lovin' You (Stereo Mix Of Mono Vocal) The Supremes
10 Because I Love Him (Version 2) The Supremes
11 Save Me A Star (Stereo Mix) The Supremes
12 Heavenly Father (Stereo Mix) The Supremes
13 Those DJ Shows (Stereo Mix) The Supremes
14 The Tears (Stereo Mix) The Supremes
15 Your Heart Belongs To Me (Version 1) The Supremes
16 I'm Giving You Your Freedom (Alternate Mix) The Supremes
17 Run, Run, Run (live) The Supremes
18 Standing At The Crossroads Of Love (live) The Supremes
19 Anyone Who Had A Heart (live) The Supremes
20 Time Changes Things (live) The Supremes
21 Make Someone Happy (live) The Supremes
22 Let Me Go The Right Way (live) The Supremes
23 When The Lovelight Starts Shining Through... The Supremes
The Supremes Where Did Our Love Go The Supremes Where Did Our Love Go  ... mehr
"The Supremes"

The Supremes

Where Did Our Love Go

The Supremes

Where Did Our Love Go

 

Wags around Hitsville U.S.A. had sarcastically labeled Diana Ross's group the "no-hit" Supremes early in their Motown tenure, but that was before Berry Gordy sagely handed their artistic direction to Brian Holland, Lamont Dozier, and Eddie Holland. Soon enough, the Supremes were the top female vocal group in the country.

Fronted by Diana Ross (born March 26, 1944 on Detroit's East Side), the Supremes started out as the Primettes with Florence Ballard their main lead singer. The Primettes waxed their only single in 1960 for Robert West's LuPine label, Tears Of Sorrow featuring Ross while the flip, Pretty Baby, cast Mary Wilson as lead. In '61, they signed with Motown, choosing their name from a list supplied by Ballard and debuting with I Want A Guy. But only Your Heart Belongs To Me, Let Me Go The Right Way, and A Breath Taking Guy nicked the pop charts prior to H-D-H handing them the Spectoresque anthem When The Lovelight Starts Shining Through His Eyes, a sizable pop seller in 1963.

Where Did Our Love Go had been shunned by Gladys Horton, lead singer of the Marvelettes. "When the track was cut, I called her back and she just said out and out, she said, 'I don't like that!'" says Dozier. The Supremes weren't too thrilled with it either. "That was one that for us didn't sound like one, didn't feel like one that we thought it should feel like," says Mary. "My brother wanted Mary Wilson to sing that song first. And what had happened was, Lamont and I disagreed," says Brian Holland. "Lamont and I won out."

Dozier was determined to change Ross's vocal sound. "I hated her voice up in the sky like that on a lot of those songs," he says. "It was whiny to me. It didn't have enough substance. So this particular song was in Gladys Horton's key, 'cause that's how I envisioned it. It was low and sexy, like a Julie London or something kind of voice, foggy. So we tried that approach with Diana, bringing her off of those high notes and high keys that she sang in, and bring her down to this little sultry thing." Two other key ingredients: the relentless footstomps of Mike Valvano, whose Mike & the Modifiers briefly cut for Motown, and Mike Terry's burbling baritone sax,

a recurring motif on future triumphs by the lovely trio. Where Did Our Love Go topped the pop and R&B charts as the Supremes commenced their march to superstardom.

- Bill Dahl -

Various - Sweet Soul Music

31 Scorching Classics From 1964

Read more at: https://www.bear-family.de/various-sweet-soul-music-31-scorching-classics-from-1964.html
Copyright © Bear Family Records

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