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The Supremes More Hits By (1965)...plus (2-CD) Limited Ed.

More Hits By (1965)...plus (2-CD) Limited Ed.
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  • CD1621002
  • 0.17
(2011/MOTOWN/HIP-O) 52 tracks - gatefold digipac with two booklets. Limited Edition. mehr

The Supremes: More Hits By (1965)...plus (2-CD) Limited Ed.

(2011/MOTOWN/HIP-O) 52 tracks - gatefold digipac with two booklets. Limited Edition.

Artikeleigenschaften von The Supremes: More Hits By (1965)...plus (2-CD) Limited Ed.

  • Interpret: The Supremes

  • Albumtitel: More Hits By (1965)...plus (2-CD) Limited Ed.

  • Label HIP-O SELECT

  • Genre R&B, Soul

  • Artikelart CD

  • EAN: 0602527843520

  • Gewicht in Kg: 0.17
Ross, Diana & The Supremes - More Hits By (1965)...plus (2-CD) Limited Ed. CD 1
01 Ask Any Girl The Supremes
02 Nothing But Heartaches The Supremes
03 Stop! In The Name Of Love The Supremes
04 Honey Boy The Supremes
05 Back In My Arms Again The Supremes
06 Whisper You Love Me Boy The Supremes
07 The Only Time I'm Happy The Supremes
08 The Holds His Own The Supremes
09 Who Could Ever Doubt My Love The Supremes
10 (I'm So Glad) Heartaches Don't Last Always The Supremes
11 I'm In Love Again The Supremes
12 Ask Any Girl (Stereo) The Supremes
13 Nothing But Heartaches (Stereo) The Supremes
14 Mother Dear (Stereo) The Supremes
15 Stop! In The Name Of Love (Stereo) The Supremes
16 Honey Boy (Stereo) The Supremes
17 Back In My Arms Again (Stereo) The Supremes
18 Whisper You Love Me Boy (Stereo) The Supremes
19 The Only Time I'm Happy (Stereo) The Supremes
20 He Holds His Own (Stereo) The Supremes
21 Who Could Ever Doubt My Love (Stereo) The Supremes
22 (I'm So Glad) Heartaches Don't Last Always (S The Supremes
23 I'm In Love Again (Stereo) The Supremes
24 Bonus Tracks: The Supremes
25 Coca-Cola Commercials (Stereo Mixes) The Supremes
26 Supremes Interview (Alternative Version) The Supremes
Ross, Diana & The Supremes - More Hits By (1965)...plus (2-CD) Limited Ed. CD 2
01 Baby Love (Live At The Fox) The Supremes
02 Where Did Our Love Go (Live At The Fox) The Supremes
03 Come See About Me (Live At The Fox) The Supremes
04 Come Into My Palace The Supremes
05 Oowee Baby The Supremes
06 Surfer Boy The Supremes
07 Beach Ball The Supremes
08 Stop! In The Name Of Love (Version 1) The Supremes
09 Take Me Where You Go (Version 1 without ...) The Supremes
10 Back In My Arms Again (Alternate Vocal) The Supremes
11 Too Hurt To Cry, Too In Love To Say Goodbye The Supremes
12 Whisper You Love Me Boy (Alternate Vocal) The Supremes
13 Nothing But Heartaches (Alternate Vocal) The Supremes
14 It's All Your Fault (Version 2) The Supremes
15 Mother Dear (Version 2) The Supremes
16 Too Much A Little Too Soon The Supremes
17 He Holds His Own (Alternate Vocal) The Supremes
18 Moonlight And Kisses The Supremes
19 Babym Baby, wo ist unsere Liebe (Where Did .. The Supremes
20 Thank You Darling, Thank You Baby The Supremes
21 Jonny und Joe (Come See About Me) The Supremes
22 Stop! In The Name Of Love (Live In Paris) The Supremes
23 Baby Love (Live In Paris) The Supremes
24 Somewhere (Live In Paris) The Supremes
25 You're Nobody 'til Somebody Loves You (Live.. The Supremes
26 Shake (Live In Paris) The Supremes
The Supremes Where Did Our Love Go The Supremes Where Did Our Love Go  ... mehr
"The Supremes"

The Supremes

Where Did Our Love Go

The Supremes

Where Did Our Love Go

 

Wags around Hitsville U.S.A. had sarcastically labeled Diana Ross's group the "no-hit" Supremes early in their Motown tenure, but that was before Berry Gordy sagely handed their artistic direction to Brian Holland, Lamont Dozier, and Eddie Holland. Soon enough, the Supremes were the top female vocal group in the country.

Fronted by Diana Ross (born March 26, 1944 on Detroit's East Side), the Supremes started out as the Primettes with Florence Ballard their main lead singer. The Primettes waxed their only single in 1960 for Robert West's LuPine label, Tears Of Sorrow featuring Ross while the flip, Pretty Baby, cast Mary Wilson as lead. In '61, they signed with Motown, choosing their name from a list supplied by Ballard and debuting with I Want A Guy. But only Your Heart Belongs To Me, Let Me Go The Right Way, and A Breath Taking Guy nicked the pop charts prior to H-D-H handing them the Spectoresque anthem When The Lovelight Starts Shining Through His Eyes, a sizable pop seller in 1963.

Where Did Our Love Go had been shunned by Gladys Horton, lead singer of the Marvelettes. "When the track was cut, I called her back and she just said out and out, she said, 'I don't like that!'" says Dozier. The Supremes weren't too thrilled with it either. "That was one that for us didn't sound like one, didn't feel like one that we thought it should feel like," says Mary. "My brother wanted Mary Wilson to sing that song first. And what had happened was, Lamont and I disagreed," says Brian Holland. "Lamont and I won out."

Dozier was determined to change Ross's vocal sound. "I hated her voice up in the sky like that on a lot of those songs," he says. "It was whiny to me. It didn't have enough substance. So this particular song was in Gladys Horton's key, 'cause that's how I envisioned it. It was low and sexy, like a Julie London or something kind of voice, foggy. So we tried that approach with Diana, bringing her off of those high notes and high keys that she sang in, and bring her down to this little sultry thing." Two other key ingredients: the relentless footstomps of Mike Valvano, whose Mike & the Modifiers briefly cut for Motown, and Mike Terry's burbling baritone sax,

a recurring motif on future triumphs by the lovely trio. Where Did Our Love Go topped the pop and R&B charts as the Supremes commenced their march to superstardom.

- Bill Dahl -

Various - Sweet Soul Music

31 Scorching Classics From 1964

Read more at: https://www.bear-family.de/various-sweet-soul-music-31-scorching-classics-from-1964.html
Copyright © Bear Family Records

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