The Supremes More Hits By (1965)...plus (2-CD) Limited Ed.

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Artikel-Nr.: CD1621002
Gewicht in Kg.: 0.17

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(2011/MOTOWN/HIP-O) 52 tracks - gatefold digipac with two booklets. Limited Edition. mehr

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The Supremes: More Hits By (1965)...plus (2-CD) Limited Ed.

(2011/MOTOWN/HIP-O) 52 tracks - gatefold digipac with two booklets. Limited Edition.

Artikeleigenschaften von The Supremes: More Hits By (1965)...plus (2-CD) Limited Ed.

Interpret: The Supremes
Albumtitel: More Hits By (1965)...plus (2-CD) Limited Ed.
Label HIP-O SELECT
Genre R&B, Soul
Artikelart CD
EAN: 0602527843520
Gewicht in Kg: 0.17

Ross, Diana & The Supremes - More Hits By (1965)...plus (2-CD) Limited Ed. CD 1
01	Ask Any Girl	The Supremes
02	Nothing But Heartaches	The Supremes
03	Stop! In The Name Of Love	The Supremes
04	Honey Boy	The Supremes
05	Back In My Arms Again	The Supremes
06	Whisper You Love Me Boy	The Supremes
07	The Only Time I'm Happy	The Supremes
08	The Holds His Own	The Supremes
09	Who Could Ever Doubt My Love	The Supremes
10	(I'm So Glad) Heartaches Don't Last Always	The Supremes
11	I'm In Love Again	The Supremes
12	Ask Any Girl (Stereo)	The Supremes
13	Nothing But Heartaches (Stereo)	The Supremes
14	Mother Dear (Stereo)	The Supremes
15	Stop! In The Name Of Love (Stereo)	The Supremes
16	Honey Boy (Stereo)	The Supremes
17	Back In My Arms Again (Stereo)	The Supremes
18	Whisper You Love Me Boy (Stereo)	The Supremes
19	The Only Time I'm Happy (Stereo)	The Supremes
20	He Holds His Own (Stereo)	The Supremes
21	Who Could Ever Doubt My Love (Stereo)	The Supremes
22	(I'm So Glad) Heartaches Don't Last Always (S	The Supremes
23	I'm In Love Again (Stereo)	The Supremes
24	Bonus Tracks:	The Supremes
25	Coca-Cola Commercials (Stereo Mixes)	The Supremes
26	Supremes Interview (Alternative Version)	The Supremes

Ross, Diana & The Supremes - More Hits By (1965)...plus (2-CD) Limited Ed. CD 2
01	Baby Love (Live At The Fox)	The Supremes
02	Where Did Our Love Go (Live At The Fox)	The Supremes
03	Come See About Me (Live At The Fox)	The Supremes
04	Come Into My Palace	The Supremes
05	Oowee Baby	The Supremes
06	Surfer Boy	The Supremes
07	Beach Ball	The Supremes
08	Stop! In The Name Of Love (Version 1)	The Supremes
09	Take Me Where You Go (Version 1 without ...)	The Supremes
10	Back In My Arms Again (Alternate Vocal)	The Supremes
11	Too Hurt To Cry, Too In Love To Say Goodbye	The Supremes
12	Whisper You Love Me Boy (Alternate Vocal)	The Supremes
13	Nothing But Heartaches (Alternate Vocal)	The Supremes
14	It's All Your Fault (Version 2)	The Supremes
15	Mother Dear (Version 2)	The Supremes
16	Too Much A Little Too Soon	The Supremes
17	He Holds His Own (Alternate Vocal)	The Supremes
18	Moonlight And Kisses	The Supremes
19	Babym Baby, wo ist unsere Liebe (Where Did ..	The Supremes
20	Thank You Darling, Thank You Baby	The Supremes
21	Jonny und Joe (Come See About Me)	The Supremes
22	Stop! In The Name Of Love (Live In Paris)	The Supremes
23	Baby Love (Live In Paris)	The Supremes
24	Somewhere (Live In Paris)	The Supremes
25	You're Nobody 'til Somebody Loves You (Live..	The Supremes
26	Shake (Live In Paris)	The Supremes

The Supremes Where Did Our Love Go The Supremes Where Did Our Love Go ... mehr

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"The Supremes"

The Supremes

Where Did Our Love Go

The Supremes

Where Did Our Love Go

Wags around Hitsville U.S.A. had sarcastically labeled Diana Ross's group the "no-hit" Supremes early in their Motown tenure, but that was before Berry Gordy sagely handed their artistic direction to Brian Holland, Lamont Dozier, and Eddie Holland. Soon enough, the Supremes were the top female vocal group in the country.

Fronted by Diana Ross (born March 26, 1944 on Detroit's East Side), the Supremes started out as the Primettes with Florence Ballard their main lead singer. The Primettes waxed their only single in 1960 for Robert West's LuPine label, Tears Of Sorrow featuring Ross while the flip, Pretty Baby, cast Mary Wilson as lead. In '61, they signed with Motown, choosing their name from a list supplied by Ballard and debuting with I Want A Guy. But only Your Heart Belongs To Me, Let Me Go The Right Way, and A Breath Taking Guy nicked the pop charts prior to H-D-H handing them the Spectoresque anthem When The Lovelight Starts Shining Through His Eyes, a sizable pop seller in 1963.

Where Did Our Love Go had been shunned by Gladys Horton, lead singer of the Marvelettes. "When the track was cut, I called her back and she just said out and out, she said, 'I don't like that!'" says Dozier. The Supremes weren't too thrilled with it either. "That was one that for us didn't sound like one, didn't feel like one that we thought it should feel like," says Mary. "My brother wanted Mary Wilson to sing that song first. And what had happened was, Lamont and I disagreed," says Brian Holland. "Lamont and I won out."

Dozier was determined to change Ross's vocal sound. "I hated her voice up in the sky like that on a lot of those songs," he says. "It was whiny to me. It didn't have enough substance. So this particular song was in Gladys Horton's key, 'cause that's how I envisioned it. It was low and sexy, like a Julie London or something kind of voice, foggy. So we tried that approach with Diana, bringing her off of those high notes and high keys that she sang in, and bring her down to this little sultry thing." Two other key ingredients: the relentless footstomps of Mike Valvano, whose Mike & the Modifiers briefly cut for Motown, and Mike Terry's burbling baritone sax,

a recurring motif on future triumphs by the lovely trio. Where Did Our Love Go topped the pop and R&B charts as the Supremes commenced their march to superstardom.

- Bill Dahl -

Various - Sweet Soul Music

31 Scorching Classics From 1964

Read more at: https://www.bear-family.de/various-sweet-soul-music-31-scorching-classics-from-1964.html
Copyright © Bear Family Records

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