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The Shirelles Foolish Little Girl - It's A Mad Mad

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Artikel-Nr.: CDCHD1227

Gewicht in Kg: 0,100


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The Shirelles: Foolish Little Girl - It's A Mad Mad

(2009/ACE) 23 tracks (6 Stereo) 1963, the fifth and sixth Scepter albums featured five Hot-100 hits and songs from some of soul music's greatest composers, including Van McCoy, Sam Cooke and Ed Townsend. With 16 page booklet.


The Shirelles - Foolish Little Girl - It's A Mad Mad Medium 1
1: Foolish Little Girl
2: Hard Times
3: Abra Ka Dabra
4: What's The Matter Baby
5: I Didn't Mean To Hurt You
6: Ooh Poo Pah Doo
7: Don't Say Goodnight And Mean Goobye
8: Not For All The Money In The World
9: Only Time Will Tell
10: I Don't Think So
11: Talk Is Cheap
12: The Twitsch
13: It's Mad, Mad, Mad, Mad World
14: The Music Goes Round And Round
15: Jive Is The Thing
16: Love On The Moon
17: You Satisfy My Soul
18: 20Th Century Rock'N'Roll
19: Zip-A-Dee-Doo-Da
20: Everybody's Going Mad
21: Boys
22: Around The World
23: 31 Flavors


Artikeleigenschaften von The Shirelles: Foolish Little Girl - It's A Mad Mad

  • Interpret: The Shirelles

  • Albumtitel: Foolish Little Girl - It's A Mad Mad

  • Artikelart CD

  • Genre R&B, Soul

  • Music Genre R&B, Soul
  • Music Style Vocal Groups / Doo Wop
  • Music Sub-Genre 255 Vocal Groups/Doo Wop
  • Erscheinungsjahr 2009
  • Label ACE

  • SubGenre R&B Music - Classic R&B

  • EAN: 0029667037020

  • Gewicht in Kg: 0.100

Interpreten-Beschreibung "Shirelles, The"

The Shirelles

Will You Love Me Tomorrow

The Shirelles were the top girl group in the country in 1960. They had an impressive seller that summer with the sleek Tonight's The Night, but their coronation was due to a remorseful theme written by young New York composers Carole King and Gerry Goffin. Lyrically,Will You Love Me Tomorrow was fairly heavy stuff, lead singer Shirley Owens wondering if her lover would treat her the same way the next day after they'd had sex (one had to read between the lines). Owens had initially informed Luther Dixon, her producer at Florence Greenberg's Scepter Records, that she didn't think she could sing the tune because it was too country!

Will You Love Me Tomorrow didn't sound country at all by the time The Shirelles got done with it. King, in charge of the music, and lyricist Goffin worked for Aldon Music, the domain of Al Nevins, formerly of The Three Suns, and street-smart Don Kirshner. Located at 1650 Broadway, up the street from Manhattan's Brill Building, the publishing firm specialized in youth-oriented material tailor-made for the violin-enriched uptown soul productions that The Shirelles favored as female counterparts to The Drifters. King went all out on the sumptuous arrangement; Dixon's production technique was similarly top-notch.

With the less ambitious but thoroughly delightful rocker Boys, penned by Dixon and Wes Farrell (and later recorded by no less than the Beatles), on the B-side, the sparkling ballad cracked the pop charts in November of 1960 and rocketed to #1 by late January of '61, missing the same happy fate on the R&B side by one slot. Owens, Addie 'Micki' Harris, Doris Coley, and Beverly Lee had come a long way from their Passaic, New Jersey beginnings and their first small hit for Decca, I Met Him On A Sunday (Ronde-Ronde).


Various - Street Corner Symphonies 1960 Vol.12

Read more at:
Copyright © Bear Family Records

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