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The Swinging Blue Jeans In Paris
Artikel-Nr.: CD3930457
Gewicht in Kg: 0,100
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The Swinging Blue Jeans: In Paris
(1999/MAGIC) 23 tracks, original 1963, 1964 u. 1998 -Songs
| The Swinging Blue Jeans - In Paris Medium 1 | |||
|---|---|---|---|
| 1: | Hippy Hippy Shake | ||
| 2: | One Of These Days | ||
| 3: | Shaking Feeling | ||
| 4: | It Isn't There | ||
| 5: | Ol' Man Mose | ||
| 6: | Shakin' All Over | ||
| 7: | Make Me Know You're Mine | ||
| 8: | I've Got A Girl | ||
| 9: | You're No Good | ||
| 10: | Good Golly Miss Molly | ||
| 11: | Promise You'll Tell Her | ||
| 12: | Around And Around | ||
| 13: | Now I Must Go | ||
| 14: | Shake, Rattle And Roll | ||
| 15: | It's So Right | ||
| 16: | Tutti Frutti | ||
| 17: | Do You Know | ||
| 18: | It's Too Late Now | ||
| 19: | Don't You Worry About Me | ||
| 20: | This Boy | ||
| 21: | Do You Believe In Magic | ||
| 22: | It's In Her Kiss | ||
| 23: | Ol' Man Mose (demo version) | ||
Artikeleigenschaften von The Swinging Blue Jeans: In Paris
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Interpret: The Swinging Blue Jeans
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Albumtitel: In Paris
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Artikelart CD
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Genre Beat
- Music Genre Rock 'n' Roll
- Music Style Beat - 60s / 70s
- Music Sub-Genre 259 Beat - 60s - 70s
- Erscheinungsjahr 1999
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Label MAGIC
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SubGenre Beat 60s-70s
EAN: 3700139304570
- Gewicht in Kg: 0.100
Interpreten-Beschreibung "Swinging Blue Jeans, The"
The Swinging Blue Jeans
The Swinging Blue Jeans followed the classic Merseybeat route to success, from Liverpool skiifie groups to the Cavern • and Hamburg and, finally, an HMV record contract in 1963. Previously known as the Bluegenes, they were made up of Ray Ennis (lead guitar, born May 26, 1942), Ralph Ellis (rhythm, March 8, 1942), Les Braid (bass, Sept. 15, 1941) and Norman Kuhlke (drums, June 17, 1942). Like many of their compatriots, the Blue Jeans were seldom able to re-produce the excitement of their live act on record, and they also suffered from a lack of strong original material.
Their only three Top Twenty records were all covers of American songs — Chan Romero's 'Hippy Hippy Shake', Little Rich-ard's 'Good Golly Miss Molly' and Betty Everett's 'You're No Good'. The first two in particular conveyed a certain enthusiasm and excitement which took them into the American charts on Imperial.
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