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J.J. Cale To Tulsa And Back

Artikel-Nr.: CD846872

Gewicht in Kg: 0,107


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J.J. Cale: To Tulsa And Back

(2003 'Sanctuary') (49:32/13) Bereits nach den ersten Riffs erkannt man ihn, den Erfinder des minimalistischen Roots-Groove: erstes neues Album seit Jahren von J.J. Cale, dem musikalischen Einsiedler, der Aufnahmestudios und die Bühnen der Welt meidet wie die Pest! Sein Stil überlebt die Jahrzehnte, ohne abgeschmackt zu wirken. Mit bekannter Lässigkeit präsentiert er sein neues Programm: Roots Music in vielen Schattierungen - doch immer 'Cale style'. Hervorragend / It only takes a few seconds to realize: this must be J.J. Cale, the inventor of the minimalistic roots groove. This is the first new album in years from the man that keeps well clear of recording studios and stages. His style has survived decades, and still sounds fresh. Laid-back performances are his trademark, also on this great new roots album, Cale style! J.J. CALE - voc/gtrs/syth/bjo, with JIM KARSTEIN - drums, BILL RAFFENSPERGER - bass, CHRISTINE LAKELAND - gtr, etc.


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Artikeleigenschaften von J.J. Cale: To Tulsa And Back

  • Interpret: J.J. Cale

  • Albumtitel: To Tulsa And Back

  • Artikelart CD

  • Genre Rock 'n' Roll

  • Music Genre Blues
  • Music Style Roots Rock
  • Music Sub-Genre 949 Roots Rock

  • SubGenre Rock - Rock'n'Roll

  • EAN: 0060768468726

  • Gewicht in Kg: 0.107

Interpreten-Beschreibung "Cale, J.J."

J.J. Cale

If You're Ever In Oklahoma

"We started the second LP at Quadrafonic in Nashville," said Cale's producer, Audie Ashworth, "and we did some work in Muscle Shoals, and we put some horns on at the Barn. Cale liked to visit different studios and pull pickers from different locations." There was more commercial gloss to 'Really',but it was still clear that Cale had a very different notion of how to make a record. He reversed the Nashville equation in which everything was factored around the vocal. In a Cale mix, the soloing instruments and the voice just barely rose out of the bed track, and never stood apart from it. The overall sound is muddy and surprisingly dense for so few instruments and so few notes. "Cale always wanted the voice mixed down," said Audie. "We'd be sitting at the board and both of us were trying to get our hands on the knobs. He was always pulling back the fader on the vocal. He said he didn't want to sound like a country singer. He'd mix his voice back in the bed. He said it made you want to lean into the music instead of leaning back from it. It would pull people in. He was an engineer, and he came with chops. He had definite ideas about mixes." If You're Ever In Oklahoma was pretty close to Bluegrass, a connection reinforced by fiddle player Vassar Clements and Scruggs sideman Josh Graves, and the absence of a drummer.


Various Truckers, Kickers, Cowboy Angels - The Blissed-Out Birth Of Country Rock, Vol. 6: 1973 (2-CD)
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