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FOUR TUNES Wrapped Up In A Dream 1946-1958 (2-CD)

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Artikel-Nr.: CDJAS553

Gewicht in Kg: 0,120


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FOUR TUNES: Wrapped Up In A Dream 1946-1958 (2-CD)



Four Tunes, The - Wrapped Up In A Dream 1946-1958 (2-CD) CD 1
1: Where Is My Love
2: Wrapped Up In A Dream
3: I Found Love When I Found You
4: All My Dreams
5: Little Jane
6: Someday
7: Confess
8: Karen Lynn
9: Take My Lonely Heart
10: You're Heartless
11: Careless Love
12: Lonesome Road
13: There Goes My Heart
14: Kentucky Baby
15: Old Fashioned Love
16: Carry Me Back To The Lone Prairie
17: May That Day Never Come
18: The Last Round Up
19: The Prisoners Song
20: I Married An Angel
21: My Buddy
22: I'll See You In My Dreams
23: Come What May
24: The Greatest Song I Ever Heard
25: Lets Give Love Another Chance
26: Don't Get Around Much Anymore
27: Marie
28: I Gambled With Love
Four Tunes, The - Wrapped Up In A Dream 1946-1958 (2-CD) CD 2
1: I Understand
2: Sugar Lump
3: Do Do Do It Again
4: My Wild Irish Rose
5: The Greatest Feeling In The World
6: Lonesome
7: L'Amour Tourjours L'Amour
8: Don't Cry Darling
9: I Sold My Heart To The Junkman
10: Let Me Go Lover
11: Good News
12: I Hope
13: I Close My Eyes
14: Time Out For Tears
15: Tired Of Waiting
16: Brooklyn Bridge
17: Three Little Chickens
18: You Are My Love
19: At The Steamboat River Ball
20: Rock & Roll Call
21: Our Love
22: I Gotta Go
23: Hold Me Closer
24: Dancing With Tears In My Eyes
25: Far Away Places
26: Ballad Of Jeams Dean
27: Sayonara
28: A Little On The Lonely Side
29: Cool Water


Artikeleigenschaften von FOUR TUNES: Wrapped Up In A Dream 1946-1958 (2-CD)

  • Interpret: FOUR TUNES

  • Albumtitel: Wrapped Up In A Dream 1946-1958 (2-CD)

  • Artikelart CD

  • Genre R&B, Soul

  • Music Genre R&B, Soul
  • Music Style Vocal Groups / Doo Wop
  • Music Sub-Genre 255 Vocal Groups/Doo Wop
  • Label JASMINE

  • Preiscode JAS
  • SubGenre R&B Music - Classic R&B

  • EAN: 0604988055320

  • Gewicht in Kg: 0.120

Interpreten-Beschreibung "Four Tunes, The"

The Four Tunes

The Four Tunes with Sid Bass Orch.


Ending their major label affiliation with RCA Victor rejuvenated The Four Tunes as hitmakers. Jerry Blaine's Jubilee Records was in the process of revitalizing the chart fortunes of their flagship group, The Orioles, with Crying In the Chapel (see Track Two), and Jubilee found the right formula to accomplish the same thing with their new acquisition.


Little else had changed for the quartet, which had settled into a rewarding itinerary of bookings at top clubs up and down the Eastern seaboard as well as further afield. The group had moved over to RCA in 1949 after making their mark with Deek Watson as The Brown Dots, then on their own at Manor Records as The Sentimentalists and from 1947 as The Four Tunes. There hadn't been any personnel changes along the way; tenors Jimmie Nabbie and Danny Owens, baritone/guitarist Pat Best, and bass Jimmy Gordon had been together since the mid-'40s, their impeccably honed sound slowly fading from prominence.

Jubilee found a way to make them relevant again. Marie, their first single for their new label (cut September 11, 1953), would seem an odd choice for a career resurgence. Written by Tin Pan Alley immortal Irving Berlin, it had been a 1929 hit for Rudy Vallee and crashed the pop charts again in '37 via Tommy Dorsey's revival. Arranger Sid Bass souped up the Tunes' rendition, taken at a breakneck pace with Nabbie leading his pals through some wild vocal gymnastics that grabbed enough R&B coin to earn a #2 showing on 'Billboard's 'Juke Box' listings late in the year and sent it to #13 pop as well (the flip I Gambled With Love was straight pop).

Decca tried to counter by digging out vintage versions of Marie by The Mills Brothers and Louis Armstrong, but the gambit didn't slow the Tunes' singular treatment down. Its enduring appeal was illustrated when a similar rendition by an Irish group, The Bachelors, was a pop hit on both sides of the Atlantic in 1965.

That comeback hit wasn't a fluke. The Tunes did even better the next year with the pure pop ballad I Understand Just How You Feel (written and fronted by Best), soaring to #6 pop and #7 R&B. They stuck around Jubilee into 1957, keeping their releases primarily pop-oriented, without scoring a third smash. By then, they were a Las Vegas institution (Best and Gordon kept the act going until the late '90s). 

Various - Street Corner Symphonies Vol.05, 1953 The Complete Story Of Doo Wop

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Copyright © Bear Family Records

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