Jefferson Airplane Volunteers (LP, 180g colored Vinyl, Ltd.)

Vorschau: Volunteers (LP, 180g colored Vinyl, Ltd.)

Volunteers (LP, 180g colored Vinyl, Ltd.)

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Artikel-Nr.: LPMOV607
Gewicht in Kg.: 0.4

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(Music On Vinyl) 10 tracks, 180g farbiges Vinyl in Blau, limitierte Auflage von 2000... mehr

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Jefferson Airplane: Volunteers (LP, 180g colored Vinyl, Ltd.)

(Music On Vinyl) 10 tracks, 180g farbiges Vinyl in Blau, limitierte Auflage von 2000 einzeln nummerierten Exemplaren

»Volunteers« ist das fünfte Studioalbum von Jefferson Airplane. Das Album ist ein echtes Zeichen der Zeit mit politisch aufgeladenen Texten, die sich mit der Ungerechtigkeit des Vietnamkriegs befassen. Das Album wurde als ziemlich kontrovers angesehen, aber auch von Kritikern wie Rolling Stone sehr geliebt.

Technologisch war das Album seiner Zeit voraus, da es mit einem hochmodernen 16-Spur-Tonbandgerät aufgenommen wurde, das dem Album seinen kraftvollen, vielschichtigen Sound verlieh. Klanglich und historisch gesehen begeistert dieses Album auch nach 55 Jahren noch Musikfans und ist damit ein echter Klassiker.

Artikeleigenschaften von Jefferson Airplane: Volunteers (LP, 180g colored Vinyl, Ltd.)

Interpret: Jefferson Airplane
Albumtitel: Volunteers (LP, 180g colored Vinyl, Ltd.)
Label Music On Vinyl
Genre Rock'n'Roll
Geschwindigkeit 33 U/min
Plattengröße LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Vinyl weight 180g Vinyl
Artikelart LP
EAN: 8719262044234
Gewicht in Kg: 0.4

Jefferson Airplane - Volunteers (LP, 180g colored Vinyl, Ltd.) LP 1
01	We Can Be Together	Jefferson Airplane
02	Good Shepherd	Jefferson Airplane
03	The Farm	Jefferson Airplane
04	Hey Fredrick	Jefferson Airplane
05	Turn My Life Down	Jefferson Airplane
06	Wooden Ships	Jefferson Airplane
07	Eskimo Blue Day	Jefferson Airplane
08	A Song For All Seasons	Jefferson Airplane
09	Meadowlands	Jefferson Airplane
10	Volunteers	Jefferson Airplane

Jefferson Airplane Jefferson Airplane became synonymous with the 'San Francisco Sound' in 1967... mehr

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"Jefferson Airplane"

Jefferson Airplane

Jefferson Airplane became synonymous with the 'San Francisco Sound' in 1967 when both 'Somebody To Love' and 'White Rabbit' were Top Ten hits on RCA. Although the critical consensus is that the Airplane reached their peak in 1970, they remain, with the Grateful Dead, the most long-lasting and prolific of the groups to emerge from Haight-Ashbury in the late Sixties. Formed on the initiative of singer Marty Balin, who had recorded solo sides for Challenge in the early Sixties, the group was born out of a bunch of ex-folk musicians, who began playing folk-rock at the Matrix in the summer of 1965.

One of the earliest San Francisco bands to establish themselves at the centre of the growing local culture, they were the first to secure a recording con-tract. The advance paid by RCA was said to be $25,000, and by the time the first album (Jefferson Airplane Takes Off) was recorded the following winter, the group was fully electric. Although it was, in parts, derivative of the Beatles and the Lovin' Spoonful, the record showed how innovative the Jefferson Airplane were to be. From the beginning they saw their music as a means of breaking down established tradi-tions and mores : hence the unabashed way they celebrated the drug culture, as early as 1965. Following the release of Takes Off, singer Signe Anderson left to be replaced by Grace Slick from the Great Society, another San Francisco group. Drummer Skip Spence also departed, to form Moby Grape.

The remaining personnel remained together for the next four years. They were Jorma Kaukonen, lead guitar (born Dec. 23, 1940), Jack Casady, bass (April 4, 1944), Paul Kantner, guitar and vocals (March 3, 1941); Marty Balin, vocals (Jan. 30, 1943), Grace Slick, vocals (Oct. 10, 1939) and Spencer Dryden, drums (April 7, 1938). They were a co-operative, multi-media band, with posters, album-sleeves, dance promotion and Glenn McKay's Headlights light show all integral parts of their activity. The late Sixties also saw them at a creative zenith as a recording group with Surrealis-tic Pillow (1967), After Bathing At Baxters and Crown Of Creation (1968), the live Bless its Little Pointed Head and the politically oriented Volunteers (1969).

Grace Slick was an important addition to the band. She strengthened its visual and musical identity (through her harmonies with Balin). And she was the composer of the Airplane's two hit singles, 'White Rabbit' and 'Somebody To Love'. Equally important was the group's electronic experimentation, in the extended instrumental passages of songs like '3/5 Of A Mile In 10 Seconds' and 'The Ballad Of You, Me And Pooneil'.

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