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LIGHTNIN' SLIM Rooster Blues - Bell Ringer

Rooster Blues - Bell Ringer
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  • CDCHD517
  • 0.107
(1957-64 'Excello') (64:23/24) Neben Slim Harpo war Lightnin' Slim der populärste und... mehr

LIGHTNIN' SLIM: Rooster Blues - Bell Ringer

(1957-64 'Excello') (64:23/24) Neben Slim Harpo war Lightnin' Slim der populärste und kommerziell erfolgreichste Musiker des 'Excello'-Labels. Diese CD faßt seine beiden LPs komplett zusammen! Ebenso bedenkenlos zu empfehlen wie die Alben von Lazy Lester und Slim Harpo / in the '50s he was Jay Miller's most popular, and commercially successful recording artist. The guitar player's two LP records 'Rooster Blues', and 'Bell Ringer' are included here in their entirety. Highly recommended real stuff!!: Rooster Blues, My Starter Won't Work, Hoo-Doo Blues, It's Mighty Crazy, Love Is Just A Gamble, You Move Me Baby, etc.

Artikeleigenschaften von LIGHTNIN' SLIM: Rooster Blues - Bell Ringer

  • Interpret: LIGHTNIN' SLIM

  • Albumtitel: Rooster Blues - Bell Ringer

  • Genre Blues

  • Label Ace Records

  • Artikelart CD

  • EAN: 0029667151726

  • Gewicht in Kg: 0.107
Lightnin' Slim - Rooster Blues - Bell Ringer CD 1
01 Rooster Blues LIGHTNIN' SLIM
02 Long Leanie Woman LIGHTNIN' SLIM
03 My Starter Won't Work LIGHTNIN' SLIM
05 Lightnin's Troubles LIGHTNIN' SLIM
06 Bed Bug Blues LIGHTNIN' SLIM
07 Hoo-Doo Blues LIGHTNIN' SLIM
08 It's Mighty Crazy LIGHTNIN' SLIM
09 Sweet Little Woman LIGHTNIN' SLIM
10 Tom Cat Blues LIGHTNIN' SLIM
11 Feelin' Awful Blues LIGHTNIN' SLIM
12 I'm Leavin' You Baby LIGHTNIN' SLIM
13 Love Me Mama LIGHTNIN' SLIM
14 She's My Crazy Little Baby LIGHTNIN' SLIM
15 Have Mercy On Me Baby LIGHTNIN' SLIM
16 Winter Time Blues LIGHTNIN' SLIM
17 If You Ever Need Me LIGHTNIN' SLIM
18 Mean Ole Lonesome Train LIGHTNIN' SLIM
19 Baby Please Come Back LIGHTNIN' SLIM
20 Love Is Just A Gamble LIGHTNIN' SLIM
21 Somebody Knockin' LIGHTNIN' SLIM
22 You Give Me The Blues LIGHTNIN' SLIM
23 Don't Start Me Talking LIGHTNIN' SLIM
24 You Move Me Baby LIGHTNIN' SLIM
Lightning Slim Lightning Slim (later spelled Lightnin' Slim) The recording... mehr

Lightning Slim

Lightning Slim (later spelled Lightnin' Slim)

The recording of blues from Baton Rouge really began here, with this disc, in the spring of 1954. Here was an artist and a song that recording engineer Jay Miller said he, "loved from the start. I thought his music was just so real, you know. He was exactly what I wanted."
On the day he walked into Miller's recording studio in Crowley, the artist was Otis Hicks, a former farmer, former convict, and sometime juke joint bluesman working as a jobbing guitarist with local bands. He always referred to himself as 'a musicianer.' By the time he left the studio, Miller had renamed him Lightning Slim (with a 'g') and had big plans for Slim's career. They had been introduced by disc jockey Ray Meaders, 'Diggie Doo' on WXOK Baton Rouge, when Hicks was playing in a band Meaders thought Miller would like. "But in my judgement," Miller said, "they wasn't too much of a band. And I was just walking out the hall when I heard a guitar playing some of these low-down blues. So I just turned round, I said 'who in the world is that?' I hadn't heard the guitarist, you see the room wasn't very large and with seven or eight musicians, they had three horns, I had never heard the guitar once. I just thought he was so great I turned round and went back in there, started talking to him. I asked him if he did any singing. He said 'I knows a few numbers,' you know how he talked, real slow and everything. So he sang two or three songs and I tell you what, they did things to me. I just knew right then and there we had somebody that would sell."Lightning SlimBad Luck was a song where, Miller said, he recorded the drums way back and focused on Lightning Slim's guitar and vocals along with a wailing harmonica by Bill Phillips, a man Miller had brought in for the session. Miller loved Lightning's forlorn lyrics such as 'if it wasn't for bad luck / poor Lightning wouldn't have no luck at all' and his telling how he was born so late in the year that 'to tell you the truth about it / I was lucky to get here at all.' He also encouraged Lightning's signature call to his support player, 'blow your harmonica, son.' Lightning's first tunes were adapted from songs he'd probably heard for years on jukeboxes and in the mouths of other singers, but his expressive voice and hangdog style made songs like Bad Luck almost his own...

© Bear Family Records
Extract from: Various Artists - Blues Kings Of Baton Rouge (2-CD) - BCD17512

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