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Jackie Moore The Complete Atlantic Recordings (2-CD)

The Complete Atlantic Recordings (2-CD)
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(2014/Real Gone Music) 30 Titel 1960/70s (13 unveröffentlicht). Jackie Moore war eine der großen... mehr

Jackie Moore: The Complete Atlantic Recordings (2-CD)

(2014/Real Gone Music) 30 Titel 1960/70s (13 unveröffentlicht).
Jackie Moore war eine der großen Soul-Divas der 60er und 70er Jahre. Die kompletten Atlantic Aufnahmen mit Songs wie »Precious, Precious«, »Sometimes It’s Got To Rain (In Your Love Life)« und »Sweet Charlie Babe« sind ein eindeutiger Beweis dafür.
Auf diesem 2-CD-Set sind zudem 14 unveröffentlichte Tracks. Die Liner Notes stammen vom englischen Kritiker Charles Waring und beinhalten umfangreiche Anmerkungen von Jackie Moore. Remastert von Mike Milchner in den SonicVision Studios.

Artikeleigenschaften von Jackie Moore: The Complete Atlantic Recordings (2-CD)

  • Interpret: Jackie Moore

  • Albumtitel: The Complete Atlantic Recordings (2-CD)

  • Genre R&B, Soul

  • Label Real Gone Music

  • Artikelart CD

  • EAN: 0848064003250

  • Gewicht in Kg: 0.2
Moore, Jackie - The Complete Atlantic Recordings (2-CD) CD 1
01 Precious, Precious
02 Willpower
03 If This Was The Last Song
04 Cover Me
05 Change Me Not (I Love You)
06 Wonderful, Marvelous
07 Sometimes It's Got To Rain (In Your Love Life)
08 I Forgive You
09 Here I Am
10 Something In A Look
11 Time
12 Young Girls
13 I Just ed
14 Darling Baby
15 Do Wrong Man
16 Set Me Free
Moore, Jackie - The Complete Atlantic Recordings (2-CD) CD 2
01 What A Man
02 They Tell Me Of An Uncloudy Day
03 It Ain't Who You Know
04 I Love Every Little Thing About You
05 Lead Me Guide Me
06 Sweet Charlie Babe
07 If
08 Both Ends Against The Middle
09 Clean Up Your Own Yard
10 Joe
11 Behind Closed Doors
12 Tell Me A Lie
13 A Promise Is A Promise
14 Tyrone
Jackie Moore Precious, Precious Jackie Moore Precious, Precious   Miami was... mehr
"Jackie Moore"

Jackie Moore

Precious, Precious

Jackie Moore

Precious, Precious

 

Miami was a recording destination as the decade turned, much of the action taking place at Criteria Studios. The sun-baked city was loaded with female soul singers, but when Jackie Moore entered Criteria on April 23, 1970 to cut Precious, Precious for producer Dave Crawford with house rhythm section Cold Grits (guitarist Jimmy O’Rourke, bassist Harold ‘Hog’ Cowart, drummer Ron Ziegler, and organist Billy Carter) augmented by guitarist Cornell Dupree and the Memphis Horns (trumpeter Wayne Jackson and saxist Andrew Love), she was the equal of any.

 

Moore wasn’t a studio neophyte. Born in Jacksonville, Florida in 1946, she had the benefit of her cousin Crawford’s guidance early on. Moore moved to Philadelphia in 1968 and made her debut 45 for producer Jimmy Bishop, program director at WDAS, the city’s top R&B station. Bishop didn’t issue it on his own Arctic label, handing Dear John to Bert Berns’ Shout label. Shout tried again with Jackie’s Call On Me, while her Loser Again ended up on Florence Greenberg’s Scepter logo.

Crawford was experiencing success as a producer when Moore returned to Florida. Dave got her signed to Atlantic, and at her first Criteria session, Crawford handed Jackie one of his own compositions, the driving Willpower. It was chosen as the A-side, but a Florida deejay flipped the single and found the alluring Precious, Precious, a mid-tempo Moore/Crawford copyright that shot to #12 R&B and #30 pop in early ’71, going gold in the process. Otis Clay cut a fine Memphis cover for his first Hi album. Cold Grits was emerging as a force at Criteria, having backed Wilson Pickett on his ’69 cover of The Supremes’ You Keep Me Hanging On.

When I graduated from college, I knew what I wanted to do: take the Muscle Shoals guys’ job!” said the late Cowart. “I went up, busted up in the middle of a session, Tom Dowd and (Jerry) Wexler were there. I said, ‘Listen, I can do what these guys are doing, just as well if not better!’ He said, ‘Well, you got a tape?’ We had stopped in Birmingham to make a tape. Next day he called me. He says, ‘Y’all want to move to Miami?’ ‘Well, hell, yeah!’ We were from Louisiana.”

Moore encored with Sometimes It’s Got To Rain (In Your Life), utilizing another noted rhythm section, The Dixie Flyers, and scoring another hit. She ventured to Jackson, Mississippi to cut a ’72 hit revival of the Elgins’ Darling Baby at Malaco’s studios, while her Sweet Charlie Babe, a #15 R&B entry in 1973, was laid down in Philly. When Moore’s Atlantic tenure ended, she hooked on at Henry Stone and Brad Shapiro’s Kayvette label, registering a #6 R&B seller in 1975 with Make Me Feel Like A Woman. Jackie landed at Columbia toward decade’s end. Her 15 1970-83 R&B chart entries testify to the unmitigated power of her pipes.

 

- Bill Dahl -


Various - Sweet Soul Music 26 Scorching Classics From 1971

Read more at: https://www.bear-family.de/various-sweet-soul-music-26-scorching-classics-from-1971.html
Copyright © Bear Family Records

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