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The O'Jays Message In The Music & Travellin At The Speed Of Thought (CD)

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  • CD440428
  • 0.1
(Demon Music Group) 16 tracks mehr

The O'Jays: Message In The Music & Travellin At The Speed Of Thought (CD)

(Demon Music Group) 16 tracks

Artikeleigenschaften von The O'Jays: Message In The Music & Travellin At The Speed Of Thought (CD)

  • Interpret: The O'Jays

  • Albumtitel: Message In The Music & Travellin At The Speed Of Thought (CD)

  • Genre R&B, Soul

  • Artikelart CD

  • Label Demon Music Group

  • EAN: 0740155440428

  • Gewicht in Kg: 0.1
O'Jays, The - Message In The Music & Travellin At The Speed Of Thought (CD) CD 1
01 Message In Our Music The O'Jays
02 A Prayer The O'Jays
03 Paradise The O'Jays
04 Make A Joyful Noise The O'Jays
05 Desire Me The O'Jays
06 Darlin? Darlin? Baby The O'Jays
07 I Swear I Love No-One But You The O'Jays
08 Let Life Flow The O'Jays
09 Travelin? At The Speed Of Thought The O'Jays
10 We?re All In This Thing Together The O'Jays
11 So Glad I Got You Girl The O'Jays
12 Stand Up The O'Jays
13 Those Lies Done Caught Up With You This Time The O'Jays
14 Feelings The O'Jays
15 Work On Me The O'Jays
16 Let?s Spend Some Time Together The O'Jays
The O'Jays Back Stabbers The O'Jays Back Stabbers   Like The Chi-Lites, The... mehr
"The O'Jays"

The O'Jays

Back Stabbers

The O'Jays

Back Stabbers


Like The Chi-Lites, The O’Jays tried several group names on for size before their manager, Cleveland deejay Bobby O’Jay, granted them permission to use his moniker. Even then, it took a long time for the group to crash the bigtime, and a couple of members fell by the wayside before it happened.

When they formed in Canton, Ohio in 1957 at McKinley High School, the group dubbed itself The Triumphs, and there were five of them: Eddie Levert (born June 16, 1942), Walter Williams (born August 25, 1943; he and Eddie had sung spirituals together), William Powell (born January 20, 1942), Bobby Isles, and Bill Massey. A name switch to the Mascots preceded their first pair of releases on Cincinnati-based King Records in 1960, The Story Of My Heart and then Lonely Rain. Fledgling producer Don Davis was behind Miracles, their initial Detroit-cut outing as The O’Jays, which progressed from tiny Daco Records (Davis co-owned it) to fast-fading Apollo in ’61.

Los Angeles producer H.B. Barnum picked up the reins after that, recording The O’Jays for his Little Star imprint in 1963. Imperial Records picked up their How Does It Feel for national consumption. It didn’t hit, but the atmospheric Lonely Drifter, penned by Eddie and Walter, became their first national pop chart entry that fall on Imperial. The quintet made more 1965-66 hits for Imperial: a revival of Benny Spellman’s Lipstick Traces (On A Cigarette), Let It All Out, and Stand In For Love. Isles exited the group in 1966 (he was never replaced), the group moving over to Larry Uttal’s Bell imprint and posting the #8 R&B seller I’ll Be Sweeter Tomorrow (Than I Was Today) the next year. Look Over Your Shoulder and The Choice charted for them in ’68.

But things weren’t going that great for the O’Jays. They were considering throwing in the towel when The Intruders, their co-stars on an Apollo Theatre bill, recommended they contact Philly writer/producers Kenny Gamble and Leon Huff. Pacted to the duo’s Neptune label, they scaled the R&B hit parade in ’69 with One Night Affair and Branded Bad and the pounding Deeper (In Love With You) and Looky Looky (Look At Me Girl) in ’70. When Neptune went belly up, Gamble and Huff launched Philadelphia International Records. Massey wouldn’t be there; he returned to Cleveland and segued into writing and producing.

Placing their full arsenal of musical weapons at The O’Jays’ disposal, Gamble and Huff came up with a brilliant piece of material for their Philly International debut. The ominous, shimmering Back Stabbers was penned by Huff along with staffers Gene McFadden and John Whitehead, who would pace the R&B hit parade themselves in 1979 with their duet Ain’t No Stoppin’ Us Now. Back Stabbers was the first song Whitehead ever wrote. He and McFadden collaborated on it in the Philly projects where they both lived, then brought it in to piano man Huff at the label’s offices.

Thom Bell arranged Back Stabbers, cut at Sigma Sound in the spring of ’72 with Philly Sound mainstays Bobby Eli, Norman Harris, and Roland Chambers on guitars, bassist Ronnie Baker, drummer Earl Young, organist Lenny Pakula, and Huff on the 88s. Slick and classy, it proved The O’Jays’ first R&B chart-topper late that summer and vaulted to #3 pop. Three members was all they needed.


- Bill Dahl -

Various - Sweet Soul Music 25 Scorching Classics From 1972

Read more at:
Copyright © Bear Family Records

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