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The Four Aces Saturday Swing Out (CD)

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  • CDTLR97440
  • 0.1
(Teen Life Records) 28 Tracks - Jive, Jive, Jive!mehr

The Four Aces: Saturday Swing Out (CD)

(Teen Life Records) 28 Tracks - Jive, Jive, Jive!

Artikeleigenschaften vonThe Four Aces: Saturday Swing Out (CD)

Four Aces, The - Saturday Swing Out (CD) CD 1
01Should IThe Four Aces
02You Can't Run Away From ItThe Four Aces
03AmapolaThe Four Aces
04I May Be WrongThe Four Aces
05AmorThe Four Aces
06How I Wish I MayThe Four Aces
07Someone To LoveThe Four Aces
08Bye Bye BlackbirdThe Four Aces
09Saturday Swing OutThe Four Aces
10MarinaThe Four Aces
11The Gal With The Yaller ShoesThe Four Aces
12SluefootThe Four Aces
13PerfidiaThe Four Aces
14Bahama MamaThe Four Aces
15Yes Sir That's My BabyThe Four Aces
16I Never Say Never Again AgainThe Four Aces
17Yearnin'The Four Aces
18Blueberry HillThe Four Aces
19You Driving Me CrazyThe Four Aces
20Somebody Else Is Takin' My PlaceThe Four Aces
21HeartachesThe Four Aces
22Honey In The HornThe Four Aces
23Organ Grinders SwingThe Four Aces
24Shine On Harvest MoonThe Four Aces
25Wedding BellsThe Four Aces
26There Is A Tavern In The TownThe Four Aces
27I'm Sittin' On Top Of The WorldThe Four Aces
28Ti-Pi-TinThe Four Aces
The Four Aces The Four Aces Who Is There To Blame Not to be confused with Al... mehr
"The Four Aces"

The Four Aces

The Four Aces

Who Is There To Blame

Not to be confused with Al Alberts' pop quartet of the same name from Chester, Pennsylvania who became infinitely more popular (at least from a mainstream perspective), these Four Aces made their musical mark first.

The Original 4 Aces, as they became known after Alberts' crew made such a huge impression from 1951 on, got their start in Fort Worth while still in high school. First tenor James Franks, second tenor Algia Pickett, baritone George Smith, and bass Otha Jackson eventually relocated to San Francisco, and while the war stalled their momentum (three Aces were inducted into the Navy), they reformed after war's end and proceeded to tear up the Bay Area club scene, leading to a deal with Rene La Marre's Trilon label in 1946. Along the way, they became a self-contained unit with Franks picking up the guitar, Smith on piano and Jackson on upright bass.

The Aces waxed their biggest seller, the two-part I Wonder, I Wonder, I Wonder (they only sang on Part 2) at their first Trilon session (see our previous volume). The Aces' half dozen Trilon encores didn't make the same local impression, so they moved on to Bill McCall, Jr.'s 4 Star logo. Or at least some of their masters did. Bob Geddins, one of the Bay Area's top R&B indie producers, reportedly sold 4 Star several Four Aces tracks in 1949, and the company pressed up Lazy Navajob/wAces Swing, then Too Lateb/wJumpin' Out, before the year was over.

Penned by George Smith and issued in January of '50, the luxurious ballad Who Is There To Blame was half of the Aces' last 4 Star offering. Otha Jackson sang it with suave assurance over Smith's chunky piano chording (he embarks on an aggressive solo halfway through). Yoked to a Pickett-led Because I'm In Love With You, it was the quartet's 4 Star swan song. By the time Geddins released their rendition of Eddie Miller's country classic Release Me in 1954 on his Big Town logo, necessity forced Geddins to issue it as by The Original 4 Aces to differentiate it from the East Coast's Four Aces (ditto their last release the next year, I Can See An Angel). Franks left the act in 1957, and by year's end their last hand was played.

Bill Dahl

Various - Street Corner Symphonies Vol.03

1951 The Complete Story Of Doo Wop

Read more at: https://www.bear-family.de/various-street-corner-symphonies-vol.03-1951-the-complete-story-of-doo-wop.html
Copyright © Bear Family Records

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28.06.2018

nice overview

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