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Jefferson Airplane Flight Box (3-CD)

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Artikel-Nr.: CDSNAJ742

Gewicht in Kg: 0,165

 

Artikel derzeit nicht verfügbar, Lieferfristen von bis zu 2-3 Wochen sind zu erwarten. (soweit verfügbar beim Lieferanten - kann aber auch schneller gehen)

24,90 € *
 
 

Jefferson Airplane: Flight Box (3-CD)

(2008/CHARLY) 34 tracks, two concerts from 1969 and 1972 made in San Francisco.
 

Songs

Jefferson Airplane - Flight Box (3-CD) Medium 1
1: The Other Side Of This Life
2: Somebody To Love
3: The Farm
4: Greasy Heart
5: Good Shepherd
6: Plastic Fantastic Lover
7: Uncle Sam Blues
8: Volunteers
9: White Rabbit
10: Won´t You Try/Saturday Afternoon
11: Jam
12: We Can Be Together
13: 3/5 Of A Mile In 10 Seconds
14: Introduction By Bill Graham  
15: Somebody To Love  
16: Twilight Double Leader  
17: Wooden Ships  
18: Milk Train  
19: Blind John  
20: Come Back Baby  
21: The Son Of Jesus  
22: Long John Silver  
23: When The Earth Moves Again  
24: Papa John's Down Home Blues  
25: Eat Starch Mom  
26: John's Other  
27: Trial By Fire  
28: Law Man  
29: Have You Seen The Sancers?  
30: Aerie (Gang Of Eagles)  
31: Feel So Good  
32: Crown of Creation  
33: Walking The Tou Tou  
34: Medley: Diana/Volunteers  

 

Artikeleigenschaften von Jefferson Airplane: Flight Box (3-CD)

  • Interpret: Jefferson Airplane

  • Albumtitel: Flight Box (3-CD)

  • Artikelart CD

  • Genre Beat

  • Erscheinungsjahr 2008
  • Label SNAPPER

  • SubGenre Beat 60s-70s

  • EAN: 0803415574223

  • Gewicht in Kg: 0.165
 
 

Interpreten-Beschreibung "Jefferson Airplane"

Jefferson Airplane

Jefferson Airplane became synonymous with the 'San Francisco Sound' in 1967 when both 'Somebody To Love' and 'White Rabbit' were Top Ten hits on RCA. Although the critical consensus is that the Airplane reached their peak in 1970, they remain, with the Grateful Dead, the most long-lasting and prolific of the groups to emerge from Haight-Ashbury in the late Sixties. Formed on the initiative of singer Marty Balin, who had recorded solo sides for Challenge in the early Sixties, the group was born out of a bunch of ex-folk musicians, who began playing folk-rock at the Matrix in the summer of 1965.

One of the earliest San Francisco bands to establish themselves at the centre of the growing local culture, they were the first to secure a recording con-tract. The advance paid by RCA was said to be $25,000, and by the time the first album (Jefferson Airplane Takes Off) was recorded the following winter, the group was fully electric. Although it was, in parts, derivative of the Beatles and the Lovin' Spoonful, the record showed how innovative the Jefferson Airplane were to be. From the beginning they saw their music as a means of breaking down established tradi-tions and mores : hence the unabashed way they celebrated the drug culture, as early as 1965. Following the release of Takes Off, singer Signe Anderson left to be replaced by Grace Slick from the Great Society, another San Francisco group. Drummer Skip Spence also departed, to form Moby Grape.

The remaining personnel remained together for the next four years. They were Jorma Kaukonen, lead guitar (born Dec. 23, 1940), Jack Casady, bass (April 4, 1944), Paul Kantner, guitar and vocals (March 3, 1941); Marty Balin, vocals (Jan. 30, 1943), Grace Slick, vocals (Oct. 10, 1939) and Spencer Dryden, drums (April 7, 1938). They were a co-operative, multi-media band, with posters, album-sleeves, dance promotion and Glenn McKay's Headlights light show all integral parts of their activity. The late Sixties also saw them at a creative zenith as a recording group with Surrealis-tic Pillow (1967), After Bathing At Baxters and Crown Of Creation (1968), the live Bless its Little Pointed Head and the politically oriented Volunteers (1969).

Grace Slick was an important addition to the band. She strengthened its visual and musical identity (through her harmonies with Balin). And she was the composer of the Airplane's two hit singles, 'White Rabbit' and 'Somebody To Love'. Equally important was the group's electronic experimentation, in the extended instrumental passages of songs like '3/5 Of A Mile In 10 Seconds' and 'The Ballad Of You, Me And Pooneil'.

 
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