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Guy Mitchell Rock-A-Billy - The Triad Sessions - Expanded Edition (2-CD)

Rock-A-Billy - The Triad Sessions - Expanded Edition (2-CD)
 
 
 

Artikel-Nr.: CDADD3054

Gewicht in Kg: 0,130

 

Sofort versandfertig, Lieferzeit** 1-3 Werktage

Statt: 14,95 € * (33.44 % gespart)
9,95 € *
 
 
 
 
 

Guy Mitchell: Rock-A-Billy - The Triad Sessions - Expanded Edition (2-CD)

(2008/ACROBAT) 20 tracks (Triad sessions, Nashville 1982) plus 28 Columbia recordings 1951-57 with 20 page booklet
 

Songs

Guy Mitchell - Rock-A-Billy - The Triad Sessions - Expanded Edition (2-CD) Medium 1
1: My Heart Cries For You  
2: The Roving Kind  
3: Sparrow In The Tree Top  
4: My Truly, Truly Fair  
5: Pittsburgh, Pennsylvania  
6: Feet Up (Pat Him On The Po-Po)  
7: She Wears Red Feathers  
8: Pretty Little Black-Eyed Suzie  
9: Chick-A Boom  
10: Cloud Lucky Seven  
11: Sippin' Soda  
12: The Cuff Of My Shirt  
13: Singing The Blues  
14: Knee Deep In The Blues  
15: Rock-A-Billy  
16: Call Rosie On The Phone  
17: Heartaches By The Number  
18: My Shoes Keep Walking Back To You  
19: Side By Side  
20: Music, Music, Music  
Guy Mitchell - Rock-A-Billy - The Triad Sessions - Expanded Edition (2-CD) Medium 2
1: My Heart Cries For You  
2: The Roving Kind  
3: Sparrow In The Tree Top  
4: Christopher Columbus  
5: Unless  
6: My Truly, Truly Fair  
7: Belle, Belle, My Liberty Belle  
8: There's Always Room At Our House  
9: Pittsburgh, Pennsylvania  
10: The Day Of Jubilo  
11: Feet Up (Pat Him On The Po-Po)  
12: She Wears Red Feathers  
13: Pretty Little Black-Eyed Suzie  
14: Look At That Girl  
15: Chick-A Boom  
16: Cloud Lucky Seven  
17: Sippin' Soda  
18: The Cuff Of My Shirt  
19: A Dime And A Dollar  
20: Ninety-Nine Years (Dead Or Alive)  
21: Singing The Blues  
22: Crazy With Love  
23: Knee Deep In The Blues  
24: Take Me Back Baby  
25: Rock-A-Billy  
26: Hoot Owl  
27: Sweet Stuff  
28: Call Rosie On The Phone  

 

Artikeleigenschaften von Guy Mitchell: Rock-A-Billy - The Triad Sessions - Expanded Edition (2-CD)

  • Interpret: Guy Mitchell

  • Albumtitel: Rock-A-Billy - The Triad Sessions - Expanded Edition (2-CD)

  • Artikelart CD

  • Genre Rock 'n' Roll

  • Music Genre Rock 'n' Roll
  • Music Style Rock & Roll
  • Music Sub-Genre 201 Rock & Roll
  • Erscheinungsjahr 2008
  • Label ACROBAT

  • SubGenre Rock - Rock'n'Roll

  • EAN: 0824046305420

  • Gewicht in Kg: 0.130
 
 

Interpreten-Beschreibung "Mitchell, Guy"

Guy Mitchell

Guy Mitchell (born Albert Cernik in Detroit in 1927) certainly belongs on this collection. A popster of the first magnitude, his life story and career in music from 1950-1960 are documented on Bear Family's Heartaches ByThe Number (BCD 15454). Mitchell's career was crafted and shaped to perfection by the folks in charge at Columbia Records: Mitch Miller and Ray Coniff. His sessions were tightly choreographed, from the choice of songs to the sound of his vocals and the backing style. Good natured, upbeat, sing-along music for a ‘50s, lobotomized, Father Knows Best culture. The formula was never so obvious as Mitchell's take on Marty Robbins' Singing The Blues. Somehow Mitchell and leader Ray Coniff found good-natured joy in what began life as a tale of woe. In Mitchell's hands the song unaccountably brought a smile to your face.

The track we have selected is one of his rare missteps. In March 1957 the word 'rockabilly' was everywhere, spurred into the public's consciousness by the success of Elvis Presley and a host of others in his wake. Other than getting the title right, the song understands little of what the genre was all about. The band features five guitar players, including New York stalwarts Billy Mure and Al Caiola. No matter. To listen to this song, you'd think rockabilly was some kind of demented dance craze. It's not clear what Elvis or Gene Vincent have to do with do-see-do, fee-dlee-dee, or mountain juice, but that's what's being sold here with a good-natured sing-along feeling. To its credit, the track is fine for dancing. As they used to say on 'American Bandstand,' "It's got a good beat and you could dance to it."

The dilemma posed by this track is something we encountered on 'They Tried To Rock: The Hillbillies' as well (BCD 17359, 17406). A lot of these folks were singing about people who rocked. They sometimes had a quaint, outsider's view of what was going on in the inner circle. They depended on clichés and mythology to inform their lyrics. Guy Mitchell coarsened his voice but that's about all he could do here, short of refusing to sing. Purists might argue, "The song never should have been recorded. It was a piece of junk and somebody should have known better." Pragmatists could quote Luigi Creatore: "A good record is one that sells." This one went to #10 on the charts and stayed there for 17 weeks. In any case, Marty Robbins was furious at Mitch Miller for bringing in popsters to cover his country hits. Would Marty have recorded this song?

Here's a rule of thumb: rockabilly songs don't usually use (or need to use) the word 'rockabilly.' Of the thousands of songs in the tape archives at Sun Records, only one comes to mind that used the word and, wisely, Sam Phillips didn't issue it.

Guy Mitchell Heartaches By The Number
Read more at: https://www.bear-family.de/mitchell-guy-heartaches-by-the-number.html
Copyright © Bear Family Records

 
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