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Diana Ross & The Supremes Supreme Rarities - Motown Lost & Found (4-LP Box)

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(Motown Records) 48 Tracks - Erste Vinyl-Ausgabe dieser phänomenalen Kollektion von Motowns... mehr

Diana Ross & The Supremes: Supreme Rarities - Motown Lost & Found (4-LP Box)

(Motown Records) 48 Tracks - Erste Vinyl-Ausgabe dieser phänomenalen Kollektion von Motowns beliebtester und großartigster Girl Group! Diese 4-LP-Box enthält Raritäten, Outtakes und alternative Mixes von ungehörten Juwelen und Chart-Stürmern, 1960-1969!

Artikeleigenschaften von Diana Ross & The Supremes: Supreme Rarities - Motown Lost & Found (4-LP Box)

  • Interpret: Diana Ross & The Supremes

  • Albumtitel: Supreme Rarities - Motown Lost & Found (4-LP Box)

  • Genre R&B, Soul

  • Label Universal Music

  • Geschwindigkeit 33 U/min
  • Plattengröße LP (12 Inch)
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Edition 2 Deluxe Edition
  • Artikelart LP Box

  • EAN: 0813547025883

  • Gewicht in Kg: 0.11
Ross, Diana & The Supremes - Supreme Rarities - Motown Lost & Found (4-LP Box) LP Box 1
01 You Can Depend On Me
02 Tears Of Sorrow (Motown Version)
03 Because I Love Him
04 Hey Baby (Version 1)
05 Too Hot (Version 4)
06 You're Gonna Come To Me (Version 1)
07 You're Gonna Come To Me (Version 2)
08 It Makes No Difference Now (Alternate Version)
09 Come On Boy (Alternate Version)
10 Just Call Me (Stereo Mix)
11 I Saw Him Standing There
12 Not Fade Away
13 Ooowee Baby (Alternate Mix)
Ross, Diana & The Supremes - Supreme Rarities - Motown Lost & Found (4-LP Box) LP Box 2
01 It's All Your Fault (Version 1)
02 Hits Medley: Come See About Me-Baby Love-Stop! In The Name Of Love
03 Cupid (Alternate Extended Mix)
04 Take Me Where You Go (Version 3)
05 Back In My Arms Again (Alternate Vocal)
06 You Can't Hurry Love (Alternate Vocal)
07 Mickey's Monkey
08 Uptight (Everything's Alright) (Alternate Vocal)
09 It's Not Unusual
10 (I Can't Get No) Satisfaction
11 Come And Get These Memories (Alternate Mix)
12 I Can't Help Myself (Sugar Pie, Honey Bunch) (Alternate Mix)
13 Let The Music Play (Alternate Vocal)
Ross, Diana & The Supremes - Supreme Rarities - Motown Lost & Found (4-LP Box) LP Box 3
01 Don't Let True Love Die (Extended Version)
02 What A Friend We Have In Jesus
03 Every Time I Feel The Spirit
04 Believe In Me
05 The Beginning Of The End Of Love (Stereo Mix)
06 People (Unedited Version)
07 Over The Rainbow
08 Wish I Knew
09 I Can't Give Back The Love I Feel For You
10 I'll Set You Free (Alternate Vocal)
11 Ain't No Sun Since You've Been Gone
12 In The Evening Of Our Love
Ross, Diana & The Supremes - Supreme Rarities - Motown Lost & Found (4-LP Box) LP Box 4
01 Love Child (Alternate Vocal)
02 Those Precious Memories
03 I'm Livin' In Shame (Version 1)
04 MacArthur Park
05 You're Gonna Hear From Me
06 Canadian Sunset
07 Autumn Leaves
08 The Look Of Love
09 Someday We'll Be Together (Alternate Vocal)
10 Scott Regan Radio Promos
The Supremes Where Did Our Love Go The Supremes Where Did Our Love Go  ... mehr
"Diana Ross & The Supremes"

The Supremes

Where Did Our Love Go

The Supremes

Where Did Our Love Go

 

Wags around Hitsville U.S.A. had sarcastically labeled Diana Ross's group the "no-hit" Supremes early in their Motown tenure, but that was before Berry Gordy sagely handed their artistic direction to Brian Holland, Lamont Dozier, and Eddie Holland. Soon enough, the Supremes were the top female vocal group in the country.

Fronted by Diana Ross (born March 26, 1944 on Detroit's East Side), the Supremes started out as the Primettes with Florence Ballard their main lead singer. The Primettes waxed their only single in 1960 for Robert West's LuPine label, Tears Of Sorrow featuring Ross while the flip, Pretty Baby, cast Mary Wilson as lead. In '61, they signed with Motown, choosing their name from a list supplied by Ballard and debuting with I Want A Guy. But only Your Heart Belongs To Me, Let Me Go The Right Way, and A Breath Taking Guy nicked the pop charts prior to H-D-H handing them the Spectoresque anthem When The Lovelight Starts Shining Through His Eyes, a sizable pop seller in 1963.

Where Did Our Love Go had been shunned by Gladys Horton, lead singer of the Marvelettes. "When the track was cut, I called her back and she just said out and out, she said, 'I don't like that!'" says Dozier. The Supremes weren't too thrilled with it either. "That was one that for us didn't sound like one, didn't feel like one that we thought it should feel like," says Mary. "My brother wanted Mary Wilson to sing that song first. And what had happened was, Lamont and I disagreed," says Brian Holland. "Lamont and I won out."

Dozier was determined to change Ross's vocal sound. "I hated her voice up in the sky like that on a lot of those songs," he says. "It was whiny to me. It didn't have enough substance. So this particular song was in Gladys Horton's key, 'cause that's how I envisioned it. It was low and sexy, like a Julie London or something kind of voice, foggy. So we tried that approach with Diana, bringing her off of those high notes and high keys that she sang in, and bring her down to this little sultry thing." Two other key ingredients: the relentless footstomps of Mike Valvano, whose Mike & the Modifiers briefly cut for Motown, and Mike Terry's burbling baritone sax,

a recurring motif on future triumphs by the lovely trio. Where Did Our Love Go topped the pop and R&B charts as the Supremes commenced their march to superstardom.

- Bill Dahl -

Various - Sweet Soul Music

31 Scorching Classics From 1964

Read more at: https://www.bear-family.de/various-sweet-soul-music-31-scorching-classics-from-1964.html
Copyright © Bear Family Records

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