The Searchers 7inch: The Searchers (7inch, 45rpm, SC, EP)

Vorschau: The Searchers (7inch, 45rpm, SC, EP)

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Artikel-Nr.: 45MA7477
Gewicht in Kg.: 0.08

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(1982/PRT Australia) 4 tracks EP A1 Needles And Pins A2 Don't Throw Your Love Away B1 Bumble Bee... mehr

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The Searchers: The Searchers (7inch, 45rpm, SC, EP)

(1982/PRT Australia) 4 tracks EP

A1 Needles And Pins
A2 Don't Throw Your Love Away
B1 Bumble Bee
B2 Goodbye My Love

Artikeleigenschaften von The Searchers: The Searchers (7inch, 45rpm, SC, EP)

Interpret: The Searchers
Albumtitel: The Searchers (7inch, 45rpm, SC, EP)
Genre Beat
Record Grading Mint (M)
Sleeve Grading Mint (M)
Geschwindigkeit 45 U/min
Plattengröße Single (7 Inch)
Artikelart 7inch
Label PRT Australia
EAN: 2500012774770
Gewicht in Kg: 0.08

Searchers, The - The Searchers (7inch, 45rpm, SC, EP) 7inch 1
01	Needles And Pins
02	Don't Throw Your Away
03	Bumble Bee
04	Goodbye My Love

The Searchers, named after the John Ford movie, were sec-ond only to the Beatles on Merseyside... mehr

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"The Searchers"

The Searchers, named after the John Ford movie, were sec-ond only to the Beatles on Merseyside in terms of musician-ship and local popularity. On their signing to Pye in 1963, the line-up was Mike Pender, lead guitar (born Mike Prender-gast, March 3, 1942), John McNally, rhythm (Aug. 30, 1941), Tony Jackson, bass (July 16, 1940), and Chris Curtis, drums (Aug. 16, 1941). Their first single, the Drifters' `Sweets For My Sweet' went to No. 1 and featured the high-pitched, light harmonies that became the group's trademark. Other covers of American hits followed and were equally successful : Jackie De Shannon's 'Needles And Pins' (written by Jack Nitzsche and Sonny Bono), the Orlons"Don't Throw Your Love Away' and 'When You Walk In The Room', another De Shannon hit.

The Searchers were also regular visitors to the American Top Twenty on the Kapp label, and their combination of tight harmonies with jangling guitars anticipated the sound of the Byrds. By 1965, how-ever, their lack of original songs for singles was becoming a liability. Two folk/protest numbers (Malvina Reynolds' `What Have They Done To The Rain' and P. F. Sloan's `Take Me For What I'm Worth') barely scraped into the Top Twenty and Jackson left to be replaced by Frank Allen from Cliff Bennett's band. In 1969, the Searchers lost Curtis who tried a solo career briefly and then went into production. By this time they were establishing themselves on the cabaret circuit, like many of their fellow-Mersey groups.

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