The Seeds Night Time Girl - Gypsy Plays His Drums (7inch, 45rpm, PS)

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Night Time Girl - Gypsy Plays His Drums (7inch, 45rpm, PS)

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(Norton) Undubbed versions from new edition of 'Raw And Live' produced by Alec Palao and Neil... mehr

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The Seeds: Night Time Girl - Gypsy Plays His Drums (7inch, 45rpm, PS)

(Norton) Undubbed versions from new edition of 'Raw And Live' produced by Alec Palao and Neil Norman - 'GNP Crescendo' recordings

Artikeleigenschaften von The Seeds: Night Time Girl - Gypsy Plays His Drums (7inch, 45rpm, PS)

Interpret: The Seeds
Albumtitel: Night Time Girl - Gypsy Plays His Drums (7inch, 45rpm, PS)
Genre Rock'n'Roll
Label Norton Records
Record Grading Mint (M)
Sleeve Grading Mint (M)
Geschwindigkeit 45 U/min
Plattengröße Single (7 Inch)
Artikelart 7inch
EAN: 2500051111161
Gewicht in Kg: 0.05

Seeds, The - Night Time Girl - Gypsy Plays His Drums (7inch, 45rpm, PS) 7inch 1
01	Night Time Girl	The Seeds
02	Gypsy Plays His Drums	The Seeds

The Seeds The Seeds were one of the more unusual groups spawned in Los Angeles during the... mehr

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"The Seeds"

The Seeds

The Seeds were one of the more unusual groups spawned in Los Angeles during the folk-rock era. Formed by the charis-matic Sky Saxon (real name Richard Marsh) in early 1965, the group included Jan Savage, Daryl Hooper, and Rick Andridge. Their music was raw, simplistic, and featured one-note guitar runs, but it was Saxon's weird, idiosyncratic growls and free-association ramblings that made them special. After being out nearly a year, Pushin' Too Hard' (their second single) was picked up by a local radio station and spread to become a national Top Forty hit at the end of 1966.

Although they had only three subsequent chart singles - 'Mr Farmer', 'Can't Seem To Make You Mine' and `Thousand Shadows' - the Seeds remained immensely popu-lar with L.A.'s discotheque audiences, and with fans around the country who saw them on tours and bought their albums, which were full of overt (if innocent) drug references and blatant sexual overtones. Everything they did was grossly overdone, notably their 'psychedelic' album, Future, and a ridiculous blues album with liner notes by Muddy Waters. But through it all Saxon's appeal remained. They dissolved around 1969, with no further recordings by any of the mem-bers - although Saxon still makes the rounds of record com-panies with tapes he describes as 'better than the Beatles'.

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